Immaculate Heart of Margaritaville, A Group Exhibition Curated by Devendra Banhart @ Nicodim Los Angeles

Curated by Devendra Banhart, “A prayer for my four-to-six nuclear families, for my ever-expanding universe of friends and lovers, for consciousnesses that may or may not exist beyond our postmodern El Dorados and Shangri-Las where dead dreams go to die twice:

May this sea moss gel cool the fire within in me that burns with unfiltered desire for epiphany in a pornographic desert;

May we all find a Six Flags for our unmet oral and spiritual needs;

May we all discover a Cartier diamond bracelet in the Bloomin’ Onion we snuck into the hot yoga session at the Cheesecake Factory;

May we all find comfort within our own place in Margaritaville—that sacred temple, that archetype for a freedom that exists somewhere between legitimacy and artifice that urges us to leave behind the very sacred temple that is selling us the dream to leave it all behind;

May we all attend the vernissage for Immaculate Heart of Margaritaville and bask in the ordinary magic, this orgy of authenticity buried in the most profane of structures.”

–Adapted from Out of Body: The Bortz Metzger Memoirs, R. Driblette, editor. Penguin Books Ltd, 2002

Immaculate Heart of Margaritaville is the top floor of the romantic wing of the capitalist nightmare, a fever dream manifested during a midday nap on a bed of ashwagandha-tipped nails with an ecstatic, honest, and truthful international coterie of artists, many of whom have never shown in the United States before.

In celebration of the closing, noted, lubricated, hole-istic tantric gurus Devendra Banhart and Ben Lee Ritchie Handler will lead the gallery in a guided meditation. Please bring a yoga mat and a clear head. The event will double as release party for a limited-edition t-shirt for the exhibition. July 29 from 3–6. Space is limited, please arrive a bit early.

Immaculate Heart of Margaritaville is on view through July 29th at Nicodim, 1700 S Santa Fe Avenue, #160, Los Angeles, CA 90021

New Paintings By Brittney Leeanne Williams @ Alexander Berggruen in New York

 
 

The Arch Is A Portal Is A Belly Is A Back marks Brittney Leeanne Williams’ first solo exhibition with Alexander Berggruen. The new paintings and works on paper by Brittney Leeanne Williams take influence from desertscapes in Victorville, a city northeast of Los Angeles where Williams spent part of her childhood. Williams transforms these Southern Californian landscapes into “emotional landscapes: representations of psychological states, memories, and emotional ties.”

The red of many of Williams’s figures might connote a rawness, a tenderness, and an emotional vulnerability. As Legacy Russell wrote: “A break, tear, rupture, or cut in skin opens a portal and a passageway. Here, too, is both a world and a wound.” (1) Williams’s female forms serve as conduits to viewing a dimension of Williams’s spirit. In her own words: “Her back becomes the keystone. She holds up what is above, fastening herself to what’s below, to make room so that something or someone may pass through.”
(1) Legacy Russell, Glitch Feminism: A Manifesto, London, New York, 2020, pp. 83-84, 101

The Arch Is a Portal Is a Belly Is a Back is on view through April 14 @ Alexander Berggruen 1018 Madison Avenue, Floor 3, New York