A Glimpse Inside The William Eggleston Artistic Trust In Memphis, Tennessee

The Eggleston Trust is the holiest of places when it comes to the life's work of legendary photographer William Eggleston. It is the nerve center where his son, Winston Eggleston, manages his father's negatives, commission requests, old cameras, ephemera and more. Before our interview of Eggleston at his home down the road, your first stop is this dim, slightly cramped office where you'll find everything from a camera stolen from a cafe table in Paris and found years later in a pawn shop in Tokyo, to a safe full of the thousands of original negatives containing William Eggleston's most famous images. Click here to purchase our Summer issue with an exclusive interview of William Eggleston and photographs from our visit. photographs by Oliver Kupper and Bil Brown

William Eggleston Rare Book Signing @ David Zwirner On The Occasion Of His Exhibition At The National Portrait Gallery in London

On the occasion of the exhibition 'William Eggleston Portraits' at the National Portrait Gallery, David Zwirner hosted a rare book signing with William Eggleston at the London gallery, in partnership with The Photographers' Gallery. Eggleston is a pioneering American photographer renowned for his vivid, poetic and mysterious images. This exhibition of 100 works surveys Eggleston’s full career from the 1960s to the present day and is the most comprehensive display of his portrait photography ever. Eggleston is celebrated for his experimental use of color and his solo show at the Museum of Modern Art, New York, in 1976 is considered a pivotal moment in the recognition of color photography as a contemporary art form. William Eggleston 'Portraits' will be on view from July 21 to October 23 at National Portrait Gallery in London. photographs by Flo Kohl

Photography New Works at Galleria Carla Sozzani

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Photography New Works is on view now at Galleria Carla Sozzani in Milan and  brings together some of the most prominent photographers in fine art and fashion, under a common theme, and provides visitors with an unprecedented opportunity to experience the very latest, cutting-edge photographic expressions. Photography New Works includes new works by William Eggleston, Stephen Shore, Nan Goldin, Martin Parr, Terry Richardson and Ryan McGinley. Photography New Works will be on view until November 18, at Galleria Carla Sozzani, Corso Como, 10, 20154 Milan, Italy

Eggleston's Southern Gothic Travelogue at Prospect 2

Whilst Los Angeles is in the heavy throes of the city wide art invasion known as Pacific Standard Time, New Orleans is hosting its own city wide site specific exhibitions and artists’ projects happenings called Prospect 2 on view through January 2012.  Now on view at the Old U.S. Mint, which is now the Louisiana State Museum, William Eggleston's 77 minute long groundbreaking, surreal Southern Gothic  travelogue Stranded in Canton, "a film that consistently teeters on the edge of dream and nightmare states. Its nocturnal visions of bar denizens, musicians (including Furry Lewis), transvestites and a variety of semi-crazies comes off like a Cassavetes all-nighter filmed by David Lynch at his most unsettling: faces loom out of darkness, shot in infrared, displaying pale glowing skin and deep black eyes." On view at the The Louisiana State Museum at the Old U.S. Mint, 400 Esplanade Ave. 

"I'm am at war with the obvious." William Eggleston

I am afraid that there are more people than I can imagine who can go no further than appreciating a picture that is a rectangle with an object in the middle of it, which they can identify. They don't care what is around the object as long as nothing interferes with the object itself, right in the centre. Even after the lessons of Winogrand and Friedlander, they don't get it. They respect their work because they are told by respectable institutions that they are important artists, but what they really want to see is a picture with a figure or an object in the middle of it. They want something obvious. The blindness is apparent when someone lets slip the word 'snapshot'. Ignorance can always be covered by 'snapshot'. The word has never had any meaning. I am at war with the obvious.

-- From a conversation with Mark Holborn, Greenwood, Mississippi, February 1988