Funeral Songs

What song do you want played at your funeral? Daniel Mudie Cunningham has been asking that question of artists and art workers since 2007. Hundreds of people answered it in all manner of ways that ranged from the profound to the playful. The idea for Funeral Songs is based in personal experience. Weeks before the artist’s brother unexpectedly died in 2001, he’d mentioned what song should be played at his funeral. Amid the grief, the song choice was forgotten. Now recalled several years on, the song features in the Cunningham’s jukebox archive of music you can live or die to. Funeral Songs will be on view at the MONA (Museum of Old New Art) in Hobart, Tasmania, Australia,from January 13 to February 13, 2011 – the exhibition will also be a part of the annual MONA FOMA event (curated by Brian Ritchie, bass player for the Violent Femmes) which includes performances, art, and the like.

Jacque Katmor is Wishing You a Good Death

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Sex, eroticism and Judaism – Israeli artist Jacque Katmor, who is all but forgotten today, is the subject of a retrospective of sorts at the Nachum Gutman Museum of Art in Tel Aviv starting January 13. Katmor, who died in 2001, will undoubtably be an artist posthumously appreciated for his genius.  Somewhat of a Kenneth Anger of the Israeli unground cinema movement in the 1960s, Katmor was a leader of the artist collective Third Eye. Erotically charged, drug induced, and psychedelic, Katmor's art and films dealt with not only a rapidly changing zeitgeist, but also Jewish identity and Kabbalistic mysticism. "Jacque Katmor is Wishing You a Good Death" is on view at the Nachum Gutman Museum of Art from January 13 to May 19, Shimon Rokach st 21, Neve Tzedek, Tel Aviv.

Marina Abramović: An Artist's Life Manifesto

On Saturday, November 12, renowned performance artist Marina Abramović brought her manifesto to Grand Avenue, as the artistic director of MOCA’s 2011 gala, An Artist’s Life Manifesto. Abramović arrived with 85 performers to serve as human centerpieces on dinner tables and enough white lab coats, her prescribed gala-tent attire, to outfit the 750 guests who attended.

The Syphilis of Sisyphus

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Fredericks & Freiser gallery in New York presents The Syphilis of Sisyphus,  a new short film by Mary Reid Kelley with artist Patrick Kelley. The exhibition includes a wall-sized projection with costumes and drawings used in the film’s creation. Reid Kelley’s second solo exhibition at Fredericks & Freiser encompasses a heightened level of visual complexity as it continues her exploration of language, history, anomie and sexual politics. On view until January 7.

Comics Stripped

Comics Stripped, an ongoing exhibition at the museum of sex in New York, examines the history and cultural significance of the illustrators, icons and images that have entertained and educated (as well as equally misinformed) the basics of sex. From the coquettish to the most explicit “dirty drawings,” the exhibit presents the ultimate homage to sexual fantasy uninhibited by the constraints of reality. From simple titillation to hardcore representations, comics have a long history of incorporating humor, scandal, fantasy and fun with sex. Originally used as a form of amusement and satire intended for adults, the societal perception of comics as wholesome entertainment geared toward children has made the inclusion of sexual content particularly jarring. Comics Stripped is on view at the Museum Of Sex until January 8, 2012, 233 5th Avenue, New York

In the Picture: Self-Portraits by Lee Friedlander

Lee Friedlander (b. 1934) has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. A new book of self portraits, entitled In The Picture: Self Portraits, 1958-2011, includes hundreds of previously unpublished pictures.  Produced to the highest production standards and featuring over 400 duotone images—from his first self-portraits, taken with cable release in hand, to recent images of the photographer with his family and extended network of friends—In the Picture explores Friedlander’s various guises throughout a rich and colorful life.

Illustration at the Erotica Auction

An anonymous French illustration from 1900 available for sale at the enormous Erotica auction held by EVE (Estimations & Ventes aux Enchères) today Sunday, December 18 and tomorrow Monday December 19.  A bulk of the collection comes from a Swiss collector who has spent 35 years gathering his holdings. Drouot Richelieu - Salle 11 - 9 rue Drouot, 75009 Paris

Rodarte: Fra Angelico Collection

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RODARTE: Fra Angelico Collection, on view starting tomorrow at the LACMA's Italian Renaissance gallery, features a group of extraordinary gowns by Kate and Laura Mulleavy. The collection is inspired by Italian art, specifically the Renaissance frescoes in the monastery of San Marco by Fra Angelico in Florence, Italy, as well as the Baroque sculpture, Ecstasy of Saint Teresa, by Gian Lorenzo Bernini (1598–1680) in Rome. Rodarte’s signature dressmaking techniques and sculptural details can be seen in each of the gowns. Silk fabrics (including chiffon, georgette, lamé, organza, satin, taffeta, and tulle) are draped and manipulated to give form, texture, and tonal variety to the color palette inspired by the frescoes. The gowns are customized utilizing a variety of materials such as feathers, swarovski elements, sequins, and custom-made silk flowers. Hand-forged gold metallic accessories such as a headpiece, breastplate, and belts dramatically complete the look of several key gowns. The Fra Angelico collection will enter LACMA’s Costume and Textiles Department, which houses over twenty-five thousand objects, representing more than one hundred cultures and two thousand years of human creativity in the textile arts.

SHERRIE LEVINE: MAYHEM

Sherrie Levine (b. 1947) has transformed and re-contextualized images and objects in her work since the late 1970s, often presenting them as installations that provide a compelling sense of context. An exhibition at the Whitney in New York, entitled Mayhem, developed as a project by the artist, includes works ranging from well-known photographs, such as After Walker Evans: 1-22, 1981, to recent sculptures, such as Crystal Skull: 1-12, 2010. The exhibition, conceived by the artist as offering constellations of older and newer works, will provide juxtapositions that provoke new associations and responses. The installation will also emphasize the powerfully seductive, tactile nature of Levine’s art, and the complex layers of reference and meaning that unfold between the ostensible sources and Levine’s own work. Sherrie Levine: Mayhem is on view at the Whitney until January 22, 2012.