Finding Her Own Muse: An Interview With Lindsay Jones

text by Jill Di Donato


Right now, Lindsay Jones calls work her lover. A series of heartaches are behind the line of unisex luxe party clothes Jones launched this spring with partner Labana Babylon, called Músed. “She [Babylon] was my muse and the muse behind the label. When I was going through this heartache about two years ago, she was going through something similar and we had these nurturing phone calls with each other and it really did inspire me to shift my focus.”

The “muse” is something Jones, classically trained in sculpture (she attended The School of Visual Arts in New York City, but dropped out after two years, when her internship for Zac Posen was giving her more “hands-on experience”) is something Jones has given a lot of thought. From Playboy model (back when the magazine still ran nudes) to indie screen queen, catching the eye of Larry Clark, Richard Kern, Richard Prince, and Jonathan Leder, Jones has made a name for herself in front of the camera.

“I was first scouted for Playboy when I was in Sundance with my boyfriend. I was 18 years old, and so embarrassed, so afraid I was going to upset my boyfriend, I just walked away,” she tells me over the phone. Could you believe I literally walked away from that opportunity?”

Jones laughs and tells me how good it is to hear my voice (up until now, we’d just been corresponding by email) and I think she’s awfully polite for an “It Girl.” But Jones is not just any “It Girl” with a fashion label. She has a vision, and she’s gracious, and she appreciates opportunities…. even when she walks away from them.

“Years after that, I was more comfortable with my sexuality and I was asked to shoot for the calendar. I was so excited because I realized how iconic Playboy was, and then I end up getting edited out. I’d told everyone and I was humiliated. It was so painful but I learned a lesson. Never say anything until it’s solid.”

It so seems the third time was the charm. “When I got the call that Hef had approved the [six-page pictorial in December, 2014] I had given up that it was even going to happen. But it did.”

Of the experience, she has nothing but good things to say about her spread. “It took a moment in time when I was vital and everything was in the right place.” And she’s not just speaking of her figure.

Two years earlier, before Hef’s thumbs up, Jones she was asked by a producer to meet Larry Clark who was casting for his 2012 film Marfa Girl, winner of the Golden Marc’Aurelio Award at the Rome Film Festival in 2012. “Larry’s very specific in his vision, so it was an honor to be cast. Behind the scenes, it was a blast. I kept cracking up when Larry was like ‘hit him harder,’ to the kid I had to beat, and that was hard for me because I’m so shy and submissive in real life, I would never hit anyone. So my reaction was to laugh. But that worked. Larry liked my cackling.”

A Renaissance woman, while working in front of the camera for Clark and Richard Prince, Jones also kept training as an artist. She studied at the art institute in Tribeca for about two years and then interned with Miguel Adrover. As an intern for Zac Posen and Marc Jacobs, Jones created her collection for her former brand Outlaws of the Border. Though the brand has since dissolved, it received praise from Japanese Vogue for "brilliantly blended Victorian elegance with Goth taste." All the while, Jones kept making art, working alongside Aneta Bartos, Richard Kern, Terrence Koh, and Martynka Wawrzyniak. Most recently, she teamed up in February 2016 with sex positive feminist artist, Leah Schrager.

By now, Jones was ready to get back into the fashion industry, and this February in New York Músed launched its debut collection. Of creating the line, Jones says, “It made me remind myself that I don’t really need anyone. Independently as a woman, I’m very capable and powerful. I can succeed if I really nurture myself and the women around me. I like the idea of the Goddess. There are three women in my brand’s logo and they stand for inspiration.” As for the ultimate muse, she defines it loosely, and I would expect nothing less. After all, the lines in Jones’ world between artist and viewer are always in motion. “The ideal muse? Maybe it’s a person or something in nature or a dream. There are so many places for inspiration to come from.”

Currently, Jones is focused on developing Músed. She consults for recent CFDA Vogue Fashion Award winners Gypsy Sport as well as and cult street wear label Whatever 21.

Exclusively for Autre, The sculptor/muse/designer answered questions on spring style, inspiration, and how to dress for your body.

Autre: How do you like to blend high and low fashions seamlessly?

Lindsay Jones: Celine and the dollar store is a good start. Stick with monochromatic and simplicity to blend the two. There is a lot of room for texture.

Autre: Where do you splurge and where do you skimp?

Jones: I like expensive shoes. I will go cheap on a hoodie.

Autre: When you shop vintage, what do you look for?

Jones: Vintage Chanel, Hermès scarves, and fur.

Autre: How does a woman know what flatters her body?

Jones: It really depends on the individual. I think what feels good on your body usually looks good. That said, long lines flatter. Do not cut the body in too many places, especially if you wear tight clothing. You never want clothing to cut into your flesh. Vertical lines slim or lengthen. Wear horizontal lines if you want a bigger anything.

Autre: Which artist influenced your design aesthetics the most?

Jones: Louise Bourgeois is my idol. My own work comes from a very internal place. I look to all my favorites for inspiration at points. I relate with Tracy Emin in the way that she is a poet, with a lot of feminist punk rawness oozing out of her.

Autre: What was your favorite look from the European shows?

Jones: Fendi. I want every one of them on my body now.

Autre: What’s next for Lindsay Jones?

Jones: I don't think I have even scratched the surface of my highest success as an artist. I am grateful for every single collaboration and platform for my work. 

Click here to see the Músed collection. Photography by Chris Luttrell. Text and interview by Jill Di Donato. Follow Autre on Instagram: @AUTREMAGAZINE