Narcissus and the Broken Giver By Marc Frazier

Photograph by Philip-Lorca DiCorcia

text by Marc Frazier

 

            Strains of Tchaikovsky fill Bruce’s second-story apartment. Curtains swish lightly in the breeze like a mournful dance—dancers illusive, then static; then, he thinks,

mocking. The clock ticks off minutes as only a Sunday afternoon clock can.

            Bruce enters the bedroom, his favorite place to relax when alone. Although tastefully decorated, elements of its décor are dissonant like the strings of the symphony he listens to, or his own needs and wants. The bed is an old metal frame with box springs. On the wall to the left of the bed is a long wall mirror. Stretched out on the bed Bruce stares out a rather large open window.

            The mustiness. It clings to me. Acts on my senses. The mustiness of summer cottages in resort towns open to their first boarders of the season. He tries not to think. A fly buzzes somewhere near. The time away has done nothing, he fears, as he traces the lines of his right palm with the forefinger of his left hand and vice versa.

            Suddenly Bruce jumps up and yanks open the top right drawer of the large, antique wooden chest. He reads and rereads and stares without reading the piece of paper before him. It sounds poetic, he can and cannot understand it, he could appreciate it and then he could hate its author. He hears footsteps on the stairs. He cannot mistake their author. The same.

            The music stops, the clock ticks, he hears the knock. He contemplates whether to answer it or not. Again the knock. He sits unmoved on the bed. Then he hears the door close and sees him standing in the bedroom doorway.

            David stands not smiling, not not smiling. “Didn’t know if you were home or not.” Silence. Bruce realizes he is holding the note in his hand. This disturbs him thinking it gives David too much power, that he cares enough to have it there, in his unsteady hands, that David knows all this with one glance.

            David nervously brushes his red bangs to either side of his forehead. Tom jumps from the bed, hands fisted, swinging wildly at the other man who remains motionless, “You son of a bitch, you fucking, mother-fucking son of a bitch.”

            David, being physically the stronger, overpowers Bruce’s fists with his hands. Bruce sinks to the floor holding as if to a ridge on a mountainside to David’s belt. He sobs. “I trusted you.” He feels like he will fall off this precipice, unprotected, all the way to the bottom. David’s hands are overlaid upon Tom’s clenching tightly to his belt. “You son of a bitch.”

            Bruce’s hands open David’s fly and take out his cock. This is the intimacy we had he thinks. David stands more smiling than not smiling, glancing sideways in the mirror reflecting his firm chest swelling, lapsing, his six-pack abs.

            When David’s guttural breathing slows, Bruce says evenly, “I don’t ever, ever want to see you again, you son of a bitch.”

Three Short Prose Pieces By Carrie Cooperider

Empathy

         Many years ago, I attended a lecture by a man whose stroke, he warned us, had left him language-impaired. He spoke slowly and deliberately, sometimes using the wrong word. At one point, he lurched into a tragic sentence that began, “My mother, who is still dead…”

          I hated myself for it, but I cracked up. I could not stop laughing behind my hand, even as people turned to stare. I felt terrible, let me tell you! Sorry for him, and ashamed and embarrassed for myself. Yet here it is almost thirty years later, and I still find it hilarious. Sometimes, just re-hearing the words in my head, my thumbs will go numb, that’s how serious it is. My circulation is affected by how hard I am crying with laughter. Maybe there’s something neurologically squirrely going on in my brain, too.

          Nearly thirty years later.

          I wonder if the man with aphasia is still alive?

         Or if his mother is still dead?

Got A Minute

          It’s been one of those days when everybody I want to talk to is dead. Not their fault; it’s a common-enough type of busy signal to get. I figure, okay then, I’ll drive out to the Russian place, do some shopping. I don’t know any Russians, living or otherwise engaged, so that’s nothing personal. But maybe an aisle of smoked fish will cheer me up.

         I put the plastic sack with the butter, rye bread, and wrinkly-skinned mackerel on the passenger seat. “Hey, Mack,” I say as I back out of my spot, “What do you think? Get home quick, or do we got time to take the scenic route?”

Baby Shower

         Of course I didn’t want children. They can turn out so—wrong. I mean, what if they turned out like me?

         Once, when I was bathing Mother, she looked at me, dripping and steamy-eyed, and demanded, Child, does your momma know what you’re doing?


Carrie Cooperider is a writer and visual artist who lives and works in New York City. Her work has appeared in such publications as New York Tyrant, The Antioch Review, the Southampton Review, Cabinet Magazine, and Artishock.


Tender Meat By Jennifer Love

artwork by Dash Snow

by Jennifer Love

         Me and Baby Rae like to talk about how we’re gonna get out of here soon. We both have big plans. She’s gonna be a school bus driver, and I’ll probably find Jesus or something. I just need to experience a great miracle to make me believe. Then I’m gonna be saved.

        The chili always burns black at the bottom of the pot. That’s why they’ve let Baby Rae stay here so long, because she’s the only one who’s got the sinew in her arms to scrape the iron clean again. “I’ll tell you a secret, Tiny,” she had said when I was first assigned to kitchen duty with her. “I got a deal with the cook. She always burns the food a little on purpose, gives me something to work with. Keeps me off the streets til I get going on my bus license.”

         My secret is that I watch her work out of the corner of my eye, I love to watch the rumbling muscle and fat. Baby Rae has great big folds of flesh and great big grooves around her eyes, she is stout and strong and steeped in rare wisdoms, pluckable as grapes. Like what she said before my first job interview. A shower ain’t enough, honey. You gotta go down to the Walgreen’s and pick out a 99 cent tube of lipstick. You wear lipstick, people think you got money, you know? She’s smart like that. Took a lot for her to get this way, though, living in the shelter for a record amount of time and not hearing a peep from no one about moving on. I know she had a baby boy and that baby boy isn’t hers anymore, because I guess somehow his school found out she was shooting up at home. The story’s a little fuzzy. She always gets to blubbering before long.

