Chris Emile and No)one. Art House presented a choreographed performance in response to Haegue Yang’s Strange Fruit (2012-13), part of MOCA’s permanent collection. Yang’s work takes its title from the anti-lynching anthem famously recorded by Billie Holiday in 1939. Using Yang’s installation as its stage, Emile’s performance examines the public display and consumption of violence against marginalized bodies and investigates how Black Americans process trauma. The performance expands the dialogue between Yang’s Strange Fruit and the protest song of the same name. Chris Emile, the choreographer, is the cofounder of No)one. Art House, a collective that produces movement-based installations in unconventional spaces throughout Los Angeles. photographs by Lani Trock
The Great Search for Lady Day
With the all out indifference of New York City suffocating, I found myself barricaded inside, listening to Billie Holiday's rendition of the jazz standard 'Solitude' over and over again. "In my solitude.....you haunt me." Her voice in the song sounds as if she's grasping at a wall, pleading. Who was haunting Billie Holiday? The specter on the other side of the wall? When I was a kid my mother gave me a Billie Holiday record as a gift. When I heard Billie's voice for the first time, it was one of those mystical moments where I felt alive in a beautiful universe of nothingness and just as long as this woman was singing, oblivion was mine for the taking. I entered parallel dimensions. Billie Holiday was haunting me - certainly. Just a few days ago, after a long nocturnal blizzard blanketed much of New England, I decided to search for Billie Holiday. On a hot summer day in 1959 Billie was laid to rest in Saint Raymond's Cemetery in the Bronx. She was 44. I took a train uptown. I spent close to two hours in a frozen, snowed over cemetery looking for her grave stone. I was waist deep in snow, trudging about, losing my breath, and at the moment I decide to take a break to rethink my strategy I find her final resting place. Billie Holiday was buried next to her mother, which I found fascinating and touching. Earlier that day I had bought Billie a little seahorse and left it for her as a gift (sailors used give each other seahorses for good luck before embarking on long odysseys). So there I was - I had found Billie Holiday.
Text and photograph by Oliver Maxwell Kupper