Time is Stretched Through Muted Tones in Happy Phantom @ Lowell Ryan Projects in Los Angeles

 

Erin Trefry, Causeway across the sea, 2024. Images by Charles White at JWPictures.com, courtesy of the artist and Lowell Ryan Projects.

 

Lowell Ryan Projects presents Happy Phantom, an exhibition by Los Angeles-based artist Erin Trefry. Comprised of a series of eleven figurative paintings in muted tones, Trefry continues her exploration of sentiment, time, and figuration particularly in relation to familial narratives and relationships.

In this exhibition, Trefry presents her great-grandmother’s paintings, which were originally created in the late 19th century, and depict figurative scenes of romantic settings, exotic locales, and fantastical narratives. These works were passed down through the generations eventually landing in Trefry’s possession. In Happy Phantom Trefry subverts the imagery of her late relative, the paintings are presented stretched in reverse so that the viewer is only able to see the backside of the works where the paint has bled through the fabric. Behind the paintings, a layer of muslin conceals the surfaces of the original paintings.

Happy Phantom is on view through March 2 @ Lowell Ryan Projects, 4619 W Washington Blvd., Los Angeles, CA 90016

Kumasi J. Barnett: The Amazing Black-Man @ Lowell Ryan Projects in Los Angeles

Lowell Ryan Projects presentsThe Amazing Black-Man, a solo exhibition by Brooklyn-based artist Kumasi J. Barnett. Riffing on classic superhero series including;The Amazing Spider-Man, The Incredible Hulk, Superman, Daredevil and Captain America, the show will feature two hundred hand-painted comic book works pinned up in their clear plastic sleeves. For each work, Barnett has painted over the cover of an old Marvel or DC comic book, replacing familiar heroes with characters including “The Amazing Black-Man,” “The Media’s Thug,” “Whitedevil,” and “Police-Man.” Barnett replaces Spider-Man’s full-body leotard with a hoodie and jeans, Superman’s logo with the stars and bars of the Confederate flag, and turns the supernatural villains into—a no less brutal nemesis—the police. Alteration here acts as an intervention. By addressing real world issues through a superhuman genre, Barnett’s work dissolves the disconnect between contemporary American narratives and the reality of “justice,” making us reexamine cultural conceptions surrounding the Good versus Evil paradigm.

The Amazing Black-Man is on view through August 17 at Lowell Ryan Projects 4851 W Adams Blvd, Los Angeles, CA 90016. photographs courtesy of the artist and Lowell Ryan Projects