         I stay quiet when Baby Rae gets to talking about her son. A long time ago, I had tried to explain to her about my own experience as a mother. Tried to say, hey, I know what it’s like. To give birth. And then to lose your kid. But she didn’t understand, because my baby was born into the hands of a fortune teller named Grace who I had found in the Yellow Pages after a long night of contemplating the vast mystery of the future. And I guess to her, that isn’t quite the same.

         I reach back to the furthest tentacles of my mind, take myself out of the salty haze of the kitchen and back to that most important day. I am fifteen years old. I am wearing a sweatshirt that hangs halfway to my knees. I am on her doorstep, and then I am inside her house, sinking into the folds of her couch, breathing through my mouth and holding my hand out expectantly as she rustles through the contents of a drawstring bag. “I’d like to see my future, please,” I say.

        She makes me pay before she will touch me. Takes my ten dollar bill, then takes my hand and glides her crackled fingertips across its surface. Retrieves a stone to press into its center. Oils the fingers, a different oil for each one, from tiny bottles she produces from the depths of her bag. Stones. Oils. And a knife. This she lifts with great ceremony before running the blade along the creases of my palm, drawing bubbling red threads to the surface.

        “I didn’t know those were under there,” I breathe. When I touch them, they smear.

         She strokes my wrist with her thumb. “Are you ready, baby?”

          Her voice is barely audible. If I speak out loud, I fear the moment may break. My head nods before I know what I’m agreeing to.

          She sinks the knife deeper into my palm, angling it towards my wrist. She’s reaching for something, I know. She’s finding something important inside of me, and I feel no pain at all.

          Something bloody and gelatinous is on the end of her knife, as she pulls four inches of blade out of my flesh. She scoops it out of the meat of my hand and lays it, with reverence, across my other open palm.

           “A baby duck,” she sighs, eyes glittering. “An embryo.”

          The glazed eye of my offspring gazes up at me. Grace takes my hand again, pulls a needle and thread through the incision she has left.

          “Will it survive?” I ask. “Is it going to grow up?”

          She just nods, breaking the thread with her teeth. Taking my hand, she leads me to her front porch. She kisses the embryo, staining her lips red before she retreats into her house and shuts the door.

          “Grace, wait!” I try the door, but it’s locked. I shake the knob to make the hardware rattle. “What about my future? You never told me!”

         I bang on the door with my stitched hand, keeping my baby cupped carefully in the other. She pulses warm and wet in my palm. “Grace! What does this mean?”

          It seems as if my voice should echo, but it doesn’t. I desperately need Grace to let me back in, but she won’t. The night, unsympathetic to my situation, descends. So I just slush home.

          I named her Meatball. The little duck. My daughter. I cracked eggs over her miraculous body each day, gently massaged the yolk into her skin. Meatball was my moon and sun. She grounded me during my time of navigating life as a disoriented Canada goose, two states behind and wondering when everyone else was going to catch up. She started the thaw within me, organs materializing from the soup of my cells and groaning slowly to life. The world was becoming real with her every imperceptible breath; life could be more than something I thought about from afar, formless and alone, wondering when everyone else was going to catch up.

          Frozen, thawed, back in flight-- life could be more than something I thought about in my sleep.

          But I am not fifteen anymore. I am not with Grace, I am with Baby Rae. And she has moved on. Now she is telling me that if she’d had a man, she would still have her kid, and she’d have a job and a house and all that. Playing the game, she calls it. That’s how you gotta do life, she advises.

          She cracks her dishtowel, slings it across the wire rack. “You know, Tiny, you’re a cute little thing. I don’t know why you don’t just pick a man off the street, get him wrapped round your finger. You’d be all tucked up in a nice house in no time.”

          “It’s not that easy.”

          “Like hell it ain’t. Wait til you’re my age, see what you think ‘bout it then. You can give me a call.” Baby Rae pulls the stopper out of the drain and meanders out of the kitchen, squawking with laughter. “Cos you know if I ain’t dead yet, I’m still be here!”

          Baby Rae doesn’t know about the last time I tried anything like that. I had been scooting down the strip mall at the edge of town, a shopkeeper after me for stealing a can of beans. The bowling alley had seemed like a safe haven from the outside, with a faded sign promising fun for the whole family. Inside was dim and interplanetary, every surface yellowed by fluorescent beams. I ran for the lanes and slid down the first alley I reached, dropping my body low, gliding under the ten-pin triangle suspended and into the dark. My feet slammed into a metal grate. What the hell, a voice said from the other side, a voice that I would later know as that of my angel, my angel took a socket wrench to the grate and pulled it down with a clang so I could hop out, and I hopped.

          “Who are you?” I asked him. He had a greasy black mustache that I trusted with my life. His body was shaped like a beautiful egg.

          “I feel like I should be the one asking the questions here,” he said with something like a grunt, or maybe a laugh. I waited. I checked on Meatball. She was a fluffed-up duckling by that time.

          The man cleared his throat and puffed out his chest a little. “My name’s Dave. I’m the pinsetter mechanic.”

          He showed me the supply closet to hide in when the owner came back a minute later to bang on the door, said I don’t know man, she ran out that way, I don’t know, she didn’t say nothing to me until he left, and I asked from inside the closet if he had a wife, and he didn’t hear me so I came out of the closet and asked again, and he didn’t say nothing to me, and my insides snapped for a second and my eyes darted to the door, until he asked me hey kid, you gonna be okay if I sneak you out, and I didn’t say nothing to him, and that’s how I ended up sleeping in the musty space behind the bowling lanes, eating the food he brought me, feeding Meatball the oats and peas he brought her, spending my days plotting how I was gonna get out of there and into his house, where I could have a real bed instead of an inflatable mattress on the ground, and real showers instead of baby wipes and weekly trips in the middle of the night to the campground showers just out of town. I spent a long time on my teeth in those concrete restrooms in the cold and the dark and the night. Convinced that if I brushed them long enough, they would get sharp like fangs.

