During the 1970’s Lukas Strebel travelled to Spain to meet and photograph Salvador Dali. He took with him ‘Antoglyph’, the kitchen table which appears regularly in his images. "Forty years ago, I went travelling with a table. It was an incredible, animal-like object and I carried it around, taking its photograph in different landscapes," says the artist. Having been initially refused entrance Lukas gave Dali’s maid a copy of the photograph ‘meus volatus magicus supra Antoglyphum’ and asked her to appeal once more. On the strength of this image he was granted entrance. Cruelly, the day of the appointed shoot Lukas was called back to Switzerland for national service. About the above photograph: "I set up my camera on a tripod, took the table out into the water and climbed on. Then I jumped up while my girlfriend pressed the button. We had just one roll of film: in those days, you couldn't check you had got the shot, so I only found out when I returned to my darkroom two weeks later." An exhibition of Strebel's work is on view at the Print Space in London until January 3, 74 Kingsland Road.
Dalí: Mind of a Genius
The aphrodisiac telephone by Salvador Dali
SINGAPORE: Explore over 250 artworks which highlight the creativeness of Dalí across different mediums, including bronze sculptures, rare graphics, furniture, gold jewelry and crystal pieces in three themed areas – Femininity and Sensuality, Religion and Mythology, Dreams and Fantasy. Highlights include Dance of Time I (Dalí's famous representation of melted clocks), Woman Aflame (sculpture uniting two of Dalí's obsessions - drawers and fire), Spellbound (a huge painting featured in Alfred Hitchcock's movie of the same name) and the Mae West Lips Sofa (inspired by actress Mae West's sensual lips). Now on view at the Marina Bay Sands in Singapore until October 11.
Le Surréalisme, c’est moi!
Even today, Salvador Dalí’s creative output as an artist, his experimental films, and his unmistakable style of painting exert an inspiring fascination on artists up to the present day. By the early 1930s, Dalí had found his medium and his distinctive painting style. The world of the unconscious and of dreams, melting watches and endless, expansive landscapes, bathed in a cool sunshine, are his recognisable motifs.
Salvador Dalí, Flores surrealistas, 1938
Dalí’s virtuoso technique allowed him to paint his pictures in a style reminiscent, at the same time, of the old masters and the photo-realism of today. A new exhibition at Kunsthalle Wien presents Salvador Dalí together with works by Louise Bourgeois, Glenn Brown, Markus Schinwald and Francesco Vezzoli.