11 Things You Need To Know About The Artist Known As H.C. Westermann

"See America First," a comprehensive exhibition of sculptures and drawings by the late, great H.C. Westermann, is on view now at Venus Over Manhattan. The installation features a wide range of Westermann's work, spanning from 1953 to 1980. Here are 11 Things You Need To Know about the artist before you visit the exhibition:

1. He served in the U.S. Marine Corps

Westermann served in World War II on the aircraft carrier Enterprise, weathering kamikaze attacks by Japanese fighter planes. He also served in the Korean War. Thus, much of Westermannโ€™s work draws on the idea of a nostalgic and romantic America, one that yearns for a return to traditional values.

2. He was a carpenter

Before his service, Westermann worked in the logging industry of the Pacific Northwest, where he picked up woodworking and handyman jobs. Westermann used the skills he learned as a carpenter to create sculptures that confronted the realities of his time at war and the post-war psyche of America in the 40s and 50s. Mr. Westermann once said he wanted his constructions to look like theyโ€™d been made by a mad cabinetmaker. 

3. He started out as a painter

Westermann attended the School of the Art Institute of Chicago on the GI Bill, where he studied painting. His paintings combined geometric abstraction with surrealist images, inspired greatly by the work of Paul Klee. After college in the mid-1950s, he turned to sculpture. 

4. A cross-country road trip inspired an entire series of creations

Mr. Westermann and his wife (painter Joanna Beall) embarked on a cross-country road trip in 1964, which inspired a series of cartoon drawings in 1968. These drawings, entitled โ€œSee America First,โ€ were the inspiration for the newest showing of his work at Venus Over Manhattan.

5. His letters to his dealer included wild drawing and fantasies

Several wild and beautifully illustrated personal letters to Westermannโ€™s long-time dealer Allan Frumkin are included in the newest exhibition.

6. He regularly made art as gifts for friends

The exhibition includes a box with sergeant stripes inlaid in its lidโ€™s underside that he gave to the Los Angeles painter Billy Al Bengston as well as a relief carving he made for the West Coast Funk artist William T. Wiley. โ€œFor Baby Ed from Cliffโ€ is a small, rustic rocking horse that he gave to the Pop artist Ed Ruscha.

7. He inspired a generation of underground artists

Westermannโ€™s work challenged the pop art status quo of the 1960s. Movements such as the Bay Areaโ€™s โ€œFunk Artโ€ scene and the famous Chicago Imagists Hairy Who were inspired by Westermannโ€™s art.

8. He was featured on the Beatlesโ€™ โ€œSgt. Pepperโ€ album.

In 1967, he was one of the celebrities featured on the cover of Sgt. Pepperโ€™s Lonely hearts Club Band. Mr. Westermann appears in the third row alongside George Bernard Shaw and Albert Stubbins.

9. He refused to comment on his work

When asked to interpret an object of his, Westermann said, โ€œIt puzzles me tooโ€ฆ How can I explain a work like that?โ€

10. He was given a retrospective at the Whitney

In 1978, Westermann was given a full-fledged retrospective at the Whitney Museum of American Art. Reviewing the Whitney exhibition, John Russell wrote in The New York Times: ''There is in his work a combination of fiendish invention, boisterousness, naivete and a high-souled ethical overdrive. He never evades a question, and he doesn't mind coming on like an unreconstructed preacher.''

11. His Views On Art and Death Were Profound

Westermann died of a heart attack at the age of 58 in Danbury, Connecticut in 1981. Of life, he said, ''I feel that life is very fragile. We're all just hanging by a thread; it's very spooky. I can best come to grips with it by doing my work. I guess that's why I'm an artist.''


