MANIAMANIA: THE THIRD MIND part 3

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MANIAMANIA’S Spring 2012 Collection, ‘The Third Mind’ channels the dreamlike spirit and unpredictable visual collisions of the surrealist age. Free from the constraints of rational thought, the collection is constructed in ways that allude to the Exquisite Corpse technique - whereby words and images are collectively assembled and relish an absence of control. The range moniker pays homage to The Third Mind, a 1978 book and concept by William Burroughs and Brian Gysin, which showcased the ‘cut ups’ technique originating from the Surrealists - a form later adapted to film making by Kenneth Anger and Maya Deren. In this mode, unrelated texts and images where literally cut up and rearranged to form radical narratives and vistas. The concept signifies a shared consciousness and creative output, only reachable by two or more people; a place neither could reach alone. In MANIAMANIA tradition, primary metals and natural stones are transfigured. ‘The Third Mind’ meshes Brass and Sterling Silver with Pyrite crystal stone, Amethyst and Tourmalinated Quartz in a series of exquisite forms and symbols to free ones self from time and convention. This fourth range fromMANIAMANIA expands with extensions on signature best sellers from the Immortals series, including a Limited Edition exclusive ‘Abbey Lee Ring’, inspired by modern muse Abbey Lee Kershaw. Collaborating with filmmaker, Elle Muliarchyk and featuring Abbey Lee for a second season, a three part series of short films and campaign images were created using artful techniques of the avant-garde. This included a set built of a life size kaleidoscope which created hypnotic repeat mirror imagery which looks as technical and modern as the digitally mastered alternative, but has tell tale realism of warped angles and beautiful accidents; elements also achieved within MANIAMANIA’s ‘Third Mind’ collection. View film after the jump.

This Side of Paradise

From the pages of Jonas Mekas diary: “Unpredictably, as most of my life’s key events have been, for a period of several years in the late 60s and early 70s, I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy’s and her sister Lee Radziwill’s families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship. The time was still very close to the untimely, tragic, death of John F. Kennedy. Jackie wanted to give something to her children to do, to help to ease the transition of life without a father. One of her thoughts was that movie camera would be fun for the children. Peter Beard, who was at that time tutoring John Jr. and Caroline in art history, suggested to Jackie that I was the man to introduce the children to cinema. Jackie said yes. And that’s how it all began. I bought them a very easily operable 16mm movie camera, and even wrote a “mini-textbook” suggesting some simple movie exercises…The images in the exposition, with a few exceptions, they all come from the summers Caroline and John Jr. spent in Montauk, with their cousins Anthony and Tina Radziwill, in an old house Lee rented from Andy Warhol, for a few summers. Andy himself spent many of his weekends there, in one of the cottages, as did Peter Beard, whom the children had adopted almost like their older brother or a father they missed. There were summers of happiness, joy and continuous celebrations of life and friendships. These are ‘Little Fragments of Paradise.’ " Tomorrow night marks the opening of “This Side of Paradise,” an exhibition of photo prints taken from original 16mm film from Jonas Mekas’ celebrated film “This Side of Paradise: Fragments of an Unfinished Biography” (1999). The exhibition will mark the first time these rare and personal images of the Kennedy and Radziwill families are on view in NYC in their entirety. Opens September 24 at the Agnès B Gallerie Boutique - 50 Howard Street New York, NY.

TOM FOOL ARE WE

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Tom Fool are We? The third innovation born from the collaborative efforts of designer Lindsey Thornburg, photographer/director Olivia Malone and director/editor Crystal Moselle follows two mischievous “clowns” as they gallivant through the countryside. The films inspiration comes from French new wave films and psychedelic directors such as Jean Rollin and Alejandro Jodorowsky.  In addition to the cloaks for which Thornburg is most well known, Fall Winter 2010 Lindsey released her first full ready to wear collection. See film after the jump.

Love Jim, James Deans Love Letters For Sale

Three intimate love letters from James Dean to his first 'serious' love Barbara Glenn will be sold at an auction this Novemeber in Christie's popular culture category.  The letters, which were found in a drawer by Glenn's son, reveal a smitten James Dean prior to his magnesium flash into celluloid iconography.  The auction will be held November 23.

[fashion film] BELLA FREUD 'SUBMISSION'

Designer Bella Freud (daughter of the late painter Lucien Freud) collaborated with director Martina Amati to create of short fashion film for her 2011 Fall collection.  Starring  models Susie Bick and Abbey Lee Kershaw, and actresses Antonia Campbell Hughes, Phyllis Wang and Olympia Campbell, Submission takes place in the world of Brazilian Jiu Jitsu "where you learn to use your opponent's strength to vanquish them. The unlikely winner engages us in her internal dialogue, remembering the moment in her childhood when she discovered how she wanted clothes to serve her as a protective armor" Bella Freud premiered her short film last week in London, and if the film is a testament to a talent in filmmaking, the creative direction and sartorial aptitude of Bella Freud proves genius might just be hereditary.