          His wife’s name was Barbara. I had to ask him four different times if she was fake until he showed me a picture in his wallet. He loves her very much, he said, but that’s why I gotta stay here. He gets it, he said, but she don’t. And he kinda likes it, he said, having a little secret to keep.

          “You guys don’t have any kids, right? Can’t you adopt me?” I asked him one day, and again. He didn’t say nothing to me. “Do you think of me as a daughter? Or more like a captive, illicit love?”

          He snorted. “Come on, kid. You’re only old enough to be my daughter.”

          “So I am your daughter, then?”

          He watches the pins through the grates, spinning, spinning, spinning into place. From where I sit on my mattress, I can see every single line in his skin.

          “Sure, Tiny. You can be my kid.”

          I could be his kid. Until the night I was woken by the sound of pins crashing against one of the grates, and his voice, and something less familiar. The voice of a girl. Younger than Barbara. I scrambled out of bed and pressed my eyeball to the grate and saw her, my age but prettier than me, pretending she didn’t know how to roll the ball so that he would put his arm next to hers and he put his arm next to hers and behind them on the plastic seats, a cherry slushie he must have gotten her from the snack shack, he would’ve had to turn the machine back on for that and then clean it again before the morning crew arrived and I knew this because he’d done it for me and until that night, for me alone, and I saw the way they were looking at each other, and I pulled on my sweatshirt and shoved Meatball in the pocket and wrenched out the bolts and pulled down the grate and ran down the line at the side of the lane, picked up a bowling ball, and they were yelling but I couldn’t hear what they were saying and they were yelling and I threw the bowling ball at her head, and I didn’t throw it hard enough, and it landed with a bone-cracking smack on the ground that I became certain was the sound of my heart breaking.

          She’s my niece, he thundered after me as I ran to the front doors, clasping another bowling ball against my chest. And here’s what happened next: first, his hand clamped down on my arm. Second, every nerve ending in my body shrieked. Third, my entire being pulled itself away from his grasp, a great surge of revulsion pushing forward so hard that my sick-mouse feet couldn’t keep up and one kicked the other and I fell, hard, on the hardwood, on my left hip. The pocket with Meatball inside. I felt her little bird bones popping against mine, the warm blood seeping through my sweatshirt, and my baby girl was dead, a mess of flesh in my pocket. A sob rose from my stomach, but I couldn’t think about it then.

          At the front doors, I threw the bowling ball against the glass and this time it worked, the glass shattered, sent the screech of an alarm across the building and into the night. It sounded like silver blood, just like me, and it almost drowned out Dave in the background, his footsteps, his voice, still yelling, Tiny, you fucking crazy bitch, she’s my niece.

          Two lungs later I laid flat on the side of the highway, arms outstretched like an angel. My bones were aching like they wanted me to tear them out or something, bury them in someone’s backyard until a hush settled in. Made them docile. I thought of all those glittering fragments of glass, suspended for milliseconds before raining down on the pavement. And my body a tiny angel, fluttering amongst the iridescence, avoiding the sharp edges with the practiced bobs and weaves of someone who has felt them before. Laying far out in the dark, I considered whether I really cared that Dave had some other stupid girl with a ponytail, or if I just thought I should. Sometimes it’s hard to tell how much of what I’m doing is me, and how much is a hand slipping through the cracks in my skin and knotting against my spine.

          The sobs had long subsided, faded to kitten hiccups in my throat. I felt convinced that no one in history has felt as hard, as much as I do, no one else has ever laid flat on the ground on the side of the road in the middle of everywhere with their baby’s mangled body turning crusty against their hip, fucking freezing and waiting for the earth to split open beneath their back, waiting to fall, praying for a home or a hand or something to catch them on the other side. No one else has ever been so close to the void.

          I stayed like that, a bloodstained palm to the sky, until the cops came to take me away.

          But it’s okay. You know? People are always talking about how everything is okay. I’m gonna be saved. And Baby Rae’s gonna get her certificate and become a school bus driver, probably in Kentucky, she says. Where they have white picket fences and green grass, the kinda shit you don’t see round here, she says. I dig my nails into the blackened grit at the bottom of the pot, and the grit bites back. I’ll be there, too. When I’m an angel, back in flight. Higher than the sun. I’m gonna be saved. I swear. I’m gonna be saved. I’m just waiting for the miracle.


Jennifer Love is a writer, artist, and Bay Area native. She currently resides in San Jose, teaching literacy skills to ESL learners and working on a collection of short stories.


Maneesh in Los Angeles by Shane Jones

photograph by Daido Moriyama

text by Shane Jones

       On Saturday mornings Maneesh tells Sarah things. They have lived together for six months. Sarah refuses to define their relationship, so Sarah is just Sarah and she lives her life saying she has a cold. Maneesh doesn’t understand why Sarah always has a cold, but she says she does and she likes to talk about it. Once a week Sarah works for a veterinarian who makes house calls. The only reason he makes house calls is to put dogs to sleep. The only reason he employs Sarah is to have someone in the house if the dog is too big. 

       Maneesh wants to marry Sarah. He feels embarrassed that he desperately wants to marry a woman named Sarah who has a cold all the time and puts dogs to sleep. Back home his parentsquestion their non-arrangement. They call Sarah “The Sahara” and when Maneesh asks what that means exactly they go silent. Regardless, they send money every month and are happy to do so. His mother places dried flowers, from their backyard, intothe envelope, and during the trip they become dust. His father sketches clouds in pencil across the top of the envelope and the mailman once used a black pen and drew some slanted rain. 

        The worst thing Sarah has ever said to Maneesh he has written on a purple post-it note. This one mean thing, so heartless, he holds onto, and before taking a shower, he unfolds the purple post-it note, reads the question, and tries to answer it. What the mean thing is never seems as mean as when he first heard it. They were arguing about money. They always argue about money because money is the most important thing in the world. Sarah said that he could never make it alone because he had no friends in LA. She narrowed her eyes and said, “When was the last time someone asked you how you were?” 

