PAUL THEK: Diver, A Retrospective

Paul Thek: Diver, a Retrospective is the first retrospective in the U.S. devoted to the legendary American artist Paul Thek (1933–1988). A sculptor, painter, and one of the earliest artists to create environments or installations, Thek was first recognized when he showed his sculpture in New York galleries in the 1960s. These early works, which he began making in 1964 and called “meat pieces,” resembled flesh and were encased in Plexiglas boxes that recall minimal sculptures. With his frequent use of highly perishable materials, Thek accepted the ephemeral nature of his works—and was aware, as writer Gary Indiana has noted, of “a sense of our own transience and that of everything around us.” With loans of work never before seen in the U.S., this exhibition is intended to introduce Thek to a broader American audience. On view at the Hammer Museum in Los Angeles - May 22 to August 28 - website.

Steve McQueen For Sale

Steve McQueen may have died thirty years ago, but his eternal cool has not. You can start the bidding now, but on Saturday the auction is on - from McQueen's famous 1971 Husqvarna 400 motorcycle to a wooden trunk of personal effects. In conjunction with the third annual Quail Motorcycle Gathering, Bonhams & Butterfields will conduct a live auction of authentic Steve McQueen artifacts. The auction takes place May 14 2011 at the Quail Lodge in Carmel, California.  www.bonhams.com

Benjamin Péret's Leg of Lamb

Benjamin Péret was a founding member of surrealism, a card carrying surrealist - if there ever was such a thing - and he was Salvador Dali's favorite poet; as well as a revolutionary and a rabble rouser who stirred the pot of literary movements as well as political ones. Péret, like his writing, led an almost automatic life. Entering world war one in order to avoid persecution for defacing a statue and whilst in a fox hole one day he discovers the writings of Dadaist Guillaume Apollinaire - a Dadaist poet who coined the word surrealism.  After the war Péret found his way in to the heart of the burgeoning surrealist movement and subsequently into the heart of its founder Andre Breton.  The surrealists found it best to stay close in the early years of its founding in order to protect their brilliant, insane, and sometimes infantile visions of the world - a vision that if proclaimed by a solitary person would most likely lead to confinement for insanity  in a world that saw if perfectly fine without all the sliced eyeballs and flying tigers.

“...a smorgasbord of automatic writing.”

But Benjamin Péret was one of the only surrealists, beside Andre Breton, who stayed a surrealist even after the mirage wore off.  Péret's Leg of Lamb: Its Life and Works, which is available now on Wakefield Press, is a "foundational classic of Surrealist literature."  Almost entirely written in the 1920s,  Leg of Lamb is a collection of brilliant, absurdist visions - twenty-four narratives in short prose  - a "smorgasbord of automatic writing."  Visit the the Wakfield Press website and pick up a copy for your collection - its a must for your library.  www.wakefieldpress.com

David Bowie, Artist

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This summer, the Museum of Arts and Design in New York presents David Bowie, Artist, a multi-platform retrospective re-framing Bowie’s daring, multi-discipline career as that of an artist working primarily in performance. From his roots in such performance-based practices as cabaret, mime, and avant-garde theater, to Ziggy Stardust, his revolutionary tour that synthesized theater, music, and contemporary art into a rock spectacle, as well as his innovative video collaborations, and his work in cinema and theater, David Bowie, Artist presents Bowie as one of the most iconoclastic cultural producers of the 20th century. On view until July 15th - www.mademuseum.org

In the Light of Mexico

Pancho Villa and Emiliano Zapata were stealing back Mexico for the people.  Freedom was being won with blood.  Mexico was in the throes of a revolution. The great first quarter of the twentieth century Mexico was fertile ground for not only revolutionaries, but also artists. Mexico was indeed succeeding to a modern world.  Mexico, always the symbol and champion of the underdog, the poor, the hungry has always held on strong to its icons.  They were roughhewn in their prismatic, threadbare ponchos, sombreros, and dark mestizo skin that glowed amber under a romantic, warm desert sun in a landscape of infinite flowers, cobble stone, and chirping monkeys. And like inventing memories from photographs, our images of Mexico have been always invented by this imagery.  It's the murals of Diego Rivera, the gardens and portraits of Frida Kahlo and the poems of Octavio Paz that paint of landscape of a bygone Mexico - poorly preserved by kitsch, refrigerator magnates, and theme restaurants. We always wonder what happened to the good old days when they're seemingly gone forever.  Certainly one of the most influential icons of Mexico's good old days is the photographer Manuel Álvarez Bravo.

