How does one go about staging a stage? Emma Webster’s upcoming exhibition, Intermission at Jeffrey Deitch, answers this question by erasing the line between prop and (back)stage. This boundary erasure is nothing new for Webster, whose work combines the supernatural, unnatural, and natural realms, merging this paradoxical triad into a cohesive, uncanny space that reflects the inescapable presence of human viewership on nature and art. Her landscapes exist in a variety of intermediary spaces: between heaven and horror, nature and technology, fiction and reality, and theater and visual art. In Intermission, she gives physicality to these liminalities while highlighting previously behind-the-scenes sculptural stages of her process, creating an environment of borderless voyeurism that invites us, the viewers, into her creative world, while reminding us of our separation from it, reinforcing our roles as witnesses. Read more.