Sam Andersonโs sculptures resemble prototypes, directly expressed and emptied of unnecessary detail that might over-define their meanings. The showโs title implies a potential, singular narrative, yet Anderson privileges a plurality in which no one protagonist drives the plot. Objects and ideas are collected and arranged in spite of their differences in materiality and characterisation.
Sculptures with titles such as โImaginationโ and โOpportunistsโ illustrate these hard to depict concepts. They do not narrativise them, aiming rather to define them visually. The faceless figures strung together in โOpportunistsโ move backward and forward, both entering and exiting an open door frame. Likewise, the features of the two sandwich-board men, who serve as the emblem for โImaginationโ are so rounded that it is easy to confuse which direction they face. A negotiation takes place between determinate and indeterminate elements. The implication of language paired with minimal gesture creates an evocative psychological space wherein the audience fills in the finer details.
I Never Loved Your Mind will be on view throughout March 7 at Tanya Leighton Kurfรผrstenstraรe 156 & 24/25 10785 Berlin. photographs courtesy of the gallery