[Excerpt] An Interview with Bruce LaBruce

Bruce LaBruce is a filmmaker, an artist, and a pornographer, and underneath the blood soaked sheets and layers of half rotting flesh of the undead he is one of the greatest auteurs and romantics of the last few decades. I was able to ask Bruce a few questions and we talked about important topics such as his childhood in rural Canada, the alternative gay movement, sex in art, and a few of his current and upcoming projects, including his film L.A. Zombie Hardcore, a documentary on the artist himself entitled The Advocate for Fagdom by French filmmaker Angelique Bosio, and a short film involving two female to male transexuals which will premier at the Berlin Porn Festival this October.

You wrote a memoir called the reluctant pornographer – what does pornography mean to you? Well, lately I've been saying, which has sort of gotten me in trouble, because lately I've been calling myself a pornographer and saying I express solidarity with pornographers – that all pornography is art, really, because its a form of creative expression, its the mediation of reality, its made by people who use the tools of cinema, or making art, so why shouldn't it be considered art as well? There's good art and there's bad art and there's good pornography and there's bad pornography, but its all sort of an artistic expression as far as I'm concerned.

How important is sexuality in art or expressing sexuality through art? For me personally, sex has always been an engine behind my work, both in terms of representing and in terms of making it, on a personal level, but I think the sexual and the creative drives are very much linked, but on the other hand I know people who are relatively, or fairly, or completely a-sexual who have very strong artistic drives, so I don't think that's necessarily the case for everyone. Certainly with the gay movement was always based on that kind of sexual engine as well, which for me is yet another reason why, for me, the assimilation movement, which tends to be more domesticated and kind of based on ideals of monogamy borrowed from straight culture - it kind of dissipates the energy of the gay movement in my opinion. Yeah, sex is so ubiquitous in pop culture and advertising that its kind of hard to ignore it as an artist.

Do you think its more ubiquitous now than it has been? Well, I think that whats been happening in the last ten to fifteen years is that violence supplanted sex as the main driving force of popular fetish and popular advertising and certainly the media news sells violence and death in a very titillating kind of sexualized way - which is kind of creepy.

Full article and interview coming soon.....

Text by Oliver Maxwell Kupper for Pas Un Autre

[PHOTO DIARY] Postcard from Padova

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"Why did they make birds so delicate and fine as those sea swallows when the ocean can be so cruel?" -- E.H.

We have finished filming and now holiday has officially begun ... I've been laying by the pool revisiting The Old Man and the Sea, as the drum of essential relaxation kicks, cloaked in reverberation.  In two daisies we will drive south to the heal, where the land smells of mafioso. Photo and text by Dustin Lynn who is in Italy shooting another short fashion film for Corto Moltedo. 

A SHOE IS BORN - GUIDI EXHIBITION

Guidi’s shoe collection is among the most coveted in the world. Tracing their origin back to the 14th century guilds of tanners and master shoemakers of Tuscany, Guidi’s shoes are the product of wisdom, tradition, and proprietary processing techniques. The ultimate result is the perfect shoe: a relic of an age which predates the paradigm of mass production and will likely outlast it. The Guidi Exhibition - "a visual journey through the handcrafted stages in the production of 988 guidi shoes," will be on view through at various galleries, boutiques, and ateliers throughout the year. The next stop will be the boutique Chegini, Wien in Vienna from September 1 to October 1.

[FAST] The Porcupine Racing Motorcycle

Rod Coleman on the AJS E95 'Porcupine' in 1954

The Bonhams Quail Lodge auction opens today in Carmel, California which presents a nice collection of rare automobiles, motorcycles and 'automobilia.' Lots include artist Frank Stella's 'Polar Coordinates' design, 1979 BMW M1 Pro-car and the pictured above Porcupine racing motorcycle - one of only four built. Bonham's Quail Lodge auction is on today August 18 and tomorrow the 19th.

GLEE Curated by Cecilia Alemani

Blum and Poe gallery in Los Angeles presents Glee, a group exhibition curated by Cecilia Alemani featuring Michele Abeles, Shannon Ebner, Sharon Hayes, Tobias Madison, Kaspar Müller, Virginia Overton, Joan Semmel, Andra Ursuta, Jakub Julian Ziolkowski. The exhibition Glee brings together artworks by nine artists from different generations, working in both America and Europe. Glee is an exhibition informed by a synthetic look; a show in which works appear coated in a shiny patina charged with a startling artificiality. Imbued in an atmosphere of joyful madness, the exhibition is agitated by a strange, at times erotic, tension. Simultaneously affected and sincere, superficial and deep, pop and rotten, the selected works share a blissful and seductive presence that can hide an incumbent sense of tragedy. Glee will be on view until August 27 at Blum and Poe.