Jack Smith: A Feast for Open Eyes

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The ICA (Institute of Contemporary Arts) presents a fortnight of films, events and symposia dedicated to the legendary American artist, filmmaker and actor, Jack Smith (1932-1989). Working in New York from the 1950s until his death in 1989, Smith unequivocally resisted and upturned the world of accepted conventions, whether artistic, moral or legal. Irreverent in tone and delirious in effect, Smith’s films, such as the notorious Flaming Creatures (1961), are at once wildly camp and subtly polemic. Although best known for his contributions to underground cinema, Smith’s influence also extends across the realm of performance art, photography and experimental theatre. Jack Smith: A Feast for Open Eyes is on view until September 18.

Selma Hayek at the Gucci Ceremony for Women in Cinema

68th Venice Film Festival – Tonight MADONNA presented the 2011 Gucci Award for Women in Cinema. Headed by Gucci's creative director FRIDA GIANNINI the jury consisted of the actress ROBIN WRIGHT, actress VALERIA GOLINO, JAMES FRANCO and film journalist GIULIA D'AGNOLO VALLAN. This years award was given to the Tree of Life actress JESSICA CHASTAIN. Photo by ADARSHA BENJAMIN

Elite of the Obscure

Harry Gamboa, Jr, Cruel, 1975. Super-8 film. Showing Willie Herrón III

This September, The Los Angeles County Museum of Art (LACMA) presents Asco: Elite of the Obscure, A Retrospective, 1972–1987, the first retrospective to present the wide-ranging work of the Chicano performance and conceptual art group Asco. Geographically and culturally segregated from the still-nascent Los Angeles contemporary art scene and aesthetically at odds with the emerging Chicano art movement, Asco members united to explore and exploit the unlimited media of the conceptual. Creating art by any means necessary — often using their bodies and guerilla tactics—Asco merged activism and performance and, in doing so, pushed the boundaries of what Chicano art might encompass. Asco: Elite of the Obscure includes nearly 150 artworks, featuring video, sculpture, painting, performance ephemera and documentation, collage, correspondence art, photography (including their signature No Movies, or invented film stills), and a series of works commissioned on occasion of the exhibition. Asco: Elite of the Obscure  is on view at the Los Angeles Contemporary Museum of Art September 4 to December 4.

Rebel on Certosa Island

As part of the Venice Biennale in Italy, James Franco's site–specific film installation, entitled Rebel, will open on the island of Certosa.  Rebel is a collaboration with artists Douglas Gordon, Harmony Korine, Paul McCarthy, Ed Ruscha, Aaron Young that "unites the myth-making allure of cinema and contemporary art, and acts as interrogative ode to Hollywood iconography." Rebel will be on view on Certosa Island from September 4 to November 27. Photo by Adarsha Benjamin

[Excerpt] An Interview with Bruce LaBruce

Bruce LaBruce is a filmmaker, an artist, and a pornographer, and underneath the blood soaked sheets and layers of half rotting flesh of the undead he is one of the greatest auteurs and romantics of the last few decades. I was able to ask Bruce a few questions and we talked about important topics such as his childhood in rural Canada, the alternative gay movement, sex in art, and a few of his current and upcoming projects, including his film L.A. Zombie Hardcore, a documentary on the artist himself entitled The Advocate for Fagdom by French filmmaker Angelique Bosio, and a short film involving two female to male transexuals which will premier at the Berlin Porn Festival this October.

You wrote a memoir called the reluctant pornographer – what does pornography mean to you? Well, lately I've been saying, which has sort of gotten me in trouble, because lately I've been calling myself a pornographer and saying I express solidarity with pornographers – that all pornography is art, really, because its a form of creative expression, its the mediation of reality, its made by people who use the tools of cinema, or making art, so why shouldn't it be considered art as well? There's good art and there's bad art and there's good pornography and there's bad pornography, but its all sort of an artistic expression as far as I'm concerned.

How important is sexuality in art or expressing sexuality through art? For me personally, sex has always been an engine behind my work, both in terms of representing and in terms of making it, on a personal level, but I think the sexual and the creative drives are very much linked, but on the other hand I know people who are relatively, or fairly, or completely a-sexual who have very strong artistic drives, so I don't think that's necessarily the case for everyone. Certainly with the gay movement was always based on that kind of sexual engine as well, which for me is yet another reason why, for me, the assimilation movement, which tends to be more domesticated and kind of based on ideals of monogamy borrowed from straight culture - it kind of dissipates the energy of the gay movement in my opinion. Yeah, sex is so ubiquitous in pop culture and advertising that its kind of hard to ignore it as an artist.

Do you think its more ubiquitous now than it has been? Well, I think that whats been happening in the last ten to fifteen years is that violence supplanted sex as the main driving force of popular fetish and popular advertising and certainly the media news sells violence and death in a very titillating kind of sexualized way - which is kind of creepy.

Full article and interview coming soon.....

Text by Oliver Maxwell Kupper for Pas Un Autre