Torbjørn Rødland's Vanilla Partner

Torbjørn Rødland's photography is direct but idiosyncratic, pushing at the boundaries of aesthetic and social norms. His fifth book, Vanilla Partner, continues in this vein, combining images of fetishized isolation in a layout that rejects the linear structure of thematic photography books. Rødland’s practice navigates through the problematic and seemingly unchanging heart of popular photography. Accepting neither the humanist realism of most photographic portraiture nor the postmodern role-play, Vanilla Partner explores the cultural complexities and archaic foundation of contemporary image-making. Reconstructed scenes of ultrasoft BDSM read like twisted metaphors for photography’s ability to freeze or capture. The book title, dripping in innuendo, also poses a question about the ambiguity of the relationship between the artist and his medium. Is Rødland acknowledging the medium’s straight foundation or does he see himself dominated by it? Many of the images also have explicit political references, often linked to the 1980 US Presidential election. Vanilla Partner brings together works made in Oslo, Tokyo, Beijing and Rødland’s current home, Los Angeles. Torbjørn Rødland was born in 1970 in Hafrsfjord, Norway. Since the mid-90s his photographs have been exhibited widely. Vanilla Partner is available to purchase here.

Bertien van Manen: Let's Sit Down Down Before We Go

"I have to like the people I photograph. I need to feel an attraction, a fascination." Bertien van Manen. Buried deep in Bertien van Manen's images is an intimacy between photographer and subject. The viewer trespasses on the private moments in the frame, catching a glare over breakfast, unheard words between friends, both party to the action and intruding on it. Between 1991 and 2009 van Manen travelled across Asia and Eastern Europe with a small, analogue camera, learning the local language and engaging with the people who would become the subject of this collection. Let's sit down before we go is a portrait of the places van Manen visited and the people she met, stayed with and became friends with during her travels across Russia, Georgia, Kazakhstan, Moldova, Siberia, Tatarstan and Uzbekistan. Across nearly two decades, with the exception of big cities, little about the scenery in van Manen's photographs has changed. The relative sameness of Russia's appearance binds the images together, leaving us no indication of the time lapse from one photograph to another. The title, Let's sit down before we go represents an old Russian tradition, the practice of taking a moment, stopping to think before embarking on a journey, to consider where we will be travelling to and why. A special edition of  Let's Sit Down Before We Go has recently been released by Mack Books and includes a hand made c-type print and first edition copy housed in a bespoke embossed linen clam-shell portfolio box.  Let's Sit Down Before We Go, the series, is also on view at the In Camera gallery in Paris until January 21.