It is testament of Day’s talent as a photographer that she was able to capture an air of informality in her images. Her photographs do not feel staged or posed, and the people she chose to work with do not feel removed from the everyday world. In their familiarity, Day captured the zeitgeist of early 90s Britain. As Sheryl Garrett editor of The Face explained, the magazine “set out a new editorial task of expressing the underground movements of the 90’s. Acid house, ecstasy and the massive, rapid rise of rave culture was the magazine’s inspiration. It felt like a time for smiling rather than pouting, for bright colours and openness and also for something more natural and real - which Corinne Day’s images tapped into very clearly”. Corinne Day’s daring and provocative images burst into collective consciousness through the pages of The Face magazine in the early 1990s. An exhibition Gimpel Fils gallery in London revisits some of Day’s earliest photographs created for The Face, providing an opportunity to assess the on-going artistic legacy of her exceptional vision. On view until October 1.