         Maneesh is on a job interview at The Dick Motel. His resume is completely blank, there is absolutely nothing on it. The man sitting behind the desk, Mr. Dick, feels required to interview a person with a name like Maneesh. Mr. Dick has a framed picture of his five children. All five children are dressed in North Face jackets and Under Armour pants. Maneesh looks at the picture and sighs. 

        “Tell me about yourself,” says Mr. Dick. 

         Maneesh describes the field of flowers back home and the spice market and the golden temple and the cows that produce toxic milk because they eat street garbage. To some of the people who interview him his life seems exotic. Sometimes the interviewers talk about Cancun and Maneesh smiles and nods. 

        “But who are you really,” says Mr. Dick. 

          This has never happened before. Such a question! Maneesh lists off adjectives, none of which accurately describe him, most of which he’s not sure the definition of. Still, it sounds pretty good. 

         Mr. Dick doesn’t speak for five minutes. Finally, Mr. Dick says, “What’s your favorite animal?”

        “Dog,” says Maneesh. “Simple and noble and they give you everything.”

         “Let me clarify. Any animal in the world. That includes jungle.”

         “Definitely dog,” says Maneesh. 

          By the end of the interview Maneesh isn’t sure he has the job. A salary is discussed, so it seems like he has the job. He’s not even sure what the job is. But Maneesh will return the next day at 8 a.m. and see what happens. He needs a job so he can marry Sarah and be happy. 

         It is raining outside and too dark for a summer evening. Waiting at the bus stop Maneesh isn’t sure if he should celebrate or look for more jobs. He sits on the metal bench inside the bus stop and with both hands he holds the purple post-it note. 

       “Doctor’s are now saying you should squat on the toilet,” says Sarah. “To get your shit out.” 

       “What?” says Maneesh, amazed. “Is that news?”

       “Maybe it would make me have fewer colds,” says Sarah. “Seems kind of funny though, squatting on the toilet and not sitting, like a normal person.”

       “Right,” says Maneesh.

       Sarah is in the suburbs at the Dick’s house. She is with the veterinarian and the dying dog’s owner, Mrs. Dick, who can’t stop crying. She is going through a divorce and now this. The Dick’s dog is so large Sarah is startled every time she leaves the room and comes back into the room. The reason she leaves the room so many times is to text Maneesh. She says things like, “God, I am so sick today, not sure I can make it,” and “My cold is so bad I think I might pass out.” Nothing Maneesh texts back is good enough.

        The veterinarian likes doing mushrooms and reading horoscopes. Putting dogs to sleep has made him into a weirdo. He used to wear a hemp necklace until Sarah told him to stop. On many occasions he has refused to put down any other animal besides a dog because he believes other animals aren’t as close to God. He said this years ago while on mushrooms, but even sober, he believes it. 

        When he’s on mushrooms he tells Sarah by texting a picture of a palm tree. This was a mistake the first time, but it was funny, so now the palm tree is a running joke. Today the veterinarian is not on mushrooms. Sarah’s job is to hold the back quarters of the dog still while he injects the dog with the chemicals that will kill it.

        “It’s a nice dog,” says Sarah. “I’m sure you gave him a wonderful life.”

         Mrs. Dick is on the living room floor, about ten feet from Sarah and the vet. She looks like she is praying but she is crying so much.

         Once, Sarah and the vet had to put down a German shepherd named Brutus. Brutus hadn’t been groomed in ten years and his tongue never stopped bleeding. For Halloween, the owner’s daughter went as Little Red Riding Hood with Brutus. On first entering the house Sarah had hated the dog. When Brutus was injected with the poison he swept his paw down and on top of Sarah’s hand.

         Once, the veterinarian called Sarah for an emergency job, it had been a few weeks, and when she hung up she said, “I love you.” She didn’t mean it. She only said it because she had a fear of saying “I love you” on the phone to a stranger. And now, it had happened. After the emergency job – two dogs in one visit – the vet texted Sarah a palm tree and a purple heart. 

        When all the poison is inside Mrs. Dick’s dog the vet has Sarah hold the needle so he can get more poison. Some dogs are so big they need more poison to put them to sleep forever. Sarah feels the need to keep talking to Mrs. Dick who is now flat on the carpet with her face pressed into the carpet. She’s not that upset about the dog. “You gave him everything,” says Sarah. “A life of love.”

         Sarah and the vet place the dog inside a purple bag. It’s purple because black is too morbid. This is the vet’s idea and he is proud of it. Even in the driveway Sarah hears Mrs. Dick crying. The vet needs his money. Before he comes out and gets into the car he texts Sarah “j/k” and a palm tree. A second later he sends a heart. 

         They began having sex several times a day shortly after their first date. Maneesh was surprised by this. It was a lot of sex! The only other girlfriend he had ever had while living in LA was a woman who liked sex on Thursday only, which she deemed, “Sophie’s Day.” But Sarah was different. Sarah was insatiable because she couldn’t love anyone. Maneesh was a careful lover and for cologne he wore rosewater which Sarah liked to smell off his shoulders. Sarah enjoyed fast humping. Maneesh increased his humps per minute and felt ridiculous. He wanted to be married so he humped until it hurt. Sarah told Maneesh to put a hand on her throat. He refused. Maneesh loved Sarah by telling her everything he would accomplish in his life. Sarah thought that a person who does this accomplishes nothing. 

         For ten days Maneesh goes to his job. He’s not sure he has the job because he hasn’t been paid. When he showed up the following morning after the interview, Mr. Dick seemed surprised. 

       “You came back,” said Mr. Dick. 

        “Ready to work,” Maneesh said. 

         Mr. Dick waited a while then smiled. “Favorite animal is a dog.”

        “We had discussed money, so I assumed,” said Maneesh. 

        The job is guarding a small swimming pool behind the motel. Maneesh is not a lifeguard. He has no such training. He just makes sure no one is to go swimming. Mr. Dick doesn’t want anyone in the water. The Dick Motel is performing poorly on the financial spectrum. A boy drowned last month. He went down the slide and became so shocked by the cold water that he had an anxiety attack in the deep end. So Maneesh, from sunrise to sunset, watches the pool and points people away from the water. 

