Brother's Breeze & Sister's Ease

Marlene
dress: Nimph 
Mathilda
full look: Filippa K.
bag: Lou de Betoly
Arthur
shirt: We Are Dagger
necklace: Tine Kozjak Paris


photography & art direction by Emma Ball-Greene
photography assistance by Bohdan Yermak
art direction & styling by Camille Naomi Franke
fashion assistance by Antonio Chiocca
hair by Wataru Suzuki using “Less is More Organic Haircare”
makeup by Victoria Reuter using Mac Cosmetics
makeup assistance by Eleonore Ising
set design by Stefanie Grau
casting by Lilly Meuser @ Neu_Casting

Beck
vest: Magliano
trousers: Arket
belt: Off-White
Mathilda
full look: Filippa K
bag: Lou de Betoly
Ohm
suit: Paul Smith
blouse: Prada archive
tie: models own 

Sarah 
dress: Rui
pants: Old Celine via Vestiaire Collective @reference studios
Masa
dress: Pucci
Richard
trousers: Hugo Boss
belt: stylist’s Own

dress: Rui
pants: Old Celine via Vestiaire Collective @reference studios

fake fur top: Filippa K.

dress: Katharina Dubbick

Ohm
cardigan: Filippa K.
jeans: Our Legacy 
Mathilda
dress: archive 
shoes: Balenciaga
turtle neck: Filippa K.
Arthur 
blue jumpsuit: Paul Smith
shoes: Puma

top: Calvin Klein

top: Rui

top: Rui

Masa
dress: Pucci
Mathilda
suit: Prada archive

Sarah
pink suede blouse: Magliano
Mathilda
pink ciao bella shirt: stylist’s own 
Beck
shirt: Magliano
trousers: Arket
shoes: Scarosso

Marlene
dress: Nimph 
Arthur
shirt: We Are Dagger

Zoe Leonard's Analogue @ Hauser & Wirth In Los Angeles

The landmark, decade-long project, ‘Analogue’ (1998 – 2009) is comprised of 412 photographs arranged in grids and organized into 25 chapters. Originally conceived as a chronicle of the rapidly changing Lower East Side, where Leonard once had her studio, ‘Analogue’ evolved into a parable of cultural production, touching on issues of gentrification and the exchange of commodities as an extension of colonialism. The images in this installation depict storefronts and objects on the brink of obsolescence due to an expanding global economy and rapid technological advancements emerging at the turn of the millennium. An allegory for globalization, Leonard’s photographic series is the result of a peripatetic process that led her from the declining mom and pop shops of New York City to roadside markets in the Middle East, Africa, Eastern Europe, Cuba, and Mexico, tracing the circulation of recycled merchandise. The exhibition is on view through January 20, 2019 at Hauser & Wirth 901 East 3rd Street, Los Angeles. images courtesy of Hauser & Wirth