Marc Straus presents a pop-up exhibition at its annex on 284 Grand Street: a 19th-century building that once housed a bustling fish market. Curated by Director Ken Tan, the exhibition features more than ten new site-specific installations by Korean artists Jong Oh and Jinsu Han. In the October 1976 issue of Artforum, the cover story by Nancy Foote, titled “The Apotheosis of the Crummy Space”, featured the Rooms show in what was then the recently opened P.S.1. Foote appreciated how the site “can be ‘amended’ subtly by small additions that comment on its nature and adapt their posture to its own; it can serve as a medium, directly or indirectly, also as subject,” and noted a “disaster area ambience.” Ever since the 1970’s, the unpolished, dilapidated quality of abandoned spaces have been favored by avant-garde artists who not only worked within but on the space itself: its floors, walls, ceilings and architectural features. 284 Grand Street was home to a Chinese family-operated seafood market, offering everything from baby shrimps to exotic sea urchins, but about two years ago the fishmongers vacated. In “The Apotheosis of the Fish Market”, a nod to Foote’s eponymous review, the site is finally exalted to the zenith of its existence before it makes way for a new building that will be constructed the following Spring. In reaction to its spatial configurations, Jinsu Han and Jong Oh have transformed two floors of the building into a gritty, sensory experience with their respective site-responsive installations. On view until December 1, 2016 at a Marc Straus pop up space, 284 Grand Street. photographs by Adam Leher
Preview of Legendary Viennese Actionist Hermann Nitsch's First Exhibition @ Marc Straus Gallery in New York
Last month, we featured an incredibly fascinating interview with legendary Viennese Actionist Hermann Nisch. Tonight, the artist will be having his first exhibition at the Marc Straus gallery in New York. The exhibition will include recent paintings as well as important historic pieces from his distinguished career of over 55 years. Since 1957, Nitsch has been addressing the intensification of human existence through his ritualistic performance art, most prominently “The Orgien Mysterien Theater.” With more than 100 performances to date, these staged Dionysian performances are replete with religious sacrifices, mock crucifixion, blood, entrails, robes, dance and nude participants. Religious tropes are all here; the intensity resembles scenes from Grünewald’s Isenheim Altarpiece, the carcasses nod towards Rembrandt’s hanging meats. The exhibition opens tonight and runs until October 8 at Marc Straus Gallery, 299 Grand Street New York, NY. photographs by Tenlie Mourning