Manuel Álvarez Bravo, whose work is being exhibited alongside the poetry of another symbol of Mexico's heritage Octavio Paz, at the Mexican Embassy in India, captured the spirit of a Mexico experiencing the pangs of a revolution and the dialectic of an artistic movement mirroring back its angst. Screaming in a fulmination of dust, Bravo's photographs are as  journalistic as they are erotic.  Bravo was born in 1902 to a  family of artists and writers, and met several other prominent artists who encouraged his work when he was young, including Diego Rivera.  Bravo, who was inspired by the burgeoning surrealist movement in France, starting taking pictures at 18 whilst working a government job.  Bravo would become a profoundly influential figure in contemporary Mexican and Latin American photography, but he would not become largely known in the rest of the world.   Bravo died in 2002 at the age of 100, but his photographs are a significant part of Mexico’s history.

An exhibition, entitled In the Light of Mexico, curated by Conrado Tostado Gutierrez, the cultural attaché of the Embassy of Mexico in Delhi, comprises a substantial body of images that evokes the era of the Mexican Revolution of early 1907 to 1911, the newly independent Mexico and its people. Bravo’s daughter Aurelia Alvarez Bravo and his widow Collette Urbajtel have painstakingly developed the original negatives from the photographer’s work to make this exhibition possible. Bravo's photographs are coupled with the poems of poet and former Mexican Ambassador to India, Octavio Paz.

On view until June 30th in New Delhi, India. More info.

Text by Oliver Maxwell Kupper for Pas Un Autre

Houdini: Art & Magic

Magician, escape artist, and showman extraordinaire Harry Houdini (1874–1926) has remained an object of fascination for generations. Combining biographical and historical artifacts with contemporary art inspired by his physical audacity and celebrity, Houdini: Art and Magic explores Houdini as an individual and an enduring cultural phenomenon, documenting the period in American history when the young Jewish immigrant helped shape the cultural landscape and became an acknowledged mass-market star. Featuring more than 150 objects—including film clips, stunning period posters, dramatic theater ephemera, rare photographs, original props (including a straitjacket, milk can, and Metamorphosis Trunk used by Houdini), and the work of select avant-garde artists—the exhibition reveals Houdini’s legacy as an iconic figure, both in his time and in ours, who has inspired artists today to reconsider his role as a daring persona. On view at the Skirball Center in  Los Angeles until September 4. www.skirball.org

The Mourners: Tomb Sculptures from the Court of Burgundy

The Mourners: Tomb Sculptures from the Court of Burgundy features thirty-seven sculptures from the tomb of John the Fearless (1342–1404), the second duke of Burgundy. His elaborate tomb, once housed at a monastery on the outskirts of Dijon, is now one of the centerpieces of the Musée des Beaux-Arts de Dijon. On view until July 31 at the Los Angeles County Museum of Art. www.lacma.org

Inspiration Dior

A this one to the list of the growing phenomenon of designer retrospectives being held around the world. Inspiration Dior, an exhibition at the Pushkin Museum in Moscow, explores the birth of the legendary fashion house. Christian Dior was born in the seaside town of Granville on the coast of France, the second of the five children of Maurice Dior, a wealthy fertilizer manufacturer and his wife.  His family had hopes that the young Dior would become a diplomat, but his artistic sensibilities would obviously prevail.  In 1947 his 'new look' collection is established and the House of Dior is born. The exhibition explore not only Dior, but the inspiration behind Dior, guiding the visitor "through the Dior artistic creative sources of fashion and its links to history, nature, painting, sculpture, drawing, photography and film. It reveals how an idea, a feeling, an era, a garden, a perception or even a smell can instill an idea in the heart and mind, giving rise to a unique creation." Inspiration Dior is on view until July 24 2011. www.arts-museum.ru

 

Fritz Lang, Beyond a Reasonable Doubt

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After director Fritz Lang vaulted to prominence with such masterpieces of German cinema as Metropolis and M, he brought his art to Hollywood films, including Fury, Ministry of Fear, The Woman in the Window and more trenchant tales of innocents caught in a web of seeming guilt. His last U.S. movie is this intriguing film noir about a novelist (Dana Andrews) out to expose the injustices of capital punishment. Working with his fiancée’s (Joan Fontaine) father, a newspaper publisher (Sidney Blackmer), he frames himself for murder, intending to produce exonerating evidence at the last moment. But the publisher suddenly dies, the evidence is lost… and that’s only the first twist in a brilliantly layered plot ideally suited to Lang’s talents. Beyond a Reasonable Doubt has been recently restored and is available on DVD.