        At the end of his tenth day Mr. Dick hands Maneesh five hundred dollars in cash. It is much less than employing a lifeguard and letting people have fun. The motel now charges 35 cents for a bucket of ice. In the future the motel will have one resident and it will be Mr. Dick.

       Sarah can’t sleep because it’s too hot. The air-conditioner is on but it’s not strong enough. Their bed is a mattress on the floor. Next to her on the floor Sarah keeps her phone and when it goes off a little light blooms in the room. 

       She gets a text from the veterinarian. This has been happening more frequently. Sarah rolls onto her side and squints into the light. The screen is all palm trees and hearts. She doesn’t respond. He sends more. 

       They are out drinking coffee at Sarah’s favorite coffee place. It’s called Starbucks and Sarah likes to sit outside under the green umbrellas so people can see her. She has a headache and says she can barely open her eyes. Her throat is raw but the coffee soothes. It’s a very bad cold this time around and she needs to take time off work. 

“But you only work once a week,” says Maneesh. “For an hour.”

“Exactly,” says Sarah. “I need to clear my schedule. I need Sarah time.”

“I’ve been saving money,” says Maneesh, smiling. 

“Don’t smile,” says Sarah. “You look pervy.”

Maneesh lowers his chin and bites his bottom lip.

         “Men shouldn’t smile so much at women. It’s oppressive.”   

         “I’m saving for our future,” says Maneesh, not smiling. “I have great plans.”

         "A Sarah day,” says Sarah. “Once a week where I get to do whatever I want.”

        “Hm,” Maneesh says. 

        “Today’s good,” she says and finishes her coffee. “Now let’s go home and do fast humps.”

         “You can’t act this way when we’re married,” saysManeesh. “Back home they won’t allow such behavior.”

        “What are you talking about?”

         “This is my proposal,” says Maneesh and he falls to one knee. There is a five hundred dollar ring in his open palm. It is beautiful. 

         “I thought this would happen,” says Sarah. 

         Maneesh is unpopular at the motel where there is a guy who says he designs airplanes so he spends all day writing mechanical equations on his body. There is a woman who hides beer in the ice machine. There is a guy who calls himself Morphine Man who spends more time in his van than his motel room. There is a stray dog named George that everyone loves but no one will take responsibility for. They all dislike Maneesh. They don’t care that a boy drowned. Visible water you can’t enter in LA is torture.

       Maneesh sits inside the gate at a patio table next to the pool. A car pulls into a parking spot. A woman is inside. Ten minutes later a pick-up truck parks three spots from her. A man gets out, walks to the front desk, and enters the motel room closest to where the woman’s car is parked. Five more minutes pass until the woman leaves her car and opens the motel room door, which is unlocked and left slightly open. An hour later the man leaves. The woman leaves ten minutes after. Maneesh holds his face with his hands. 

       Every night before it becomes dark and the little yellow motel lights come on outside each room, Mr. Dick appears in his Chevy Cruze. He parks on the side of the motel where there is an entrance. From his trunk he unloads a dozen black trash bags. A woman, much older than Mr. Dick, helps him bring the bags inside. They are huge bags, and the old woman is very small but very strong and she takes three bags in each hand and she can barely fit through the door. One night, Mr. Dick left his car right there and in the morning his car was still there. But most nights, Mr. Dick leaves. He comes back in the morning to work the front desk because he has fired everyone but Maneesh and a maid who is into heroin and skinny dipping in the dark. 

         If he’s in a good mood Mr. Dick brings Maneesh a coffee in the morning. He hands him a clipboard and paper where Maneesh writes down when and who tries to swim in the pool. Soon, he will have enough for the plane tickets back home. 

       “Do you like America,” says Mr. Dick. 

       “You are going to have to be more specific,” Maneesh says. 

        “Our way of life, our food, our manner of moving through the world.”

        At the ice machine is the woman who hides beer inside the machine. She has the flap open and is kneeling in front of it. Her eyes are closed. “Doctor Franks,” she says. “You are needed in the recovery room.”

         “I like the flag,” says Maneesh. 

          Eventually, Sarah agrees to marry Maneesh. She stops complaining about her colds. She’s not even sure she had a cold before, she just liked talking about having a cold. It’s a way to complain and get sympathy for a while until the other person has nothing to say and then she can still keep talking. Sarah realizes she just really likes to talk and have no one talk back to her. She doesn’t necessarily like this about herself, but she accepts it. 

          The engagement is a great success for Maneesh. He looks at the purple post-it note with the mean thing on it and puts it back in his pants. His parents seem thrilled. They stop calling Sarah “The Sahara” which is a nice thing to do. They will have the wedding there. They will invite one hundred people. 

         It is all so strange and exotic. Sarah spends less time looking at her friends on her phone. None of them have children so they have dogs they take pictures with. Sarah has to like each picture. But now Sarah thinks about being married and having a child. She doesn’t tell Maneesh this. Her likes on her friend’s dog photos become random. Her friends are offended and happy for her. The colors of the wedding will be white and turquoise and long beads will be on every neck and wrist. Rose petals will lead them everywhere. Marble, thinks Sarah, is a nice name for a baby girl. 

         Maneesh collects his last five hundred dollars and lets everyone into the pool. Mr. Dick is furious. It’s a small pool to begin with and there are too many people in it. They fill the pool shoulder-to-shoulder and on the slide are half a dozen people drinking Bud Light. One person wears a clown wig. 

“Why are you doing this?” says Mr. Dick. 

          “To make the people happy,” says Maneesh. “I am embarking on the most joyful part of my life and I want to share it with everyone.”

         “Half of these people are child molesters,” says Mr. Dick. 

         “I am in love and you are not,” says Maneesh. “So we see the world differently. I couldn’t be more happier than I am now.”

         Mr. Dick waves hello at a motel resident slapping his belly, seemingly, in his direction. “I didn’t ask how you were feeling,” says Mr. Dick. 

