CAPUT

ART BASEL, MIAMI – Mondrian Sessions and The Museum of Contemporary Art, Los Angeles, organized by creative director Adarsha Benjamin, present a special screening of CAPUT, a film by Harmony Korine starring James Franco. A selection of photography by Adarsha Benjamin and Harmony Korine, that includes film stills and images from behind the scenes of CAPUT, will also be on view. CAPUT will be presented in Rebel, a project by James Franco in collaboration with Douglas Gordon, Harmony Korine, Damon McCarthy, Paul McCarthy, Ed Ruscha and Aaron Young at The Geffen Contemporary at MOCA in Spring 2012. Musical guest include IO Echo and DJ sets by Henry Hopper and IAMSOUND. Thursday, December 1st 9pm-2am Sunset Lounge at Mondrian South Beach 1100 West Avenue Miami Beach.  Photo: Harmony Korine.

[MIAMI BASEL] Fountain Art Fair

Fountain Art Fair will return to Art Basel Miami Beach, taking over the 25th St / North Miami warehouse for its 6th consecutive year. Opening Thursday, December 1st for a VIP & Press Preview, Fountain will set itself apart from other internationally applauded fairs with its vivacious, rogue attitude and selection of the most cutting-edge alternative galleries and independent artists. Fountain is thrilled to announce that the always audacious Grace Exhibition Space will curate an on-site, weekend-long program of evocative contemporary visual performance by artists Gim Gwang Cheol (Korea), Myk Henry (Ireland/NYC), Erik Hokanson (NYC), Quinn Dukes (NYC), Jill McDermid (Outer Space), Paul White (UK), and Hannah Dean (UK). Also joining the roster for Miami is original Fountain exhibitor Front Room, along with Tinca Art, We-are-Familia, and Untitled ArtProjects. This year Fountain Miami’s signature on-site street art installation is curated by Samson Contompasis, director of Albany’s The Marketplace, and will feature over 150 feet of work by fifteen of the most in-demand street artists including Sharktoof, Chris Stain, Olek, Hugh Leeman, Chor Boogie, OverUnder, White Cocoa, Army of One, Clown Soldier, Joe Iurato, CAKE, Tip-Toe, Elle, Ian Ross, and Know Hope.

DANS L'INTIMITÉ DES PEINTRES

Paris Match opens its archives reveals exceptional and rare moments in the heart of the mystery of creation: artists at work, in the privacy of their studios and their secret gardens, surrounded by their families. Unique perspective on the ceiling of the Opera by Chagall, Dali's daydreams, the suns of Miro, the studies of Francis Bacon: beyond the works, Paris Match by the discovery of these men of genius in a new book entitled Dans l'intimité des peintres.

Laurel Nakadate: Say You Love Me

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Laurel Nakadate: Say You Love Me at the Sert Gallery, at Harvard in Cambridge, Mass, will feature a selection of videos by the artist, filmmaker, and photographer Laurel Nakadate, whose work pushes the boundaries of voyeurism, exhibitionism, and vulnerability. In videos such as Happy Birthday, she performs a Lolita-like role in a series of sometimes unsettling fictional vignettes with mostly white, middle-aged men she meets through chance encounters. In others, including Good Morning Sunshine, she continues to exploit the unsavory yet titillating nature of interactions between older men and girls by voicing the role of a predator. Nakadate is always in control, whether in front of or behind the camera; yet her intention is not to make fun of her collaborators. Her videos are complicated but ultimately empathetic meditations on loneliness and longing.  Laurel Nakadate: Say You Love Me is on view from November 18 to December 22 at Sert Gallery, Harvard Art Museums, 32 Quincy Street, Cambridge, MA

[AUTRE TV] Beats Take the School

Beatniks take over a school in this collaboration by James Franco & Adarsha Benjamin. Shot in NYC.

Maison Martin Margiela, LOVE, etc.

