Opening of Ai Weiwei's 'Zodiac' @ Jeffrey Deitch Gallery in Los Angeles

Jeffrey Deitch has just opened his new Los Angeles gallery with a museum-scale exhibition entitled, Zodiac, by Ai Weiwei. This inaugural exhibition at Jeffrey Deitch Gallery Los Angeles, is one of three major exhibitions by the artist concurrently on view in Los Angeles.

The center of the space is filled by one of the artist’s most remarkable works, Stools (2013), comprised of 5,929 wooden stools from the Ming (1368-1644) and Qing (1644-1911) dynasties and the Republican period, gathered from villages across northern China. Very few of these stools remain in Chinese households today, but they were once a ubiquitous staple of domestic life. Each stool reveals traces of use and evokes the experience of generations of lives. Ai Weiwei admires the stools for their simple design and solid structure, a design language that remained unchanged for thousands of years.

Complementing the stools is a new series of Zodiac works composed from thousands of plastic LEGO bricks. The set of twelve works incorporates imagery from two well-known series by the artist. The twelve LEGO Zodiac animal heads deriving from his sculpture series Circle of Animals / Zodiac Heads (2010) are overlaid onto twelve landscapes and monuments from Ai’s Study of Perspective (1995–2003) series of photographs. He appreciates how LEGO is accessible to everyone, especially young people. His use of LEGO components is a response to the pixelated structure of digital images.

Both the Stools and the Zodiac installations are assembled from accumulated elements, a creative method that Ai has employed in many of his best-known works. His interest in accumulation and collecting relates to his desire to understand how an individual relates to society, to memory, and to objects that evoke a particular time. His use of antique stools and modern LEGO bricks are examples of how his art redefines these elements, subverting their history and nature.

The sculpture Grapes (2017) reassembles the stools into a completely different shape but uses the original structural logic so that it remains true to its original form. It provides a graceful and whimsical counterpoint to the accumulation of the 5,929 stools. Zodiac is on view through January 5, 2019 at Jeffrey Deitch Gallery 925 N Orange Drive, Los Angeles. photographs by Oliver Kupper

Dodging a Bullet: Read Jeffrey Deitch's Words On Artist Tom Sachs On The Occasion of His Solo Exhibition →

“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “Nuke the Swiss” printed above a red cross. “They were left there by that funny guy who comes in here all the time,” my staff explained. A few weeks later, I was there when the culprit walked in, smirking as he handed me a fresh stack of Nuke the Swiss stickers. His engaging manner somehow neutralized the egregious content of his free art. This was my first introduction to Tom Sachs, who twenty years later, still visits during his walks around the neighborhood, and who continues to perfect his fusion of radical conceptual performance, Modernist idealism, bricolage and provocation. Click here to read more. 

Mukunda Angulo From the Wolfpack Takes Us On A Tour Of His Exhibition At Deitch Projects in New York

Halloween time is like Christmas time for the Angulo family. Last week, Mukunda Angulo, one of the seven children from "The Wolfpack" – as explored in Crystal Moselle's illuminating and riveting documentary that won the U.S. Documentary Grand Jury Prize and is a must see – took Autre on a tour of his and his brothers' exhibition that ended over the weekend at Deitch Projects in New York. The exhibition showed ephemera from the brothers' homemade movies and premiered their first short film, entitled Window Feel. Polaroid photographs by Julianna Vezzetti.