In 2003 Ruff produced the first nudes, culling images from internet pornography, then digitally processing them—enlarging them as far as possible—so as to cloud the crude clarity of the original images. For a new exhibition, currently on view at the Gagosian Davies Street Gallery in London, Ruff has created a series of unique monumental works, enlarged to an imposing scale while, conversely, the rawness and carnality of the original images is blurred to an innuendo. Images such as nudes dr02 (2011) become painterly illustrations of vague desire in which anonymous women sport and pose, their erotic power modified by a muted palette and hazed resolution, while in nudes ar09 (2011) the fetishistic power of the female subject is all but reduced to lush formal qualities—a cascade of thick blonde hair, the curve of pink thighs, the glossy black of a stiletto heel. Thomas Ruff  'Nudes' is on view at the Gagosian, until April 21, 2012.