Peres Projects Presents Maelstrom by George Rouy in Berlin

Rouy’s approach to the body and his overall pursuit of painting is one of contradiction, harmony, and perpetual transformation, criss-crossing gender, form, and disposition. His work is a fever dream of amorphous and fluid embodiments depicting rhapsodic portraits of 21st century desire that is continuously refilled with physical dissonance, mystery and secrecy, ecstasy and turmoil.  

Each work is liberated from established ways of being and becoming which examine the essence and meaning of encounters, drawing equally from the here-and-now, the internet and the machine, as well as more primordial expression and classical demands of color and form. The human figure has always preoccupied artists; its story dominates the history of art. In its imagination and in its image-making, we find clues as to how artists have engaged with the political and socio-cultural conditions and sentiments of their moment. Now we are in a time of renewed and committed interests in figurative painting, Rouy uses the figure as a multi-sided prism to examine and interrogate the contemporary crucibles of gender, fiction and technology. 

Maelstrom will be on view throughout February 14, 2020 at Peres Projects Karl-Marx-Alle 82, Berlin, Germany. photographs courtesy of the gallery

Mark Flood's Teaser Video for 'Astro Turf Yelp Review Says Yes'

As usual, Mark Flood has put out another bizarre teaser video for his show, entitled 'Astro Turf Yelp Review,' which opens May 1st at Peres Projects in Berlin. This is the gallery’s sixth solo show with the Houston-based, American artist. In addition to new works from the text and logo series, this exhibition is centered around a new series Aged Paintings, which are exhibited in Berlin for the first time.

James Franco Installing Gay Town @ Peres Projects

James_Franco_Installing_Gay_Town_Peres_Projects

Peres Projects presents Gay Town, a solo project with James Franco. Gay Town explores a variety of themes that are central to Franco's artistic practice, mainly issues related to adolescence, public and private persona, stereotypes and other societal concerns such as society's preoccupation with celebrity. Franco created most of the works for Gay Town over the past two years, making many of the works in hotel rooms, makeshift studios and other temporary locations whilst completing other projects, mainly motion pictures. Franco makes reference to several of his motion picture work and related projects in parts of the installations and other works on view in Gay Town. Gay Town will be on view from February 9 through March 9, 2013 at Peres Projects temporary space: Karl-Marx-Allee 87, Berlin

Saatchi Gallery in Adelaide: British Art Now

Round_Midnight_Maurizio_Anzeri

Maurizio Anzeri, Round Midnight

Saatchi Gallery in Adelaide: British Art Now brings together the audacious best of contemporary art straight from London’s internationally acclaimed Saatchi Gallery – arguably the biggest influence on contemporary British art over the past 25 years. It features groundbreaking works that challenge conventional artistic sensibilities, created by more than forty of the new generation of daring British contemporary artists.

Take No Photographs, Leave Only Ripples (detail)_clunie_reid

Clunie Reid, Take No Photographs, Leave Only Ripples

www.artgallery.sa.gov.au

AMIE DICKE: Infinitely Suffering Thing

Dissolving floors of memory, 2007

Artist Amie Dicke, from Rotterdam, transforms magazine pictures into intriguing works of art and so much more. On view now at the Venice Bienalle see close to 27 gallons of foundation get dumped and sprayed over an environ specially constructed by the artist. 

Detail Destruction of Memory, Infinitely Suffering Thing, 2008

Violent Contradiction, 2008

Effacement, 2008

Infallible, Close-Up

"One hundred liters of foundation (make-up) is going to be sprayed automatically by spray-guns that hang above an interior I have set up in the middle of the industrial environment of the former AkzoNobel factory. This room mirrors my private memories. Most of the objects which I have (re-)used would normally be thrown away, but some stuff just tends to stay, because you keep carrying them with you either mentally or physically. In a way they have become physical reminders of our inability to let go of life. The many layers of foundation will cover up the original colors or patterns of the objects and eventually the whole room will be in one tone, concealed under a thick layer of foundation, like a strange make-up. The interior will be changed into a skin colored "flesh", like a radical makeover that will turn the dead objects into a self-portrait."

www.amiedicke.com