As all offices, ateliers and factories were closed over lockdown, the Alexander McQueen design team were sent stock fabric to their homes, which was over-printed, over-dyed and renewed.
This collection harks back to the early days of McQueen and a free, make-do-and-mend spirit. Garments – from signature sharply cut masculine-inspired tailoring to prom dresses - were cut by hand at kitchen tables, fabric was dip-dyed in gardens. A mid-twentieth century silhouette – sweetheart necklines, soft shoulders and overblown skirts – is complimented by a hyper-feminine colour palette in shades of pink, from albion to fuchsia rose, and red, punctuated by classic black. Asymmetric hand-draped silks and exploded bows nod to the haute couture tradition finishing an audaciously romantic look.
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A dress with off-the-shoulder drape and a tiered skirt in washed silk organza dip-dyed albion pink and black.
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A double-layered tuxedo jacket in black wool silk with a wrapped bow peplum in albion pink micro-faille and cigarette trousers in black wool silk with a black satin tuxedo stripe.
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An oyster ruffle dress with a high neck and scalloped back in washed organza dip-dyed albion pink and black.
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An asymmetric, floor-length dress with an exploded skirt volume in washed calico silk organza with sketchbook hand embroidery over a skeletal corset in nude silk tulle. The embroidery was inspired by drawings in the notebooks of the Alexander McQueen design studio teams.
