Between the minutia and the mirage of our fragmented contemporary existence, artists Darius Airo and Jon Plypchuk both create work imbued with a humorous and ironic darkness masked by playfulness. An inside joke, a half forgotten dream, a song lyric, abstracted figures caught between the waveforms of television static or the rain-drenched glass of a car windshield—our brains continually try to make sense of the world like an undecoded cypher. In Airo’s recent paintings and pastels, presented in the exhibition Mickey’s Mirror (opening May 25 at Abigail Ogilvy gallery in Los Angeles, curated by Josh White—whitebox.la), making sense of the world requires clever conceptual conceit of internal mirrors and the abstracted visages of iconic cartoon characters. In the following conversation, Airo and Plypchuk discuss how the world around them is absorbed into their work. Read more.
Read Our Interview of Artist Darius Airo Ahead of Both His Exhibitions in Los Angeles →
Heavily intertwined with the work of the Chicago Imagists, artist Darius Airo has derived a decent amount of his contemporary style from the group of representational artists. Imbued with the quintessential imagery and pop iconography of the Imagists, Airo’s work fuses these art historical trends with his own inclination for surrealist imagery and the grotesquerie. His romanticization of public space is influenced by these same artistic roots, but is guided by the poetry he writes. Airo interweaves the quotidian with the romantic through his poetic approach to painting and drawing, unintentionally highlighting the exceptional in the mundane.
Airo has two shows happening concurrently in Los Angeles. His show Dense at Central Server Works is a collaboration between him and Jim Mooijekind. The respective artists’ work operates in tandem; the paintings are in conversation with one another, all generally characterized by the abstracted figure and its gaze. Casual Banter at Face Guts is a sort of retrospective of Airo’s drawings from the last ten years, curated by photographer Joshua White. The drawings are filled with kinetic figural forms seemingly capable of conversing amongst themselves. Read more.