Walter Benjamin: A Reflection in Pictures

Architecture and art have played a particular part for Walter Benjamin, because the relation of the past to the present was not of a temporal but of a figurative nature for him. Thus, according to his conception, the past could converge with the present via a flashlike image to form a ‘constellation’ and produce a ‘profane enlightenment’. Just like a configuration can be seen in the bright spots of a starry sky, interpreted as an astronomical constellation, the past is captured in a ‘dialectical picture in a standstill’. The conceptual arguments are only the ‘reverberating thunder’. Not only works of the visual arts, like Paul Klee’s water colour ‘Angelus Novus’, but in particular buildings and cities provided such dialectical images for him, as a ‘past become space’, for instance with arcades, panoramas or interiors, which made him see through the dreams, ideals and phantasms of a collective. An exhibition at the Architekturmuseum in Munich, entitled Walter Benjamin: A Reflection in Pictures, explores Benjamin's complex relationship with architecture. On view until June 19. www.architekturmuseum.de

Mick Jagger: Young in the 60s

Mick Jagger, 1966. Photograph by Gered Mankowitz

Portraits of Mick Jagger taken in the 1960s will be on display at the National Portrait Gallery in London from 3 May until 27 November 2011. Documenting the singer’s early rise to become one of the most influential singer-songwriters of the era, the display will coincide with the publication of Mick Jagger: The Photobook by Thames & Hudson.  www.mickjagger.com

Deconstructing Michelangelo Antonioni's Blow Up

Blow Up

Want to see a naked, nubile Jane Birkin in a threesome? Antonioni's film 1966 film Blow Up captured the zeitgeist of 1960s London with a bear trap. Its famous cover, with the lead character, a fashion photographer played by the venerable David Hemmings, lurching over the rail thin, German model Veruschka, is emblematic of an entire decade of cinema.  Directed by Michelangelo Antonioni, Blow Up, inspired by a book written by the Argentinian novelist Julio Cortázar, as well as the real life of iconic fashion photographer David Bailey, tells the the story of a fashion photographer who inadvertently stumbles into a murder.

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The film, which stars David Hemmings, Vanessa Redgrave, and Sarah Miles, is a real-time paced glimpse into an otherwise drab London at the apex of the Swinging Sixties.  It was time when photographers were considered rock stars; groupies and all, doing whatever it takes to get their picture taken.  Using film stills and actual photographs in the film, a new book has come out this month on Steidl that re-examines Blow Up in a retrospective, socio-cultural context. Antonioni's Blow-Up, as the book is called, by Philippe Garner and David Alan, promises a "fresh and stimulating study of Antonioni’s masterpiece."

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You can find the book on Colette's e-shop. www.colette.fr

My Blue Love: Edith Piaf's Love Letters to Louis Gérardin

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"My blue love, our first separation ... darling, I think I can say that never has a man taken me as much, and I believe I'm making love for the first time." Edith Piaf's "blue love" was a 13-time French speed racing champion bicyclist named Louis Gérardin. The letters were written in 1951 and 1952 during a feaverish, little known, love affair – shortly after her true love, the boxer Marcel Cerdan, died tragically in a plane crash. The letters are intimate, full of sexual ravings and pleas for Gérardin to leave his wife. Before Gérardin could leave his wife Piaf had already married another man. In 2009, 54 of the letters were sold at Christies in Paris for 59,000 euros.  The letters will now will be published in the book entitled My Blue Love – out on April 30 in France.

Icon of 1940s Fashion: Ingrid Bergman

Ingrid Bergman is stunning when when she appears on the silver screen in the 1942 classic Casablanca, and the same in Hitchcock's 1946 masterpiece Notorious. Bergman was not only an icon of the silver screen, but an icon of fashion in a decade when the world was at war. In the 1940s the fashion houses of an occupied France were struggling with limited resources, a fabric shortage, and the rise of competing American fashion houses. In 1940s style was an experiment in sartorial renunciation - an "expression of circumstances" as opposed to frivolity. In 1947 Christian Dior introduced the New Look collection - a ‘make do and mend’ approach to fashion that didn't comprise "ideals of beauty, femininity and luxury." Ingrid Bergman was a life long fan of Dior - her fitted suits,  pencil skirts, subtle accessories, and a slightly androgynous charm helped define the era.

A new book, Forties Fashion:From Siren Suits to the New Look, Jonathan Walford, founder of the Fashion History Museum of Canada, "is an essential sourcebook" of 1940s fashion; "a glorious celebration of everything from practical attire for air raids to street and anti-fashion."  Around 250 illustrations reveal the wide range of fashions and styles that emerged throughout the Second World War, in Europe, North America, Australasia and Japan. Including period advertisements, images of real clothes, and first-hand accounts from contemporary publications.

www.thamesandhudson.com