        “On top of the world,” says Maneesh. 

        They are back at Starbucks drinking coffee. The ring on her finger is perfect and a passing man in all gray sweatpants and shirt gives them a thumbs up. Maneesh tells Sarah that the flight is 17 hours. 

“Oh my God,” says Sarah. 

“We can play games,” says Maneesh. 

“Games?”

         “On our phones,” says Maneesh. “Like this.” He shows her his phone with a squirrel running from one side of the screen to the other side of the screen catching falling acorns from an autumnal tree.  

        “Maybe this isn’t such a good idea after all,” says Sarah. 

        Maneesh does the pervert face. “I am King Love. You are Queen Bee.

        “For the wedding,” says Sarah. “How many elephants can we have?”

        Maneesh stares at Sarah. 

         Sarah quits her job and the veterinarian has a coughing fit. He wants her to stay. He has never directly confessed his feelings so he will destroy everything around him. They are outside in his car. They have just finished putting down a Doberman Pincher. Sarah feels nothing. It is her least favorite dog in the world. The owner is a physical therapist who showed her an entire room filled with Bruce Springsteen memorabilia. 

“I’ll be gone for a month, maybe more,” says Sarah. “I’ll come back a married woman.”

“I’m on mushrooms,” says the vet.

         Through the windshield Sarah sees the physical therapist filling out the paperwork at his dining room table. His forehead is supported by his index finger and thumb. Sarah imagines him listening to depressing Bruce Springsteen songs.

“Can you see me,” says Sarah, “being a wife?”

“Not really,” says the vet. “How about some mushrooms.”

“But isn’t that a bad sign?” says Sarah. “You’re into astrology. Doesn’t my horoscope say what I should do?”

         “Sarah,” says the vet. “I’m afraid we have come to the closing chapter in our shared experience. We came together in death, laughed together in death, and now, we leave together in death.”

“But I’m getting married,” says Sarah. “In India.”

“The stars are overrated,” says the vet. 

          The day before the 17 hour flight Maneesh buys a coffee for everyone at the motel. He knocks on each door, leaves the coffee on the ground, and then moves to the next door. 

“What is this about,” says Morphine Man. 

“Victory,” says Maneesh. 

       A few residents open their door, look at the coffee, then close the door. Mr. Dick is asleep in his Chevy Cruze with the old woman knitting in the passenger seat. 

       “From lottery winnings,” says Morphine Man. 

        “No, not at all,” says Maneesh, smiling. “I’m going back home to get married. I’ve met a woman and we are going to have a life together.”

       Morphine Man drinks his coffee. He stops drinking his coffee but keeps the coffee cup against his mouth and nose while looking at Maneesh. Then he lowers the cup and says, “Talk about a dream and try to make it real.”

       Sarah isn’t sure how she got everything so wrong in her imagination but the wedding ceremony isn’t in a church but at the home of Maneesh’s parents. It is lovely. They have decorated for weeks. There are two chairs colored gold in the living room on a riser. Maneesh wears a perfect white suit that is so soft that Sarah cries when she touches it. There is the backyard full of flowers. She looks at the backyard full of flowers and they are married. 

         There is cake. On the cake are one hundred candles. This is a tradition. Every person at the wedding takes a candle and walks outside where they form a circle with Maneesh and Sarah in the center. She knows no one. Everyone has a dog sitting next to them as they stand. Everyone makes their wish for the couple. They don’t blow the candle out. Rather, they put the candle out with their fingertips, nod at Maneesh and Sarah, and then, the next person goes. The ring of light dials down to dark. The sky is a light blue, almost white, with both the sun and moon visible. Sarah believes she can smell sand in the breeze. Then it’s just Maneesh and Sarah standing in the center with their candles. They make a wish for each other. 

        There is great applause and cheering. The dogs sit still. A weeping man hugs Maneesh around his thighs that Sarah is pretty sure is his father. Another person holds a small dog against his chest while spinning and looking at the sky with his eyes closed. Maneesh and Sarah run into the house so people can throw things into the air. 

        “Tell me,” says Sarah, in Maneesh’s childhood bedroom. “Come on, tell me what you wished for.”

        “It’s sacred,” says Maneesh. “You wouldn’t tell me your birthday wish at Applebee’s last year.”

         “We should do fast humps,” says Sarah. 

         “My family is outside,” says Maneesh. He points out the window and his uncle nods his drink at him. The dogs haven’t moved an inch. They remain in a circle. 

         Sarah pushes Maneesh against the door and kisses his neck. Maneesh puts a hand on her throat. She feels scared so she laughs. Then she tells him to keep going. He squeezes her throat and kisses her on the mouth. He kisses her forehead. She coughs. Everyone outside is happy. But they are not as happy as Maneesh and Sarah. How could they be? He lifts her dress. There really are flowers everywhere. He slides his fist across her stomach. “What the hell are you doing?” says Sarah. He slides his fist into his pocket. The purple post-it note remains because they are in love. 


Shane Jones (b. 1980) lives in upstate New York. His first novel, Light Boxes, was originally published by Publishing Genius Press in a print run of 500 copies in 2009. The novel was reviewed widely, the film option purchased by Spike Jonze (Where The Wild Things Are, Adaptation), and the book was reprinted by Penguin Group in 2010. Light Boxes has been translated in eight languages and was named an NPR best book of the year. In August of 2012 Penguin released a new novel, Daniel Fights a Hurricane. Shane is also the author of the novella The Failure Six.


[SHORT STORY] A Walk Around Town on a Chilly Evening

Image by Ralph Steadman

A Walk Around Town On a Chilly Evening

by Sasha Fletcher

After the sun set and the last of its heat dissipated from the baked bricks of the buildings lining what amounted to a boulevard, the cold winds started in from the North or the East or some other place full up with trouble and nonsense, and whistled their way through the town.