At Art Basel Miami Beach 2011, Maison Martin Margiela will present Love, etc., an off-site installation in the Miami Design District situated near its Miami retail location. This exhibition will feature the Maison’s Line 13, dedicated to objects & publications. Line 13 also explores the Maison’s relationship with interiors. November 29 through Saturday, December 3, 4141 NE 2nd Avenue Miami, FL 33137.

JASON RHOADES at AMERICAN EXUBERANCE

Jason Rhoades' 'Untitled' neon and wire sculpture on view at the American Exuberance exhibit in Miami at the The Rubell Family Collection opening November 30 in Miami.

American Exuberance

Stake: Art is Food for Thought and Food Costs Money, 1985

American Exuberance at the Rubell Family Collection/Contemporary Arts Foundation will include 64 artists and 190 artworks, 40 of which were made in 2011, many specifically for this exhibition. American Exuberance will occupy all 28 galleries in the 45,000 sq. ft. museum, and all works in the exhibition are drawn from the Rubell Family Collection/Contemporary Arts Foundation. On view from November 30 to July 27, 2012, 95 NW 29th Street, Miami, FL

The Model Boy

Photograph by David Siqueiros (C) 2011. All Rights Reserved.

Debuting its Arts Program, the InterContinental Miami, hosts photographer David Siqueiros as he presents a never-before-seen collection of black and white photos featuring Andy Warhol titled: Andy Warhol - "The Model Boy." Warhol posed for Siqueiros in October 1985 and is seen cavorting with two top Ford Models of the time, Patricia Van Ryckeghem, the face of Chanel and Clotilde, the face of Ralph Lauren. Photographed by Siqueiros at the Codalight Studio in New York City, this is believed to be one of Andy Warhol's last photo shoots before his passing in February 1987. The InterContinental Miami is transforming its Grand Lobby into a gallery to debut the collection with a VIP reception on the eve of Art Basel Miami Beach on November 30, 2011. The installation will remain on exhibit through January 1, 2012. The InterContinental Miami is located at 100 Chopin Plaza, Miami, FL, 33131.

Jessie Rose Vala: Future Teller

Ever Gold Gallery in San Francisco presents Future Teller from artist artist Jessie Rose Vala. Vala is known for her site specific installations that emphasize her diverse skill with multiple media backgrounds. Future Teller is an elaborate three dimensional mythology that serves as the artist’s personal investigation into Man’s fall from ‘Paradise’, as depicted in a utopian existence. Many cultures and religions maintain a belief in a ‘Tree of Life’ or a ‘Great Tree’ that describes or reflects the human journey back to a spiritually divine existence. Vala’s prior installations have involved rebirth and decay as primary theme, and this new body of work also follows that path, examining the subject from both eastern and western perspectives. Her graphite drawings directly interact with and support the other aspects of the installation.This encompassing environment has been built through the meticulous layering of materials over a six month period between Brooklyn, NY and Portland, OR. Future Teller was conceptualized by Vala and presentation will be assisted by San Francisco based independent writer and curator, Gabe Scott. Future Teller is on view until November 25 at Ever Gold Gallery, 441 O'Farrel Street, San Francisco. 

Bombs & Candy

From Rizzoli publishers comes first monograph, entitled Bombs and Candy, on Kata Legrady's works presenting a collection of drawings, photographs, sculptures, and video installations. Kata Legrady belongs to that long and bountiful line of artists for whom an object offers the stimulus for artistic thought and action. Her work takes the form of a symbolic encounter between two distinct universes: on the one side, weapons of war, and on the other, confectionary. In other words, there is a short-circuit between the lethal and the inoffensive; a tension between childhood and destruction, between carefree and suffering. The use of Smarties--those famous multicolored 'pills'--cannot but evoke the "colored dots" used by Roy Lichtenstein to create his enlarged and framed comic strip images. With the difference, however, that these Smarties are not used to create images but to decorate weapons, covering them systematically, although this is not enough to make them unusable or unrecognizable. In the hands of the artist, machine guns, grenades and knives become strange and colorful, almost beautiful and appealing. There are also bombs of various formats and size, varying from a few centimeters to several meters. This time, they are not recovered objects, however, but sculptures of essential form covered in metallic industrial paint.

