Katherina Olschbaur: Dirty Elements @ The University Art Galleries In Irvine

Olschbaur provides a female perspective to a history of canonized male painters, whose work simultaneously inspires her. Although traces of matriarchal order in Western thought typically appear as a mythological apparition, Olschbaur paints a narrative that subverts our expectations under the normative language of patriarchy. For Olschbaur, art historical tropes are appropriated and used like garments, worn then cast aside in a process that is ever changing and moving within each work. In this way, Dirty Elements investigates the power dynamics of patriarchal order and its violent denial of female sexuality. Referencing a wide spectrum of thought, Olschbaur’s practice takes root in mythology, religious and historical paintings, the subcultures of S/M, and film. Embracing Georges Bataille’s concept of the formless, the paintings explore the dirty elements of our carnal nature. In so doing, they feature provocative and erotically charged scenes that are at times humorous and disturbing. Dirty Elements is on view through March 14 at Contemporary Arts Center Gallery, Irvine, California. photographs courtesy of University Art Galleries, UC Irvine © 2020 by Jeff McLane Studio, Inc.

Closing Party For 'Water & Power' And After Party For Karon Davis' 'Muddy Water' @ Underground Museum in Los Angeles

The Los Angeles cultural world came out in droves to the Underground Museum September 15 to celebrate the closing of Water & Power and the opening of Muddy Water. Water & Power featured four artworks from the MOCA permanent collection, curated by the late Noah Davis at the Underground Museum. Muddy Water is a solo exhibition by Karon Davis currently on view at Wilding Cran Gallery through November 4. photographs by Lani Trock

Katherina Olschbaur Presents "Horses" @ Nicodim Gallery Los Angeles

The horse, to Katherina Olschbaur, is a banner of freedom, but also one of constraint. Some of her subjects are galloping unbridled, powering through surreal, fluorescent landscapes as the ground bows, its surface giving willfully to the weight of each hoof. Other equines are restrained, bound to human figures—occasionally draped over human figures—erotically reinterpreting dressage as fetish play, begging the question: who’s riding whom? Horses is on view through August 18 at Nicodim Gallery 571 S Anderson Street Ste 2 Los Angeles. photographs by Oliver Maxwell Kupper