"Find a couple. Have each of them tell me a secret. Install two safes in their home. Lock each secret up in its own safe. Keep the codes to myself. The lovers will have to live with the other’s secret close at hand but out of reach." Fraenkel Gallery presents an exhibition of work by Sophie Calle. Calle uses photography, text, and video to pursue her sociological and autobiographical investigations. Her exhibition at Fraenkel Gallery focuses on four bodies of work in which the artist delves into the nature of love, violence, secrets, and death. Among the works on view will be Secrets—a pair of working safes for storing a couple’s secrets, accompanied by a plaque engraved with the above text and the artist’s contract stipulating how these mysteries will remain secured. Writing is often integral to Calle’s work, as in her 2014 triptych Suicide (also on view), in which photographs of dark ripples on the surface of black water are accompanied by text sandblasted on glass: “They say the police can distinguish between people who drown themselves for love and those who drown themselves for money…” Featured in this exhibition will be two series incorporating portraits from ‘ready-made’ sources and addressing themes of privacy and violence. Calle’s Cash Machine photographs are made from ATM video surveillance footage, and each work is exhibited as a sequence of two to eleven images. Collateral Damage, Targets is a series comprised of images of petty criminals’ mugshots, which were used for police target practice. The exhibition will be on view until December 24, 2015 at Fraenkel Gallery in San Francisco. photographs by Bradley Golden