Lost But Free. The Art of Daniel Johnston

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Daniel Johnston has spent the last 30 years exposing his heartrending tales of unrequited love, cosmic mishaps, and existential torment to an ever-growing international audience. Initiates, including a healthy number of discerning musicians and critics, have hailed him as an American original in the style of bluesman Robert Johnson and country legend Hank Williams. Daniel has collaborated with the likes of Jad Fair (a founding member of Half Japanese), the Butthole Surfers, and members of Sonic Youth. A prolific songwriter, his lyrics focus on a range of familiar American themes, including the joys and pains of love, the exploits of comic book characters such as Jack Kirby's Captain America, and the allure of rock and roll. Throughout Daniel’s life as a musician, Daniel has been an equally prolific visual artist. In recent years, Daniel has gained acclaim and respect for his art that could possibly surpass his legendary status as a musician and songwriter. While at first glance, Daniel’s art might give the impression that this is the work of an “outsider” artist, Daniel’s visual work communicates the same deep content and startling impact that his songs carry. In 2006 Daniel was featured in The Whitney Museum of American Art’s Biennial. From December 3 to January 3 the Blast Gallery in New Jersey presents Lost But Free. The Art of Daniel Johnston, an exhibition of Daniel Johnston's artwork.

Big In Japan

Butoh dancer Yuko Kaseki

Big In Japan, which was established in June 2009 in Australia by fashion brand Ksubi and Kirin as a platform for cultural exchange, presents Big In Japan 2011 with art exhibitions and performances by leading experimental Japanese artists in Sydney and Melbourne such as Kyozin Yueni Dekai, OVe-NaXx, Fuyuki Yamakawa, Onnacodomo and Yuko Kaseki. This year the events take place at Paddington Town Hall in Sydney (November 15 and 16) and 1000 Pound Bend in Melbourne (November 18 and 19).

Douglas Gordon Retrospective

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Born in Glasgow in 1966, Douglas Gordon is today among the most important as well as the most influential artists of his generation. While he is famous for his films and large-scale video installations such as 24 Hours Psycho, his oeuvre also encompasses photographs, texts, sculptures and sound installations. In addition to Play Dead; Real Time, one of Gordon’s chief pieces, the MMK Museum für Moderne Kunst also has a number of other photo and video works by this artist in its holdings. Together they will provide the point of departure for the first major retrospective to be presented on Douglas Gordon in Europe since his show at the Kunstmuseum Wolfsburg in 2007. With his analyses of images drawn from the collective memory and everyday culture, Gordon exposes basic patterns of perception. Within this framework, his works often revolve around phenomena of duplication and reflection: the couple, the double, light and dark, guilt and justice, etc. His latest work is entitled k.364, which stands for “Köchelverzeichnis No. 364”, the Köchel catalogue number assigned to the Sinfonia Concertante for Violin and Viola composed by Wolfgang Amadeus Mozart in Vienna in 1779. After hearing this work of chamber music in Poznań (Poland), Gordon organized another performance of it with the well-known musicians Avri Levitan (viola), Roi Shiloah (violin) and the Amadeus Chamber Orchestra of Polish Radio. The musicians’ journey from Berlin to Warsaw by way of Poznań and the performance of the symphony in Warsaw account for the major proportion of the film. The two musicians’ conversations on their way to Poland reveal that their pasts, and those of their parents, are complexly interwoven with German-Polish relations, and above all with the history of the Polish Jews during World War II. The new film k.364 will be supplemented with the pieces by Gordon in the MMK collection and a large number of other prominent works of the past years to form a comprehensive exhibition – the first to assemble the latest works and thus to provide a concentrated and impressive overview of this multifaceted artist’s oeuvre. On view from November 19 to March 25 at the Museum für Moderne Kunst.