Helen Frankenthaler (1928-2011) is one of the most important and influential postwar painters, whose abstract compositions, featuring brilliant expanses of color and light, have inspired generations of artists and changed the course of art history. She led the way from Abstract Expressionism to a new and vital form of painterly lyricism that heralded the Color Field movement. On view in this exhibition are some twenty major large-scale paintings that celebrate the New York-born artist’s formidable, six-decade career. A classic Frankenthaler work, Swan Lake II (1961), filled with ethereal pools of electric blue, grays, and deep red, against a neutral ground, is a quintessential example of her unparalleled achievement. Helen: Frankenthaler: Selected Paintings will be on view through May 18 at Yares Art 745 5th Ave.
Independent curator Brooke Wise presents A Cat’s Meow, a group exhibition featuring work by Anja Salonen, Misha Kahn, Sam Crow, Thomas Barger and Ana Kraš. The exhibition explores the dichotomy of the interior versus the exterior, the domestic versus the wild, the archetype versus the atypical.
A Cat’s Meow will be on view until March 17, 2019 at Shrine and Sargent’s Daughters, 179 E Broadway, New York. images courtesy of Brooke Wise
Callicoon Fine Arts presents an exhibition of photographs by Hervé Guibert (1955–1991). The exhibition includes 15 vintage silver gelatin prints created between 1976 and 1988, many of which have never been seen in the United States. Bodies, specifically the male nude and Guibert’s own self-portraits, are the focus of this exhibition. These images refrain from truth-telling, even if their apparent innocence or romanticism suggests otherwise. Sleeping, laying, bathing, bending bodies often have the recognizable features of their faces obscured. Light always finds the body, but not necessarily the likeness of Guibert’s subjects. His lens offers us fragments and perceptions to navigate. In these images, bodies are the texture of Guibert’s fictional narrative, swept up in the entanglement of the self and other. Rather than offer a version of the truth, he suggests a distance innate to observation and to photography. Hervé Guibert will be on view through February 10, 2019 at Callicoon Fine Arts 49 Delancey Street New York, NY. photographs provided by Callicoon Fine Arts
A suite of three large-scale drawings encircle the room. They show Mureșan’s voracious appetite for metabolizing the reference indexically. This tabula scripta is rewriting art history without affect, without nostalgia, rather as something akin to data mining, a forensic nutrition for the eye as it smudges across the surface.
I bet you’re wondering what that carnage before you is. This is Mureșan’s newest untitled sculptural installation. The work shows the process of writing history played out through the live-action drama of sectarian slapstick. Mureșan has made several archetypal forms atop pedestals that have run amok in the gallery. Wax reductions of spiritual forms, icons, churches and spires, all in a soft beeswax that is more Brancusi than Orthodox, fight for momentary status of survival. Here the pantheon has turned itself into a Thunderdome as these sibling sculptures rival for supremacy.
This is how cultural sausage is made.
Ciprian Muresan’s solo exhibition will be on view at Nicodim Gallery 571 S Anderson Street Ste 2, Los Angeles, CA 90033 until December 22. photographs by Lani Trock
Anyone care to see a panther's semen on a pair of sandals? Andreas Slominski's Sperm comprises the semen of humans and animals splashed on the walls and floors of Metro Pictures gallery in New York. The theme of the exhibition is that of touch, specifically the moment sperm fuses with the ovum and fertilization occurs. As the foundation of existence, Slominski identifies touch as one of the most important forces in our world. “Sperm” represents both a shift in focus and continuation of Slominski’s engagement with this notion of the instant of contact, which has been a key element in the traps that have been a signature aspect of his work for more than 25 years. The elaborate and often hidden processes that go into Slominski’s exhibitions and works have long been the poetic and brutal crux of his practice. Sperm is on view until October 27, 2012 at Metro Pictures Gallery, 519 West 24th Street
Thierry Mouillé – "LSD Song", "Brass Space, Pavillon 1", "Archisong", "Opus froissé" and "Le livre des peintures, Partitions" From a geometrical analogy between the LSD molecule and an electronic battery to digital prints of crumpled musical scores, or even a musical sculpture of architectural proportions, The works of Thierry Mouillé belong to the art of scheming and aim to trap ideas and perceptions. On view at Espace culturel Louis Vuitton's current exhibition entitled Anicroches — Variations, choral and fugue on view until February 19, 60, rue de Bassano 101, avenue des Champs-Élysées, Paris.
