Could It Be: I'm Falling in Love?

May 24, 2024

photography by Parker Woods
styling by Julie Ragolia
all clothing Bottega Veneta
casting directing by Ben Grimes Casting
hair by Matt Benns
makeup by Allie Smith
set design by Eric Mestman
stylist assistance by Amy Bialek

Screen Shot 2024-05-20 at 7.10.34 PM.png

Screen%2BShot%2B2024-05-20%2Bat%2B7.31.19%2BPM.jpg

ART / FASHION/ CULTURE / MUSIC / FILM

Daily Journal

Otherwise Part V: Landscape Aesthetics and the Liberal Commons

about 2 hours ago

A Look Through the Monocle: 100 Years of The New Yorker @ The New York Public Library

about a week ago

Otherwise Part IV: Operational Aesthetics: Dopaminergic Media, Deepfakes, CoComelon, the Kardashian–Jenner Conglomerate, and the Long Tail of the CCF

about 2 weeks ago

Instagram: @AUTREMAGAZINE

Over the past four years, mysterious signs and billboards began appearing on utility poles in Los Angeles with a simple offer: WE BUY SOULS. They sat alongside similar signs that offered to buy everything from homes to junk cars to cash for insulin strips. The artist behind this public project, RABI (David Emanuel Mordechai Torres), received over 40,000 recorded messages from interested sellers. Now on view at @goodmothergallery - the project sees its realization in the form of a physical exhibition. On view until February 14 #webuysouls #rabitowing #streetart

Before Brat Summer and before The Moment, which premiered at @sundanceorg , there was just Brat, Charli XCX’s critically acclaimed, Grammy nominated sixth studio album, which defined a turning point for contemporary popular culture. Just before the release, @charli_xcx and @hansulrichobrist sat down for Autre’s SS24 Levity Issue to discuss her career, aspirations for the new album, and unrealized projects which included the seeds of her new film, which is directed by @aidanzamiri and will see its wider release later this month. Photographed by @daveyadesida #charlixcx #themoment #aidanzamiri

Gregg Araki just premiered his new film I Want Your S*x at @sundanceorg . Taking a look back at our conversation between Araki and John Waters from AUTRE FW23 The Instinct Issue. #greggaraki #sundancefilmfestival #cinema

Marian Goodman (1928–2026) Pictured here flipping through the pages of AUTRE’s Biodiversity Issue. Goodman was one of the most revolutionary art dealers in the world—championing artists who fought against the status quo and spoke out against injustice. She built an empire of electrifying art. There are very few with her ethos and commitment. For the past five years, we have been working closely with the gallery, particular with the always wonderful Linda Pellegrini, on some of our most exciting stories and interviews. Step into the gallery today and her vision is still alive. #mariangoodman #gallery

Protection is Love. Against the back drop of widespread ICE raids, abductions and violence, @willychavarria held his Fall 2026 runway presentation in Paris, titled Eterno, in the form of a musical steeped in Chicano culture. In SS24 we interviewed @newyorkwilly before he showed in Paris. #willychavarría #eterno #chicano

A few years ago in Memphis with the legendary William Eggleston. See his exhibition The Last Dyes on view at @davidzwirner in New York. The final prints of Eggleston’s using this highly complex dye transfer process. Electric color, crystal clear, a vision of the topographic medium. #williameggleston #memphis

Arthur Jafa will be in artistic dialogue with Richard Prince for an exhibition titled Helter Skelter opening at @fondazioneprada Venice in May - curated by @nespector - Here are some quotes from our interview of Jafa in our SS20 Edge Of Chaos issue, in conversation with @isabellealbuquerque Slide 7 - portrait by @patmartin__ #arthurjafa #prada #fondazioneprada #artbiennale #italy #richardprince

As we’re all seemingly inexplicably returning to 2016, we keep thinking about the wise words of this sage mouse by @ryanjgander which was on view at @camdenarts176 and the power of nostalgia. In times of extreme upheaval, nostalgia acts as a psychological balm, an evolutionary mechanism, for survival and meaning. Ignoring the fact that meta is most likely training their machine learning technologies through the aging of our faces, zooming back to the past offers a reprieve from the violence of the present, even when that time was also marked by the same violence. On social media, we live through these loops through algorithmically generated mechanisms that latch on to our hormonal neuropathways, it keeps us scrolling, docile, unable to resist. #nostalgia #2016 #flashback #ryangander