"See America First" is on view now until December 19th at Venus Over Manhattan, 980 Madison Avenue, New York, NY. Text by Keely Shinners


[ART REVIEW] Katherine Bernhardt "Pablo and Efrain" At Venus Over Manhattan

I find myself drawn towards artist Katharine Bernhardtโ€™s work in spite of an inner resistance I feel towards work that could be described as โ€œcuteโ€ in the most basic of ways. While I love some of the goofier performance artists doing kitschy work in the Midwest like Jaimie Warren, the aesthetic of cute is not something that I gravitate towards. So sue me, Iโ€™m affected (becoming a black clad heavily tattooed art writer was probably the only way for an untalented art geek to get girls). But Bernhardtโ€™s work is made more wondrous by her demonstration of mathematics. Within her paintings, no matter how silly the imagery, there are real patterns and proportions made of a vivacious color field grid locking her imagery into place. It places the work in the middle of the war between our animal instincts and rational thinking (isnโ€™t it weird that the part of our brain that sees things as โ€œcuteโ€ is actually our inner apex predators identifying things as weak, but itโ€™s our rationale that decided itโ€™s ok that itโ€™s weak, precious even, hence โ€œcuteโ€). Her word is a visually rich and fun tug of war.

Bernhardtโ€™s new show, Pablo and Efrain, opened up last night at Venus Over Manhattan. Bernhardtโ€™s imagery is often directly correlated to the imagery that she is absorbing and the objects that she is using: โ€œEvery residency that Iโ€™ve done, wherever I am, sub-consciously the imagery of the landscape always makes its way into my work.โ€ During the creation of these new works, Bernhardt was in her beloved Puerto Rico. Therefore, much of the imagery living within the canvases reflects the colorful landscape of the island: sharks, various fruits, turtles, tropical birds and more blend seamlessly with some of Bernhardtโ€™s fascination in mundane objects like cigarettes and sharpies. Itโ€™s like the imagery comes from a very unconscious and fluid aspect of her creative mind, while the planning and sequencing of the imagery on the canvas is totally mathematic and precise. With a huge mish-mash of imagery, she still manages to avoid overloading the viewer with sensory. Instead, itโ€™s just a blast to look at her work.

Her interest in patterning also manifests in her fascination with the weaving traditions of the rural Berber women of Morocco. As such, Bernhardt lined the floors of the gallery with coffee bags sourced from Puerto Rico. The bags not only were nice and soft to walk on, but also helped make clear the influences that went into the show: the imagery of Puerto Rico and the precise lines needed to weave such bags

The showโ€™s title, Pablo and Efrain, is an ode to the twin Puerto Rican artists behind the Poncilli Creacion, who Bernhardt met on her most recent trip to Puerto Rico. True to her unpretentious, self-effacing, and effortlessly charming manner, Bernhardt admits she knew nothing of the artists before meeting them. Only that she was completely taken with them when she did. โ€œTheyโ€™re just really fun and hilarious to be around,โ€ she says while cracking herself up.

Bernhardt was at the opening with her family and son and having a great time. When Norwegian artist Bjaarne Melgaard was admiring one of her paintings, Bernhardt covertly snapped a photo of the intimidating fashionable artist. Unlike so many artists (and writers, admittedly) she adopts no pose. She just loves making art, and it shows in her work. Despite the lackadaisical attitude though, she is a real master of craft. That willingness to marry imagery that could be deemed silly with real technique makes for a unique viewing experience. โ€œI just make the art, I let you guys come up with your own ideas about it,โ€ she says. 

Katherine Bernhardt "Pablo and Efrain" will be on view at Venus Over Manhattan until October 24, 2015. Click here to see more photos. Text and photographs by Adam Lehrer.


Adam Lehrer is a writer, journalist, and art and fashion critic based in New York City. On top of being Autreโ€™s fashion and art correspondent, he is also a regular contributor to Forbes Magazine. His unique interests in punk, hip hop, skateboarding and subculture have given him a distinctive, discerning eye and voice in the world of culture, et al. Oh, and he also loves The Sopranos. Follow him on Instagram: @adam102287

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