Carlo Mollino: Un Messaggio dalla Camera Oscura

Born into a Turin architect and civil engineer’s family, Carlo Mollino studied art history and architecture and made a name for himself as a skier, racecar driver and aerobatic pilot, as an author and photo artist. Yet his international renown is primarily based on his work as a designer of furniture and exclusive interiors in the spirit of the gesamtkunstwerk – the German philosophy of total art. His organic language of forms was not least inspired by the form of the female body – as particularly evidenced by the part of his photographic work he always kept private: over 1,000 Polaroids portraying beauties of Turin’s night life in the nude in mise-en-scène settings. The pictures were part of the preparation of his “House for the warrior’s rest” (today: Casa Mollino), a villa in Turin on the Po River. An exhibition, opening at this month at the Kunsthalle Wien in Vienna, will juxtapose furnishings of the villa with a selection of these Polaroids for the first time. It explores the boundaries and bridges between this universal artist’s male erotic imagination and his intellectual and artistic attitude. On view at the Kunsthalle Wien from August 31 to September 25.

No Thoughts Zine

Thanks to Portland, Oregon's MICHAEL DEMEO & ALYSSA NOCHES for sending over their current issue of the NO THOUGHTS ZINE which I received in the mail.  With a clean, 'fuck-you-do-it-yourself' attitude, their sixth issue of No Thoughts actually gives me lots of thoughts – none of them pure.  Limited to 250 copies, Demeo and Noches curates a "series on sensuality and nudity, presenting an elegant yet unpretentious collection that celebrates the human form" with photographers all over the globe. www.nothoughtszine.com

[ON VIEW] The photography of CORNEL LUCAS

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One of the pioneers of film portraiture Lucas began his career in the late 1930s with the help of his first sitter Marlene Dietrich. After a nervous start to the photo-shoot it ended well when Marlene famously said to him 'Join the club Mr Lucas.' He was not sure what she meant at the time but soon after the commissions started flooding in and Lucas became the photographer of choice for the British Film Industry. In the early 1950s he went on to set up the Pool Studio at Pinewood Studios in London England's equivalent of Hollywood's well run establishment at MGM studios. During his sixty-year career Lucas has photographed some of our greatest film stars both at the Pool Studio and on film locations all over the world. Marlene Dietrich was just the first of many famous faces he photographed. Brigitte Bardot, Joan Collins, Katharine Hepburn, Jean Simmons, Claudia Cardinale, David Niven, Dirk Bogarde, Alec Guinness and Diana Dors were all captured in his lens along with a long list of others. Stylish, glamorous and perfectly composed the photographs are a testament to both the photographer and the sitter. Lucas was quick to learn that his photographs were a key part to the actor's success, as Marlene Dietrich once told him: 'Mr Lucas I'm telling you now that a photograph to me is more important than film.' He was the master of the 12 x 10 large format plate camera, but also of light and shade. It is prevalent throughout his work, creating stunning, rich portraits, which are full of life and luminosity. As Lucas once said 'Light and shade made the image in its beauty.' Lucas has held numerous international and national exhibitions and was the first stills photographer ever to receive a Bafta in honour of his services to the film industry. Chris Beetles Fine Photographs in London is currently presenting a retrospective retrospective of Cornel Lucas' photography - on view until August 27.

[LONDON] Power of Making

Left: Blond Lips, Charlie Le Mindu using Hairdreams. Image by Manu Valcarce - Right: Sandra Backlund knitted dress, © John Scarisbrick

The Victoria and Albert Museum in London and Crafts Council celebrate the role of making in our lives by presenting an eclectic selection of over 100 exquisitely crafted objects, ranging from a life-size crochet bear to a ceramic eye patch, a fine metal flute to dry stone walling. Power of Making is a cabinet of curiosities showing works by both amateurs and leading makers from around the world to present a snapshot of making in our time. On view September 6 to January 2, 2012.

[books] MAXIM'S, MIRROR OF PARISIAN LIFE

"The mythic Parisian restaurant Maxim's—owned and operated for the past twenty-five years by iconic designer Pierre Cardin — has hosted patrons from royalty and celebrities to courtesans and starving artists since opening its doors more than a century ago. The history of this legendary restaurant is captured through stunning photographs, and also features a selection of Maxim's most successful recipes." A new book out now by Assouline....

[FILM STILL] MY HUSTLER by Andy Warhol

Directed by Andy Warhol & Chuck Wein. With Paul America, Ed Hood, Joseph Campbell, Genevieve Charbon. In this early Warhol narrative, several men and women on Fire Island vie for the attention of a hustler. Featuring catty dialogue, a few long takes, and limited camera movement, the film appears artless at first but ultimately proves canny, casual, and affecting.  On view tonight and Wednesday night the MoMA in New York  as part of the Hot and Humid: Summer Films from the Archives series.