Multidisciplinary Artist Chris Emile Presents AMEND @ MAK Center In Los Angeles

An exhibition and series of four performances by multi-disciplinary artist Chris Emile, AMEND explores Black male identity through movement, cinema, sculpture and sound. Emile employs archival & contemporary found footage with artifactual set design to re-render the modern architectural marvel that is the Schindler House into a sacred, private place: a home amenable for Black dealing and healing. An intergenerational cast of three dancers acting as one man, move the audience through the house and through time working their way through the question: who, if not me, decides what a Black man is? This performance series took place on September 26 at the Schindler House of the MAK Center in Los Angeles. continues from its original dates in March 2020, which were postponed due to the coronavirus. photographs by Lani Trock

The Sexy Beast Gala Benefit For Planned Parenthood LA At The Marciano Art Foundation In Los Angeles

Sexy Beast for Planned Parenthood Los Angeles is the shared vision of a group of influencers in the arts, united by a mission to harness the goodwill and powerful connections of the creative community to effect positive change, touch lives, and create a meaningful social impact. They believe we should all have access to safe, caring, and affordable healthcare services. During these challenging times for Planned Parenthood, it's more important than ever that the organization has our support, so it can remain focused on the vital care it provides. Since its founding in 2014, the Sexy Beast art auction and gala has raised nearly one million dollars for Planned Parenthood Los Angeles across two milestone events. This year, they raised almost one million dollars in one night alone, bringing Sexy Beast back for an unmissable evening of art, food, music and culture. photographs by Oliver Kupper

Fixed: A Piece Choreographed By Chris Emile Of No)one. Art House @ MOCA In Los Angeles

Chris Emile and No)one. Art House presented a choreographed performance in response to Haegue Yang’s Strange Fruit (2012-13), part of MOCA’s permanent collection. Yang’s work takes its title from the anti-lynching anthem famously recorded by Billie Holiday in 1939. Using Yang’s installation as its stage, Emile’s performance examines the public display and consumption of violence against marginalized bodies and investigates how Black Americans process trauma. The performance expands the dialogue between Yang’s Strange Fruit and the protest song of the same name. Chris Emile, the choreographer, is the cofounder of No)one. Art House, a collective that produces movement-based installations in unconventional spaces throughout Los Angeles. photographs by Lani Trock

No)one. Art House Performs Sky Echo @ The Getty Center

Choreographed by Samantha Blake Goodman, Sky Echo is a psalm whispered to the universe, drifting the dancers in and out of the museum’s fountains. It is a trio performed by Bianca Medina, Chris Emile, and Sasha Rivero. The dancers move in costumes provided by New York-based designer Mara Hoffman to live musical accompaniment by vocalists AKUA and Anthony Calonico. This transcendent performance sways audiences and softly carries viewers to a place of bliss. photographs by Lani Trock

Samantha Blake Launches "MAPS" @ Navel LA

On Saturday April 28th, Navel LA celebrated the launch of MAPS, Movement Art Performance Space. MAPS was founded by Samantha Blake and is dedicated to cultivating the contemporary and traditional arts of the Afro-Latinx and Caribbean diaspora in Los Angeles. The launch featured three dance performances by Samantha Blake, Chris Bordenave and Vera Passos (respectively), along with a film screening  by Nery Madrid, singing by Felicia β€˜Onyi’ Richards, costumes by Gabrielle Datau + Jiro Maestu (Poche) and Desiree Klein, and still photographs by Russel Hamilton, shot during the film’s creation. You can read our interview of Chris Bordenave from our Winter 2017 issue hereNavel LA is located at 1611 S Hope Street Los Angeles. photographs by Lani Trock