Outside the bar are several drunks drunk and lonely, their secrets spilling out their mouths and on down their shirtfronts, their bile spelling out a few choice phrases like WE FIND NEW WAYS TO DEFEAT OURSELVES BETTER THAN THE WORLD EVER COULD EVERY DAY and IF I KNEW BETTER HOW TO LIVE WITH MY LONELINESS THEN MAYBE YOU’D SPEAK TO ME AGAIN, OR AT LEAST COME HOME and I WOULD SAY I AM SORRY BUT THE WORD FOR WHAT I AM FEELING IS NOT A WORD, IT IS A FEELING, AND FURTHERMORE IF I BROACHED THE SUBJECT OF MYSELF TO YOU I’D BE A DEAD MAN AND A HALF and THIS WAS NOT WHAT I MEANT TO ACCOMPLISH and WHOOPS, GUESS I REALLY MADE A MESS HERE, HUH?

Such are the feelings we spill from time to time on the shoes of strangers, our sadness a thing we choose to choke or choke on as the moment dictates, and depending of course on the price of whisky, which at the moment is on sale, and the road to the bar is wide, roughly as wide as my weaknesses, which will swallow me whole, just you watch. But before that, let us hold our heads under the water until something magical happens. Let us hold hands and walk through the fire in the manner of people in nicer clothes that we can afford, and let us do it with the gusto and commitment that we would like to be better known for.

Outside all of this is the jail, in which several men are interred for inflicting their feelings on unsuspecting citizens with varying degrees of violence. ‘Tell us something!’ they call out to the Sheriff’s father. ‘Tell you what he?’ says to them. ‘Tell us something lovely and true and only a little vicious, just enough to draw some blood, to get the scent of living in the air.’ He says ‘Fine’ and reads them the letters he has written to the ghost he loves and when he is finished they say ‘And then what?’ and he says to them ‘And then nothing.’ He says ‘And then we keep living as best we can with our hearts on fire in a way that not even death will extinguish’, and this shuts them up for the night while they sit with their thoughts which have, it turns out, sincerely let them down.

Upstairs from the jail is the Sheriff’s father’s apartment, next to the sign that says JAIL, and notes are falling from the ceiling, and have been for years, and then the wind comes and scoops them up, because the wind is a fucking asshole, and romance does not always get to win, because if it did, well, what then?

What then? is a game the children are playing that they invented earlier wherein they reinvent the wheel and by the wheel we mean history.

What then is then everyone gets the ball scores in in a more timely fashion. What then is the double play and the complete game shutout and the invention of the ground rule double, which is a thing people have got some opinions on, but fuck their opinions, because the ground rule double is a law, and you’re just an opinion with a mouth. The town paper has got some things to say about the ground rule double, but is keeping them to itself. The town paper sits alone in the dark, writing editorial after editorial. The town paper thinks for a moment about what it might be like to date, to sit across a table from a body and to risk something of their feelings, or at least maybe to sit down to a meal, for once in its life. After thinking, the town paper writes an editorial, and after that the town paper writes another editorial. In the basement of the town paper, an idea, unspoken, rustles.

Up in her room is Meg who has stopped seeing Daniel, but is unsure if she wants to see Sam. Sam on his porch down the road is decidedly sure that he would like to see Meg if she would let him, while up in her room Meg thinks of how glad she is to know Sam, of the joy knowing him has brought to her life, and the ways in which their conversations have expanded the borders of her life to encompass things she had previously only dreamed of, but how that doesn’t mean she wants to marry the guy. Meg thinks of Sam and is, for a moment, overwhelmed by a rush of blood and warmth let loose by her heart. Meg thinks of Sam and of how much more glad she would be if he would just let things be. ‘Sam’ says Meg ‘I get it. There is such stuff in my heart that you could not get over if you tried, which who even knows if you have, but that doesn’t mean things between us would work.’ ‘In another world’ says Sam to Meg from his porch ‘Wanting would be enough.’ ‘In another world ‘says Meg to Sam from her upstairs in her room ‘I’d like that very much.’

Past them is the moon, which is, in its own way, another world beyond all of us, and below the moon is the barbershop. Outside the barbershop are a group of men with large ideas and new haircuts and nobody cares about those men and if they do care about them well then that’s their mistake, and not one which we are willing to indulge. Past the barbershop is the Jail, where the Sheriff sits with a pipe as the prisoners ask him questions to which he responds ‘Well, I reckon you’ll stay there until such time as you learn to not be a shit heel. No Tom, I don’t rightly reckon I know when that would be either. Dinner’s beans in a cup with some burnt ends. Well because it’s all I know to cook, or it’s ’cause I don’t rightly feel like expending the effort to make you more than that. Also you’re drunk Tom. You pissed in your gun and thought you’d be shooting piss in Bill’s ear instead of the shell in the chamber. Yes, Bill’s dead, with an ear full of piss, too. Yes, Tom, I reckon you’ll hang. Yes it was misleading earlier. No, I don’t feel too torn up about it. Well Tom, I have known love. Well I left that love, Tom. No, no it was just. Well, Tom, she was a witch, and I was greatly terrified of her femininity, and her power, and quite frankly I just felt like I was out of my depth. Do I regret it? Sure. Some days. I mean, who doesn’t have a few regrets? I’m sure you regret leaving Bill dead with an ear full of piss. But that don’t preclude an attempt at justice and whatever subsequent punishment is decided upon for the taking of a life unjustly, which, if you’ve been following along here, tends in this town to be a handing. Yes, Tom. I too weep at the sheer fucking impossibility of it all. Practically every night.’ And then they both weep at the sheer fucking impossibility of it all, because who wouldn’t? And anyway past the jail is, fittingly enough, the graveyard, which is not so much a yard as it is the plot of land at the bottom of a hill reached by a winding staircase at the top of which is the church.

Outside the church sits an old priest and a young priest. Earlier today the old priest and young priest woke up in their rooms and they yawned and stretched and the young priest worries a bit about sleep, which is not a thing he does well at all, and the old priest cataloged his dreams so as to better distinguish them from his visions and the young priest just assumed that whatever happened inside his head was the thing he was meant to think or see, but that he should, if he could, hold those thoughts up to what light of day there is so as to compare them to the wide world and better get a grip on what plans there are that exist for him, and after al that they got dressed and met downstairs.

