Understanding the New Cognitive Domain, an exhibition of work by Takashi Murakami focused on his monumental paintings, is on dislpay at the gallery in Le Bourget. The exhibition features five such works plus others in smaller formats and several sculptures. This is the artist’s first exhibition with the gallery in France.

The exhibition marks the debut of a monumental new 5-by-23-meter painting by Murakami based on the iwai-maku, or stage curtain, that he produced for the Kabuki-za theater in Ginza, Tokyo, in celebration of Japanese Kabuki actor and producer Ichikawa Ebizō XI’s assumption of the name Ichikawa Danjūrō XIII, Hakuen. (Kabuki stage names, which specify an actor’s style and lineage, are passed down through generations; the Ichikawa family has a roughly 350-year history.) The November 2022 unveiling of Murakami’s design, which was commissioned by film director Takashi Miike, coincided with the first performance of Ichikawa Shinnosuke VIII in the November Kichirei Kaomise Grand Kabuki Theater program.

Also on view is another extended-format painting, Dragon in Clouds – Indigo Blue (2010), which Murakami produced in response to eccentric Japanese artist Soga Shōhaku’s Dragon and Clouds (1763). Shōhaku’s work is a multi-panel Unryūzu (cloud-and-dragon) painting in which the titular creature appears as a Buddhist symbol of optimism and good fortune. Murakami’s painting, like Shōhaku’s, uses a restricted palette and is spread over several conjoined sections. Graphic swirls allude to Shōhaku’s expressive use of ink and suggest the dragon’s flight, combining with its flared nostrils and serpentine whiskers to evoke turbulent motion. Dragon in Clouds – Indigo Blue also resonates with contemporary Japanese visual culture, particularly the video game Blue Dragon, while its vast scale revives the visceral and psychological impact of Shōhaku’s masterpiece.

Also on view are several “lucky cat” paintings that reference the artist’s recent NFT projects, and other works featuring Murakami’s iconic smiling flower motif—including a two-meter rainbow neon sign—in which the artist again employs a retro-digital variant on his influential Superflat aesthetic. His ever-proliferating cartoonlike blossoms function as immediately recognizable and infinitely flexible icons that may be at once ornamental and symbolic, directing the viewer toward intertwined themes of identity, representation, and technology.

Understanding the New Cognitive Domain is on view through December 22 @ Gagosian Le Bourget 26 avenue de l’Europe. Every Saturday during the exhibition, Gagosian shuttle buses will run gratis between Le Bourget Gare RER (exit 1: Place des Déportés) and Gagosian Le Bourget every twenty minutes from 2 to 6pm. No reservation required.