José Lerma and Eddie Martinez

Halsey McKay Gallery in East Hampton presents a two-person exhibition of new works by José Lerma and Eddie Martinez. Both artists use creative material approaches to painting and its history as the starting point for their practice. Inhabited by voracious marks and a motley cast of characters, their works display the political histories of nations imagined and conflicts all too real, through the interplay of their denizens. On view until August 29, 2012 at Halsey McKay Gallery, 79 Newtown Lane East Hampton, NY

American Sugar

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American Sugar, a solo exhibition by J.M. Giordana, takes a confrontational look at America's addiction to sugar, sex, and insulin. Giordino's photographs and sculptures are also aiming to reintroduce "pop" to Balitmore's art scene. American Sugar is on view until August 31, at CA Gallery, 440 E Oliver Street Baltimore, Maryland

Marcello Cinque at Galerie Piece Unique

On view now at Galerie Piece Unique in Paris Marcello Cinque's giant octopus sculpture that fills almost the entirety of the space. In his monochrome sculptures, white, black, red or blue, Marcello Cinque experiments new materials such as elastic paint and sponge rubber. This material, being able to wrap and roll around itself as if squeezed out of a thick tube of paint, can create real “post-lunar” forms which nullify the laws of gravity. On view until Setember 8, 2012 at Galerie Piece Unique 4 Rue Jacques Callot, Paris. 

Alex Israel First Solo Show in Italy

Peres Project, Il Giardino dei Lauri and Citta' della Pieve are present Alex Israel's first solo show in Italy, at the Museo Civico Diocesano di S. Maria dei Servi in Citta' della Pieve (PG), Umbria until October 1st, 2012. Continuing with Property, an ongoing body-of-work, Israel has rented his newest prop sculptures from the legendary Italian film studio Cinecittà. He selected an array of replica Styrofoam and fiberglass antiquities and objects, iconic and anonymous, drawn from an amalgam of cultures, eras, and narratives, and composed them in dialogue with each other and with the unique venue.

His painting spells TRBL

In-your-face, achingly simple, deceptively frank, the work of Christopher Wool is so very New York. Though he owes a debt to abstract expressionism and pop art, he completely transcends—even demolishes—these genres. Whether it’s a text-based painting or an abstract spray-painted piece, his work is immediately engaging. Wool questions painting, like many other artists in his generation, but he doesn’t provide any easy answers. “The harder you look the harder you look,” he puts it in one of his word paintings, and that is an excellent example of how he states the obvious whilst provoking us to think deeper about what seems obvious. This September a new monograph will be available on Taschen – In over 400 pages, all of Wool's work phases are covered in large-scale reproductions, accompanied by production Polaroids and installation photos by Wool himself. Essays and analyses by Glenn O’Brien, Jim Lewis, Ann Goldstein, Anne Pontégnie, Richard Hell, and Eric Banks.

Adam Green Houseface @ The Hole

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The Hole gallery in New York presents an end of summer exhibition by artist and musician Adam Green. Green will fill the galleries with painting, sculpture, and his feature-length film The Wrong Ferrari screened on continuous loop in Gallery 3. Houseface will be on view August 16 through August 25, 2012 at The Hole, 312 Bowery Street, New York

Carolee Schneemann: Remains To Be Seen

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Carolee Schneemann is a pioneer in many artistic disciplines. Having consistently challenged concepts of sexuality and gender identity in the fields of painting, sculpture, installation art, video art and, most importantly, performance with key works such as Meat Joy (1964) and Interior Scroll (1975), Schneemann broke new grounds within the Happening and performance fields subverting taboos facing women artists in the 60s and 70s. Schneemann will install three major video installations at during this year’s Summerhall Festival in Edinburgh– ‘Precarious‘ (2009), ‘Devour‘ (2003) and ‘Infinity Kisses – The Movie‘ (2008) as well as displaying a never before exhibited photographic series where she performed ice skating naked in London while holding her cat.

Rodolfo Loaiza's Disasterland

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Disasterland is Mexican artist Rodolfo Loaiza's tribute to pop culture, fashion, animation, horror films and the undeniable attraction of celebrity. The stage is set for fantasy to collapse and surrender to the inevitable apocalypse of 21st century Hollywood. Fairytale characters continue to dominate his latest project –this time caught in the headlines of our favorite tabloid stars. Continuing his penchant for cleverly depicting the "uncouth" customs of our dichotomous society, Rodolfo explores what would happen to our fables if they were flesh and blood and confronted with the frenetic and excessive world of fame. Who among them would prove susceptible to the excesses of drugs, alcohol, harassment or vanity? On view through September 2 at La Luz de Jesus Gallery, 4633 Hollywood Blvd, CA.

Harmony Korine's Caput in Los Angeles

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LA-based duo Io Echo is playing tomorrow, August 9 at Dilettante - featuring a special screening of the new short film by Harmony Korine Caput. Caput is scored in part by Io Echo.  RSVP to io.echo.la@gmail.com, Dilettante 120 North Santa Fe Avenue, Los Angeles

Man Ray and Lee Miller: Partners in Surrealism

A beautiful portrait of Lee Miller by Man Ray. Man Ray |Lee Miller: Partners in Surrealism consists of approximately 115 photographs, paintings, drawings and manuscripts that explore the creative interaction between Man Ray and Lee Miller, two giants of European Surrealism. This is the first exhibition to focus exclusively on the pair’s artistic relationship. On view at the Legion of Honor in San Francisco until October 14, 2012. 

Guidepost to the New Space by Yayoi Kusama

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Exhibition view of Yayoi Kusama's Guidepost to the New Space. To mark Kusama’s retrospective at the Whitney, the Museum has collaborated with the Hudson River Park Trust and Gagosian Gallery to present a special art project near the Whitney Museum’s new building site in the Meatpacking District.

Sophie Calle's Address Book Published For the First Time

Never before published in its entirety in English, The Address Book is a key and controversial work in Sophie Calle’s oeuvre. Having found a lost address book on the street in Paris, Calle copied the pages before returning it anonymously to its owner. She then embarked on a search to come to know this stranger by contacting listed individuals—in essence, following him through the map of his acquaintances. Her written accounts of these encounters with friends, family and colleagues—juxtaposed with Calle’s photographs—originally appeared as serial in the newspaper Libération over the course of one month in 1983. As the entries accumulate, so do the vivid impressions of the address book’s owner, Pierre D., while also suggesting ever more complicated stories as information is gifted, parsed, and withheld by the people she encounters.hen Pierre D. learned about the work and its appearance in the newspaper, he threatened to sue (and demanded that Libérationpublish nude photographs of Calle as a reciprocal invasion of privacy). Calle agreed not to republish the work until after his death. Part conceptual art, part character study, part confession, part essay, The Address Book is, above all, a prism through which desire and the elusory, persona and identity, the private and the public, knowledge and the unknown are refracted in luminous and provocative ways. The Address Book can be purchased here