The limbs of Eduardo Chillida's (1924-2002) sculptures were monolithic gangplanks to nothingness - fingers that never touch - concrete testaments to humanities eternal, unrequited connectivity. His metal and stone sculptures, for which the Basque sculptor and former soccer player is most famous for, are like beautiful ruins, much like the labyrinthian formation of air-ducts after a building is blown away by a hurricane.

"My work is a rebellion against gravity."

Chillida had a romance with Space - nothingness wasn't really nothingness at all, but a disassembled puzzle waiting to be put together. Eduardo Chillida in the early 1960's engaged in a dialogue with the German Philosopher Martin Heidegger. When the two men met, they discovered that from different angles, they were "working" with Space in the same way. Heidegger wrote: "We would have to learn to recognize that things themselves are places and do not merely belong to a place," and that sculpture is thereby...the embodiment of places." This June marks the beginning of a large retrospective of Chillida's works at the Maeght Foundation in France. Almost 140 works are on display: 80 sculptures and 60 works on paper that include some Chillida's brilliant multi-media collages and drawings. On view June 26 to November 13 at the Maeght Foundation - www.fondation-maeght.com