Petra Cortright's Predator Swamping @ 1301PE In Los Angeles

In order to maintain survival, some species hatch all at once. Floods of nascent turtles, crabs, or fish will overwhelm their predator by sheer volume. This oversaturation ensures that the breed will live on. For Predator Swamping, Petra Cortright exhibits a new body of work, made during the precarious months of 2020, in which she exercises a similar survival instinct.

For her third exhibition with 1301PE and her first since the birth of her son, Cortright continues to create paintings in Photoshop and prints them on Belgian linen. The paintings incorporate images of the High Desert, Bolivia, and Patagonia sourced from the internet which function as a base layer upon which she builds expanded landscapes. For the first time in her career Cortright has also created paintings in black and white. The stripping away of color reveals an overwhelming desolation that could bear a strong resemblance to 2020, while for some including Cortright, a homebody at heart, the imagery evokes doomsday bliss.

Predator Swamping is on view through March 27 @ 1301PE 6150 Wilshire Boulevard

Overpainting in Twentieth Century Press Photography

Before the invention of photoshop in 1991, it was commonplace for press agencies and the photographic departments of newspapers and magazines to enhance, crop and embellish their press photographs prior to publication. An upcoming exhibition, entitled Overworked: Overpainting in Twentieth Century Press Photography,  at Flash Projects UK explores the ways in which photographs were worked-over in paint, gouache, watercolour and pencil prior to their publication, challenging the veracity of the image.

www.flash-projects.co.uk