Autre hosted another night of Verbal Burlesque at the Standard Hotel, a literary evening of music and spoken word with Michael Imperioli, Lydia Lunch, Jerry Stahl, Gregg Foreman and Sylvia Black. photographs by Oliver Maxwell Kupper
Crone Music presents two new, interconnected films by British artist Beatrice Gibson, alongside an expanded events programme in Gallery 3 featuring the artists, poets, musicians and wider community with whom the films have been made. Borrowing its title from American composer Pauline Oliveros’ 1990 album of the same name, the exhibition seeks out an explicitly feminist lineage through which to recast the syncretic, collective and participatory nature of Gibson’s practice. Crone Music is on view through March 31 at Camden Arts Center Arkwright Road, London. photographs courtesy of Camden Arts Center
FAIRE are very serious about not taking themselves seriously. Their shows are infused with a raw improvisation that makes every performance a completely unique experience. They just play with the vibe given by the audience and then do their best to push the limits of that relationship. Read more here.
Autre’s rainbow magic Summer 2018 Issue features a 23-page interview of the legendary Los Angeles-based Norwegian-born photographer Torbjørn Rødland who has three major solo exhibitions this summer. One in Los Angeles at David Kordansky gallery, one at Bergen Kunsthall in Norway and one at Fondazione Prada in Milan. The feature includes a double interview with Autre’s editor-in-chief Oliver Maxwell Kupper and one with Serpentine Gallery’s director Hans-Ulrich Obrist. This issue also includes over 40 pages of fashion editorials with LVMH prize finalist Eckhaus Latta and Maryam Nassir Zadeh. Autre also interviews actor Matthew Modine with rare photographs from the set of Stanley Kubrick’s Full Metal Jacket, feminist surrealist Penny Slinger, Lisa Immordino Vreeland on the legacy of photographer Cecil Beaton with gorgeous self portraits, Duncan Hannah on living the high life in New York City, Marilyn Minter on her new show at Regen Projects, legendary German New Wave director Wim Wenders, and Herb Alpert. The summer edition also includes an excerpt from Françoise Hardy’s memoirs, interviews with Lauren Halsey about her community-based practice and Koak about the power of comics, and a special photo document from Pierre-Ange Carlotti. Preorder now – the first ten orders receive a previous issue of Autre of your choosing, for free (exempt are issues volume one issue three with John Baldessari and volume two issue one with David Hockney). Only 50 copies left of our Spring 2018 issue featuring Paul Thomas Anderson.
photographs by Flo Kohl
Watch the video for “Candy May,” directed by Meghan McGarry. As she describes it, “Candy May is a visual, gut-wrenching longing, seeping out through the skin with a swagger that is distinctively Alex Cameron.” Cameron's new album, Forced Witness, will be released on September 8. Click here to read our interview of Alex Cameron from our archives.
photographs by Adam Lehrer
Montreal duo She-Devils announce their signing to Secretly Canadian and share a brand new single, “The World Laughs,” along with an official video. Through primitive electronic gear, hypnotist vocals, and an “amusement park of sounds”, the duo of Audrey Ann Boucher and Kyle Jukka constructs a fun-house world of beautiful chaos. The music is built from original sonics inspired by everything from Iggy Pop to Madonna to T-Rex to Can, as well as the romantic longing of ‘60s yé-yé. She-Devils will play a special, intimate performance at The Glove in Bushwick, Brooklyn today. Click here to purchase tickets.
Autre is excited to premiere a new track by Los Angeles-based Kera And The Lesbians called I'm Late. Singer Kera Armendariz describes the romantic history behind track: "This song came almost effortlessly. I remember writing it as she was swimming in the pool, watching her and realizing how lucky I was at that moment. Lucky to know someone who believed, challenged and brought out the best in me in the nine years of knowing her. I realized long ago that not all relationships last. Coming and going in waves, that all you can really do is appreciate the time spent in one another's lives. It will always be heartbreaking no matter how much time passes losing someone you deeply care about. I wrote it for you, for me, for us." Click here for upcoming tour dates.
Creation, destruction, boom, ghost. In the song 'I'm a Shoe,' Cass references the California boomtown / ghost town of Bodie, a town that rose to peak population in the late 1800's gold rush. As people swarmed Bodie and scrambled to strike it rich, the town developed an unrivaled reputation for great violence, murder and a much feared figure - the ‘Bad Man of Bodie.’ The video for 'I’m a Shoe' was filmed at the ghost town of Mare Island, Vallejo, California which in the chronology of California boomtown /ghost towns, directly follows the demise of Bodie. Bodie’s official end and Mare Island’s boom both came about to service the needs of World War II. The Roosevelt’s government’s War Production Board ordered the closure of Bodie’s gold mines in order to divert labor and equipment to the requirements of the war. Mare Island peaked at this time employing over 40,000 people building warships and submarines, it now sits in ruins. It is a very compelling ghost town with a strange discomforting atmosphere. How will this next uncertain chapter of US history unfold? What will be swarmed, extracted or built? What will be abandoned in the future for the vultures to inherit? Click here to download or order Mangy Love
Art-pop provocateurs Xiu Xiu have shared a new animated video for “Jenny GoGo,” a song from the band’s upcoming 11th collection of original music, Forget. Evoking Throbbing Gristle circa 20 Jazz Funk Greats and the dark pop of classic coldwave, “Jenny GoGo” merges Dada-esque absurdity, brooding atmosphere, and infectious earworms. The video was directed by Victor Belozerov. It is out Febuary 24th on Polyvinyl Record Company.
The video for "Rock Pool", finds Cate Le Bon reunited with director Casey Raymond for a fantastical experimentation in neo-Technicolor, La Nouvelle Vague and a locale that could be a dead ringer for Led Zeppelin's Houses of The Holy. Click here to preorder the 12" which is due out January 27 on Vinyl.
Daphne Guinness performs wearing a catsuit by Deborah Milner with LED lighting by Moritz Waldemeyer and Blue Topaz stones by Ostro Minerals during her performance at the Natural History Museum in London. photographs by Moritz Waldemeyer
photographs by Douglas Neill
Of all the great unions of underground music, rock and otherwise; Bowie and Eno, Nick Cave and Blixa Bargeld, Justin Broadrick and Kevin Martin, John Cale and Terry Riley, Sonny Sharrock and Peter Brotzzman, and so on; the union between No Wave icon, transgressive artist, and spoken word warrior Lydia Lunch and free jazz, noise, and no wave musician Weasel Walter is perhaps the most harmonious and unquestionably the unholiest. When considering their respective biographies, both full of moments of sticking the middle finger in the faces of conventional standards of taste and decency, it’s difficult to believe that these revolutionaries didn’t find each other sooner. Click here to read more.
All that glitters is not gold, but Actually Huizenga's latest film, Heavenly Sin, is one shimmery, heart-art beast. Culture roles and fairytales intertwine for an experience that is lush, queasy and magical. Welcome to a world of arranged marriages, robbed sexuality, strange decadence, polluted religion and what happens when the fable has gone to seed. Heavenly Sin is an otherworldly document boasting the wholly unique thumbprint of Actually Huizenga, one of the most striking artists to have emerged in the arthouse & pop-rock arena in a very long time.