Since his arrival on New York’s East Village art scene in the early 1980s, George Condo has developed a unique and provocative style of painting. But, for all its outlandish humour and outrageousness, his work is deeply engaged withthe memory of European and American traditions of painting. His ‘imaginary portraits’ conjure varied mental states with a mixture of comic absurdity and heart-rending pathos, and his larger abstract paintings re-imagine the work of modern Masters. On view now at the Southbank Center in London, a major retrospective, entitled George Condo: Mental States, offers a comprehensive survey of three decades of Condo’s art.
