Creative Director Brodie Kaman's 'One Thousand Scars Ago' is the Quiet Accumulation of Ephemera Undergirding His Most Familiar Visual Identities

In celebration of the release of ONE THOUSAND SCARS AGO, available now for preorder, Australian-born graphic designer and creative director Brodie Kaman will be hosting book launches in Paris (March 1), London (March 5), and Berlin (March 8).

Spanning the years 2016 to 2020, ONE THOUSAND SCARS AGO is a raw and unfiltered archive of Kaman’s non-commercial work. It brings together fragments, photographs, scans, and private visual material produced alongside, and often in tension with, his high-profile career in music and culture. Across 332 pages, the book assembles a body of work that exists outside briefs, clients, or commercial outcomes, operating instead as a record of lived experience, observation, and experimentation.

The book unfolds in two distinct movements. The first half presents an assemblage of found material, notebook pages, scanned ephemera, and visual experiments, fragments of a private studio practice that never sought public form. The second half shifts into a direct photographic register: iPhone images made in real time, capturing people, places, bodies, accidents, humor, damage, tenderness, and decay. Together, these sections form a continuous visual field in which the everyday, the abject, and the intimate collapse into one another.

Kaman’s reputation has largely been shaped through his work for some of the most visible figures in contemporary music and culture, including Lady Gaga, Don Toliver, FKA twigs, Nine Inch Nails, Mark Ronson, and Miley Cyrus, where his visual language is often understood through spectacle, branding, and cultural reach. ONE THOUSAND SCARS AGO presents the inverse, a private, unresolved, and frequently uncomfortable visual record that reveals how that same language is forged through failure, obsession, repetition, and risk.

The book’s foreword situates the work not as confession but as evidence of friction between a body and the world, of marks left by time, and of the ways images accumulate into structure. What emerges is neither diary nor document, but something closer to a living system of scars, headlines, snapshots, gestures, and debris organizing themselves into form.

Published by Year Zero, ONE THOUSAND SCARS AGO is both a significant artist book and a rare insight into the unseen foundation beneath a highly visible creative career. RSVP to attend the inaugural launch after party in Paris.

Brodie Kaman
ONE THOUSAND SCARS AGO
Published by Year Zero
softcover, 336 pages
Edition of 300 

West Of Modernism: California Graphic Design 1975-1995 @ LACMA

The late 20th century was a transformational period for graphic design. Questioning the increasingly rigid rules of modernism, designers pressed for greater autonomy in their work. At the same time, dizzying advances in technology upended existing design and production processes. Far from the established New York design world, California became a haven for avant-garde designers, a hub of innovation in both discourse and practice.

This installation explores how the intense ideological debates and technological changes were manifest in posters and publications. It features the work of many influential designers including Emigre, Inc., Ed Fella, April Greiman, Rebeca Méndez, Deborah Sussman, and Lorraine Wild. West Of Modernism: California Graphic Design 1975-1995 is on view through April 21, 2019 at LACMA, 5905 Wilshire Boulevard, Los Angeles. photographs by Oliver Maxwell Kupper

The Graphic Design of Tony Arefin

A new exhibition at Ikon Gallery in Birmingham, England is a comprehensive survey of work by Tony Arefin (1962–2000), a graphic designer who emerged during the late 1980s as one of the most important figures in the British art world. With his numerous catalogues for institutions such as the Serpentine Gallery, ICA, Chisenhale Gallery and Ikon itself, Arefin had achieved such art world dominance by the early 1990s that design critic Rick Poynor described him as ‘single-handedly processing the print needs of the entire British art scene’. Comprising early publications from the YBA movement to seminal advertising campaigns for corporate clients such as IBM, Ikon’s exhibition reveals the intuitive genius of Arefin’s work. Arefin & Arefin: The graphic design of Tony Arefin will be on view between September 12 and November 4, 2012 at Ikon Gallery, 1 Oozells Square  Brindleyplace, West Midlands, United Kingdom