Read Our Interview of Fawn Rogers on Her Series "The World is Your Oyster"

Fawn Rogers, Jestope, 2022. a delicately rendered painting of an oyster with vaginal imagery.

Fawn Rogers
Jestope, 2022

MILLEN BROWN-EWENS: Could you start by telling me a little bit about the paintings in your upcoming solo exhibition Burn, Gleam, Shine in Beijing with Galerie Marguo in July. 

FAWN ROGERS: The work is from a series called The World is Your Oyster. The paintings are larger-than-life representations of sea personalities, which invite the viewer to dwell on the unbuilt world, death, and sex. Photorealistic from afar, at a closer view they are composed of painterly shapes and forms. They are seductive, erotic paintings that celebrate female sexuality. But I hope people will consider their wider resonances too. Human intervention in their cultivation has changed the primary process of their creation and relationships. Eroticism in this time is fraught with scary implications. We are so atomized as a species and removed from our origins that placing sexuality alongside environmental destruction almost feels forbidden, but I like things that feel forbidden. Read more.