NIGHT BLOOMING JASMINE. One year since David Lynch left the earthly plane. Photograph by @damienmaloney #davidlynch

“…Whatever we do now is the history of tomorrow.” @wolfgang_tillmans on his new exhibition Keep Movin’ on view now at @regenproject in Los Angeles, an alchemical look to the past, materiality and process — there is sense of weight, pressure, darkness with flickers of the artist’s signature optimism—a relentless pursuit of justice as history makes itself in the present. #wolfgangtillmans #regenprojects

Narcissister “Voyage Into Infinity” a pyrotechnic Neo-burlesque opens at @nyuskirball on January 16. Tickets available NOW. The anonymous, mononymic Narcissister is one of those rare artists who is difficult to define, which is what makes her provocative and evocative performances, kinetic sculptures, and collage work so electric. A one woman, one body gesamtkunstwerk, she plays with race, class, myth, fairytale and femininity with her signature mannequin mask, never revealing her identity in a time when an artist’s recognizability is their strongest currency. @therealnarcissister in conversation with @jeffreydeitchgallery for AUTRE SS21 doppelgänger issue #narcissister #voyageintoinfinity #mask

A love letter to a city made in moving images. Los Angeles is gearing up for one of the most exciting exhibitions in a generation. A true temporary contemporary museum, Berlin- based institution @juliastoschekfoundation is landing in the city of dreams and taking over an entire building DTLA for its time based programming of short films, silent film and moving images. Dozens of artists across multiple floors. Must see. Must not miss. Visit jsf.la for early access. We did. You should. Chris Burden, Poem For LA, 1975 #chrisburden #juliastoschekcollection #cinema #silentfilm

Max Richter, who scored the @chloezhao film Hamnet, which just won the @goldenglobes for best picture, photographed by @kuba_ryniewicz for Autre FW24 “Citizen” Issue Interview by @hansulrichobrist styling @anitaszymczak_ grooming @oliviacochrane art director@martinmajor all clothing @dior men Special thanks @huxley #maxrichter #hamnet #chloezhao

Paul Thomas Anderson’s @goldenglobes award sweep and win for Best Screenplay and Best Director not only asserts the fact that he is the most prescient director of his time, but also that revolution is thick in the air. All his movies capture the zeitgeist, but One Battle After Another, which he started writing the seeds of in the late 1990s carries a rare pulse in the midst of global protests, at home and abroad. Photographs by @amandademme for Autre #4 SS18, Paul Thomas Anderson in conversation with editor-in-chief Oliver Kupper #paulthomasanderson #onebattleafteranother #revolution #goldenglobes #awardsseason

In our FW25 Work In Progress issue we took a pivot into the world of professional racecar driving with a focus on two female drivers: @lynstjames and @zoebarryracing . Now retired, Lyn St. James set astonishing precedents on the track: the first woman to exceed 200 miles an hour on a closed oval, and the first to win an endurance race solo. The sport nearly killed her. In 1986 at Riverside Raceway, another driver triggered a crash that launched her Ford Probe into the air and onto its roof, erupting into a fireball with St. James trapped inside. She escaped—miraculously—without a scratch. In an in-depth conversation, Lyn and Barry discuss the challenges of racing in a sport where women are the outliers. #lynstjames #zoebarry #racecar #motorsport #racing #cars

photography by Parker Woodsstyling by Julie Ragoliaall clothing Bottega Venetacasting directing by Ben Grimes Castinghair by Matt Bennsmakeup by Allie Smithset design by Eric Mestmanstylist assistance by Amy Bialek

photography by Parker Woods
styling by Julie Ragolia
all clothing Bottega Veneta
casting directing by Ben Grimes Casting
hair by Matt Benns
makeup by Allie Smith
set design by Eric Mestman
stylist assistance by Amy Bialek