The Arch Is A Portal Is A Belly Is A Back marks Brittney Leeanne Williams’ first solo exhibition with Alexander Berggruen. The new paintings and works on paper by Brittney Leeanne Williams take influence from desertscapes in Victorville, a city northeast of Los Angeles where Williams spent part of her childhood. Williams transforms these Southern Californian landscapes into “emotional landscapes: representations of psychological states, memories, and emotional ties.”
The red of many of Williams’s figures might connote a rawness, a tenderness, and an emotional vulnerability. As Legacy Russell wrote: “A break, tear, rupture, or cut in skin opens a portal and a passageway. Here, too, is both a world and a wound.” (1) Williams’s female forms serve as conduits to viewing a dimension of Williams’s spirit. In her own words: “Her back becomes the keystone. She holds up what is above, fastening herself to what’s below, to make room so that something or someone may pass through.”
(1) Legacy Russell, Glitch Feminism: A Manifesto, London, New York, 2020, pp. 83-84, 101
The Arch Is a Portal Is a Belly Is a Back is on view through April 14 @ Alexander Berggruen 1018 Madison Avenue, Floor 3, New York
