The Persistence of Collage

linder_manchester_persistence_of_collage
Linder: Detail of Untitled, 1978.

The new Arts Council Collection touring exhibition Transmitter/Receiver traces some of the uses of collage in British art from the first influences of the Parisian avant-garde, in the early work of Ben Nicholson and British Surrealists Eileen Agar and Roland Penrose, through to present day practitioners such as Steve Claydon, David Noonan and Idris Khan. Bringing together over 50 works it includes traditional collage on paper, alongside painting, sculpture, film and slide projections, all drawn from the Arts Council Collection. Transmitter/Receiver: The Persistence of Collage is now on view at its first stop at the Middlesbrough Institute of Modern Art in the UK until November 6.

[ART] DAVID NOONAN

The Contemporary Art Museum, St. Louis is currently organizing the first solo presentation of the work of London-based Australian artist David Noonan in an American museum. Since emerging in the early 2000s, Noonan has developed an international reputation for works that incorporate photographic imagery of costumed performers, groups of figures from utopian collectives, and other elements of theater and stagecraft in collaged, painterly, or sculptural formats. In doing so, he encourages us to consider how documentary images of events and happenings might be transformed into fiction, while suggesting the significant roles that theatricality and performance have played in our recent cultural history. This exhibition will present a survey of recent works in a variety of media as well as numerous new works created especially for this presentation at CAM. The main gallery spaces will feature examples of large-scale works featuring evocative photographic images from various sources such as books about experimental theater or puppetry, as well as Japanese textile designs, all screen-printed onto different fabrics which are layered and stitched together. Noonan’s process of creating these works gives the images a shadowy sense of mystery, while the layering of the figurative and abstract imagery creates a tension between abstraction and representation. The exhibition is set to open on September 9 and will run until January 8. www.camstl.org