Judit Reigl's First Museum Solo Exhibition in Germany Is Presented Posthumously @ Neue Nationalgalerie in Berlin

 
 

To commemorate the centenary of Judit Reigl’s birth and the acquisition of three main works by this Hungarian-born French artist (1923 – 2020), the Neue Nationalgalerie is presenting her first-ever solo exhibition in a German museum. The Nationalgalerie is the first public collection in Germany to own works by this important painter closely associated with the French Art Informel movement in the 1950s.

This overview of Reigl’s career showcases a major figure in European art from the second half of the 20th century. On view are sixteen, mostly large-scale paintings from Reigl’s painted oeuvre ‒ works both abstract and figurative. The artist began her studies at the Hungarian University of Fine Arts in Budapest. In 1950, the rise of Stalinism led Riegl to flee her homeland and settle in Paris. Although her early, mostly dream-like paintings were still indebted to Surrealism, she turned to lyrical abstraction at the start of the 1950s. Figurative elements are repeatedly found in Riegl’s paintings. In the mid-1960s, they would culminate in the male torsos in her Man series.

Judit Reigl
Man, Tripychon (1967-1969)
Oil on canvas 232.4 x 199.4 cm; 241.3 x 198.1 cm; 232.4 x 208.3 cm,
Fonds de dotation Judit Reigl, promised gift Neue Nationalgalerie, Berlin© Fonds de Dotation Judit Reigl

Judit Riegl’s work will be on view through October 8th at Neue Nationalgalerie, Potsdamer Str. 50, 10785 Berlin.

The World Through Linda's Lens

A retrospective of Linda McCartney's life and photography....In 1966, during a brief stint as a receptionist for Town and Country magazine, Linda Eastman snagged a press pass to a very exclusive promotional event for the Rolling Stones aboard a yacht on the Hudson River; her fresh, candid photographs of the band were far superior to the formal shots made by the band’s official photographer, and she was instantly on the way to making a name for herself as a top rock ’n’ roll photographer. In May 1968, with her portrait of Eric Clapton, she entered the record books as the first female photographer to have her work featured on the cover of Rolling Stone. During her tenure as the leading photographer of the late 1960s’ musical scene, she captured many of rock’s most important musicians on film, including Aretha Franklin, Jimi Hendrix, Bob Dylan, Janis Joplin, Simon & Garfunkel, The Who, The Doors, and the Grateful Dead. In 1967, Linda went to London to document the "Swinging Sixties," where she met Paul McCartney at the Bag ’O Nails club and subsequently photographed The Beatles during a launch event for the Sgt. Pepper’s Lonely Hearts Club Band album. Paul and Linda fell in love, and were married on March 12, 1969. For the next three decades, until her untimely death, she devoted herself to her family, vegetarianism, animal rights, and photography. From her early rock ’n’ roll portraits, through the final years of The Beatles, via touring with Wings to raising four children with Paul, Linda captured her whole world on film. Her shots range from spontaneous family pictures to studio sessions with Stevie Wonder and Michael Jackson, as well as artists Willem de Kooning and Gilbert and George. Always unassuming and fresh, her work displays a warmth and a feeling for the precise moment that captures the essence of any subject. Whether photographing her children, celebrities, animals, or a fleeting moment of everyday life, she did so without pretension or artifice.  A retrospective volume by Taschen—selected from her archive of over 200,000 images—is produced in close collaboration with Paul McCartney and their children. As such, it is a moving personal journal and a lasting testament to Linda’s talent. Collector's Edition limited to 750 copies, numbered and signed by Sir Paul McCartney.  Also available in two Art Editions of 125 copies each with a photographic print.  A release is set for this May. www.taschen.com