‘Well’ said the young priest to the old priest ‘I guess we’d better open up.’ ‘That’ said the old priest ‘Would be the thing to do’, and so they went and they opened up the doors, and no one is there. ‘There’s nobody there’ said the young priest. ‘Seems as though nobody is in need of a church at this hour’ said the old priest. ‘Coffee?’ said the young priest. ‘Oh yes, please’ said the old priest, and they retire to the back, and prepare some coffee. ‘So last night’ said the young priest ‘Oh?’ said the old priest ‘Yeah’ said the young priest. ‘Were you going to tell me about last night?’ said the old priest and the young priest said ‘I wasn’t planning on it but I could if you’d like’, and then they both sat there with their coffee, and then someone stuck their head in and said ‘Hi Hello Can you help me?’ ‘How can we help?’ they said, and the person says ‘You can die’, and then like twenty people swarm the church, guns blazing, and the priests said together and in unison ‘We’d rather you didn’t do this. God loves you, and violence is not the answer’ and this statement got answered with more gunplay, and the young priest sighed and said to the old priest ‘OK so about my dream’ and the old priest said ‘Uh huh’ and then grabbed the nearest church-swarmer by the neck and removed their head from their body and gripped the spine with both hands and whipped it around, smashing a few heads together, while the young priest shot out the eyes of the church-swarmers and said ‘Last night I could have sworn there was a mountain walking around the desert’ and shoots out a few more eyes, which are the windows to the soul, and anyone that would visit such violence upon these men, well, their soul is fucked unto death probably, and the old priest said ‘Go on’ and the young priest said ‘I mean that wasn’t what happened, really. What happened was I was a much older man’ and the old priest says ‘Like me?’ and the young priest says ‘And I was standing on the roof of a house on top of a mountain that was roaming the desert carried along upon a series of tumbleweeds, and I was standing there with my daughter, in the dream I had a daughter’ and he shot four more people through the eyes while the old priest switched out his shattered-to-shit skull on the end of the spine of his church-swarmer basher for a fresh one from the neck of a real asshole-looking fella, and the young priest said ‘I don’t know how I knew she was my daughter, but I just did’ and the old priest said ‘The world’s funny like that’ and the young priest said ‘And anyway her name was America, and it wasn’t a symbol or anything it was just her name, America Resplendent Adams, and she and I were standing there, her mother had been dead a year that morning, we stood there, and we wept, and our tears formed a waterfall, and it flooded a town, a town by the sea, and the town was swept away, and America looked up at me, and she opened her mouth, and then I woke up.’ ‘Shit’ said the old priest, breathing slowly, and stacking the bodies into a sort of mountain. ‘Yeah, well’ said the young priest, panting from the exertion. ‘Guess we should bury them.’

And so anyway that’s why they’re here in the graveyard, where the old priest, sweating, mostly out of breath, and leaning against a tombstone on which they have inscribed HERE REST SEVERAL POOR DECISIONS, he says ‘I was in love with a ghost once’ and the young priest says ‘1) Who wasn’t and 2) We can talk about that later.’ The old priest says ‘What of America?’ and the young priest says ‘That isn’t funny’ The old priest says ‘America.’ The young priest says ‘You can be a real asshole sometimes, you know that?’ The old priest says ‘I worry that America has forgotten how to love’, says ‘Brother and sisters, we are gathered here today huddled up amongst the rocks and the hard places, begging the Lord up above for guidance, because that is all we are good for, is begging. Brothers and sisters I say unto you ‘Fuck your beggary’, for it will get you nowhere. Does the lord love you more when you cry out for him to fix things? When your child ceases not with its pleas and tears, does this inspire you to love the child more? or to strike it about the face and body with your hands or some other implement of tact? This is a question put to you out there in America where we no longer know what love means.’ The young priest says ‘That was a nice start but it gets a little aggressive towards the end there.’ The old priest says ‘People respond to aggression.’ The young priest says ‘Not well’ says ‘Recall earlier, if you will.’ The old priest says ‘I thought that went well’ and the young priest says nothing. He says ‘Once upon a time in the west I was tired, and after that I went to bed, and in the morning a whole bunch of jerks sat around worrying about everything except whether they were trying to be better, more decent people, who attempted more sincerely to connect to others around them, and really grow the kind of community that would make anyone proud.’ He says ‘Let’s change the subject.’ he says ‘Some people talk about the soul and where it resides. They say that the deepest part of you is in your head, or your heart, or your blood. ‘His blood is bad’ they’ll say. ‘His heart is cold.’ ‘He has got an evil turn of mind.’ ‘There is a darkness to him’ is what they’ll say. But the worst of us, what we leave behind, what heaven never wants, is our bones.’ He says ‘Fuck.’ He says ‘I don’t really know where I’m going with all this.’ He says ‘I am not really going anywhere with this.’ The old priest says to the young priest ‘Oh yes you are’ and the young priest says ‘And where might that be?’ and the old priest says ‘Straight to hell’ and then they both die laughing. Now they’re up in heaven, and there’s God, saying ‘Stop that’, and the old priest and the young priest say ‘Make us’, they say ‘We dare you.’ They say ‘We double dare you.’ They say ‘We double dare you and stamp it with a Presidential seal from the President of Loneliness, with whom we have got a real close and personal relationship.’ God says ‘You guys know the President of Loneliness?’ The old priest and the young priest say ‘Fuck yes we do!’ And God says ‘Dang.’ And the old priest and the young priest say ‘Tell us about it’, and so that is what God does. And, in the morning when the sun comes up, there they are, the old priest and the young priest, still dead as all creation, and loving every second of it.

 


SASHA FLETCHER is the author of It Is Going To Be a Good Year (Big Lucks Books, 2016), several chapbooks of poetry, and an out of print novella. He has recently finished a novel, from which this piece is excerpted from.