Lost Narratives Are Excavated As A Form of Restitution in The Struggle of Memory @ PalaisPopulaire in Berlin

As Milan Kundera writes in The Book of Laughter and Forgetting (1979), “the first step in liquidating a people is to erase its memory. Destroy its books, its culture, its history… The struggle of man against power is the struggle of memory against forgetting.” The artists in this exhibition are concerned with remembering, reconstructing, reimagining, and restoring. Part 1 of The Struggle of Memory focuses on how memories are embodied, presenting artworks that probe in different ways how the body absorbs, processes, stores, and recalls experiences. Part 2 explores how memories are inscribed, bringing together artworks that draw our attention to the traces of history in the natural and built environment while proposing alternative, sometimes subversive strategies of looking at the past. The show, curated by Kerryn Greenberg, features work by Wangechi Mutu, Kara Walker, Samuel Fosso, Anawana Haloba, Mohamed Camara, Berni Searle, Lebohang Kganye, Toyin Ojih Odutola, and Mikhael Subotzky.

Part 1 is on view through September 18th; part 2 is on view October 6th through March 11th at PalaisPopulaire, Unter den Linden 5, 10117 Berlin.

ALL CANNIBALS?

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Francisco de Goya - Saturn Devours His Son - 1819-1923

Goya's famous image of Saturn devouring his son epitomizes the lust the cannibal has for human flesh.  The painting depicts the myth of the greek god Saturn - fearing that his sons would overthrow him he would eat each one after birth. Male lions eat their cubs after birth in order to bring the females into heat.   Goya's image of the savage cannibal with its wide eyes and devious abandon, satiating itself on a child is also representative of Goya's fear of madness.  Saturn Devouring His Son was part of a series called the Black Paintings painted on the walls of his Spanish villa toward the end of Goya's life.  The series was never commissioned and exhibited only posthumously. The painting, haunting and dark in nature, are indicative of a man alone, deaf - confronting the harrowing possibilities of eternal nothingness.  

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Jérôme Zonder - Jeu-denfants n°1 2010

The myth of cannibalism seemed to have a very Jungian catharsis for Goya - it is as if through Saturn's consuming of a child brought Goya a transmutative feeling of youth.  Cannibalism though, the mere notion of a man eating another man brings back primitive visions.  Artists in one medium or another have confronted cannibalism  in society for centuries. Claude Lévi-Strauss, the French anthropologist, is quoted as saying, "“We are all cannibals. The simplest way to identify with others is still to eat them.” Really now? An exhibition at the Me Collector's room in Berlin begs a question in return - all cannibals?

The exhibition All Cannibals? at me Collectors Room explores the topic of cannibalism (anthropophagy) in art. "Anthropophagy can be found in the myths of all cultures and ages—with examples ranging from antiquity, the Bible, or folk tales to classicist authors and modern horror movies. The recurring motifs of desire and brutality can likewise be found in modern and contemporary art. The concept for the exhibition emerged from the observation that the theme of consumable flesh seems to be gaining in significance within many current art works."

The exhibition is being held in cooperation with the Paris exhibition venue “la maison rouge.” Presented in parallel in the art magazine ART PRESS is a special issue on cannibalism, including interviews with collectors Antoine de Galbert and Thomas Olbricht in French and English. On view May 29 to August 21, 2011. www.me-berlin.com

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Will Cotton - Consuming Folly - 2009