Berlin-based artist Marc Brandenburg (born 1965) has recently emerged as one of the best-known draftsmen of his generation. Influenced by the pop and punk culture of the 1960s and 80s, Brandenburg’s graphite drawings document Berlin’s subversive nightlife, portraits of friends or extremely zoomed-in details of banal, ordinary objects. Brandenburg is fascinated by the velocity and movement in the scene images of today, but also the simplicity and beauty of a laconic Christmas ball, for example, or a fairground carousel. He deliberately makes use of these fast images only to freeze them, in black and white, by means of a lengthy, obsessive drawing process. Brandenburg draws from his own photos and images from magazines, which he distorts using a photocopier, converts to negative images with the computer and then traces. These reversals have a stunning effect: portraits or images distorted to the point of abstraction take on an intensity and sharpness that alienates the subject while lending them a ruthless precision at the same time. Nevertheless, Brandenburg does not believe in the power of the ultimate, singular image – instead he often hangs his drawings close together in a manner that resembles film sequences. According to Brandenburg, it is through this series of images that a dialogue emerges between the individual pictures: “It’s about what cannot be depicted; it’s about the aura, the spaces in between.” Marc Brandenburg: Drawings is now on view at the Kunsthalle in Hamburg, Germany until October 9. www.hamburger-kunsthalle.com
A this one to the list of the growing phenomenon of designer retrospectives being held around the world. Inspiration Dior, an exhibition at the Pushkin Museum in Moscow, explores the birth of the legendary fashion house. Christian Dior was born in the seaside town of Granville on the coast of France, the second of the five children of Maurice Dior, a wealthy fertilizer manufacturer and his wife. His family had hopes that the young Dior would become a diplomat, but his artistic sensibilities would obviously prevail. In 1947 his 'new look' collection is established and the House of Dior is born. The exhibition explore not only Dior, but the inspiration behind Dior, guiding the visitor "through the Dior artistic creative sources of fashion and its links to history, nature, painting, sculpture, drawing, photography and film. It reveals how an idea, a feeling, an era, a garden, a perception or even a smell can instill an idea in the heart and mind, giving rise to a unique creation." Inspiration Dior is on view until July 24 2011. www.arts-museum.ru
Adolf Ziegler 'The Four Elements: Fire, Water and Earth, Air' before 1937
The above painting is one of the works on display at the Guggenheim NY that explores artworks from France, Italy, and Germany between World War I and II. Today is the last day of the exhibit. Adolf Ziegler's The Four Elements was hung in Adolf Hitler's apartment in Munich. To Hitler the painting exemplified his ideal of what art should be: "realist, idealizing, and classical." Hitler despised modernism. The artist Ziegler was hired by Hitler to head the The Reich's "Chamber of Visual Arts." Its chief responsibility was to absquatulate all modernist artworks from German museums. Ziegler, who who was already a member of the Nazi party, met Hitler in the early 1920s. Ziegler became Hitler's "artistic advisor" in 1925. Hitler commissioned Ziegler to paint a portrait of his niece, Geli Raubal, who committed suicide with a single gunshot wound to her lung, after an apparent fight with her uncle, in the same Munich apartment; she was 25. Chaos and Classicism: Art in France, Italy, and Germany, 1918–1936 is a fascinating look at an artistic movement in Europe that reverted, with almost wishful thinking, to more idealized forms after one the most brutal, violent wars in human history. Click here for more info.