Fat White Family's Electronic Psych Project, The Moonlandingz, To Open for Iggy Pop At SXSW

The Moonlandingz (electronic psych rock project of Lias Saoudi and Saul Adamczewski from South London's Fat White Family and Sheffield's practical electronics wizards, Adrian Flanagan and Dean Honer of the Eccentronic Research Council) plan to open for Iggy Pop this week during SXSW. There will be two shows, one of which will be opening for Iggy Pop at The Moody Theatre (Austin City Limits), Wednesday March 16th (onstage at 7pm prompt). Click here to read our interview with Lias. 

Touch The Leather: Read Our Interview With Lias Saoudi, The Electric Lead Singer of The Fat White Family On His New Album, Which Comes Out Today

Full disclosure: there is nothing objective about this article. I love Fat White Family. The band, to me, represents everything I’ve ever held dear about rock n’ roll: chaos, rebellion, sleaze, art, drugs, poetry, and politics. The first time I saw the band play live, about a year and a half ago, I was more excited than that time I saw Martin Scorsese walking down the Bowery (re: very excited). After housing beers and watching various members of the band run around the venue with their most famous fan and cheerleader, Sean Lennon, I elbowed my way to the front of the hall and got ready to let loose. 15 minutes went by when the band’s six members, gangly, unkempt, and skinny, took to the stage, launching into a particularly cacophonic rendition of the opening chords of the band’s lead single off debut album Champagne Holocaust, Auto Neutron. Lead singer Lias Saoudi, already half naked and sweating like Usain Bolt at the finish line, jittered to the front of the stage like a character in a Chris Cunningham music video and the band belted in unison, “AH AH AHHHH AHHH AHHHHHHH!” Instantly, bodies began colliding in joyous punishment. In various levels of intoxication, the crowd bowed to the revolution of the Fat White Family. It hurt so good. By the end of the song, Lias had his cock out. The scene erupted like a Wolfgang Tillmans exhibition come to life. Click here to read more.