Paul Morrissey & Andy Warhol's Trash

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...... Trash [Andy Warhol's Trash] is the second film in a trilogy, written and directed in 1970 by filmmaker Paul Morrissey. Probably the most original film and the freest of this trilogy, Trash is an icon, a cult object that reflects the climate of American culture immortalized by the famous New York underground cinema scene. Trash has destroyed classic Hollywood conventions while adopting a new style itself full of clichΓ©s......STILLS FROM TRASH is on view January 14 to February 25 at the Galerie FranΓ§oise Paviot.

Catherine Deneuve Honored

Catherine Deneuve will receive the Film Society of Lincoln Center's 39th Chaplin Award on Monday, April 2, 2012 in New York City. The annual gala is the Film Society's largest annual fundraiser, benefiting the ongoing programs of the Film Society of Lincoln Center. At an Alice Tully Hall ceremony, an array of notable guests and celebrities will salute Catherine Deneuve. The evening will include films clips and a party to celebrate Deneuve's career in cinema.

Experimental Film in Los Angeles

Los Angeles Film Forum presents Alternative Projections: Experimental Film in Los Angeles 1945 - 1980, an exploration of the community of filmmakers, artists, curators and programmers who contributed to the creation and presentation of experimental film and video in Southern California in the postwar era. This website is the culmination of three years of research into the archives of film venues and organizations, the recording of 35 oral histories, and the creation of a database, the first of its kind, which catalogs the films, exhibitions, organization, and people active during this prolific era in experimental film and video making. Alternative Projections is part of Los Angeles' sweeping exhibition of art in Los Angeles called Pacific Standard Time. Upcoming screenings of note include Strange Notes and Nervous Breakdowns: Punk and Media Art, 1974-1981, aΒ collection of rarely screened performances by punk bands of the era, performance art, and D.I.Y. works by the Screamers, X, Suburban Lawns, Black Flag, Los Plugz, Johanna Went, and more (MOCA Ahmanson Theater, MOCA, 250 South Grand Avenue Los Angeles, CA 90012) on view January 12 at 7 p.m.

Jacque Katmor is Wishing You a Good Death

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Sex, eroticism and Judaism – Israeli artist Jacque Katmor, who is all but forgotten today, is the subject of a retrospective of sorts at the Nachum Gutman Museum of Art in Tel Aviv starting January 13. Katmor, who died in 2001, will undoubtably be an artist posthumously appreciated for his genius.  Somewhat of a Kenneth Anger of the Israeli unground cinema movement in the 1960s, Katmor was a leader of the artist collective Third Eye. Erotically charged, drug induced, and psychedelic, Katmor's art and films dealt with not only a rapidly changing zeitgeist, but also Jewish identity and Kabbalistic mysticism. "Jacque Katmor is Wishing You a Good Death" is on view at the Nachum Gutman Museum of Art from January 13 to May 19, Shimon Rokach st 21, Neve Tzedek, Tel Aviv.

The Syphilis of Sisyphus

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Fredericks & Freiser gallery in New York presents The Syphilis of Sisyphus,  a new short film by Mary Reid Kelley with artist Patrick Kelley. The exhibition includes a wall-sized projection with costumes and drawings used in the film’s creation. Reid Kelley’s second solo exhibition at Fredericks & Freiser encompasses a heightened level of visual complexity as it continues her exploration of language, history, anomie and sexual politics. On view until January 7.

Eggleston's Southern Gothic Travelogue at Prospect 2

Whilst Los Angeles is in the heavy throes of the city wide art invasion known as Pacific Standard Time, New Orleans is hosting its own city wide site specific exhibitions and artists’ projects happenings called Prospect 2Β on view through January 2012. Β Now on view at theΒ Old U.S. Mint, which is now the Louisiana State Museum, William Eggleston's 77 minute long groundbreaking, surreal Southern Gothic Β travelogue Stranded in Canton, "a film that consistently teeters on the edge of dream and nightmare states. Its nocturnal visions of bar denizens, musicians (including Furry Lewis), transvestites and a variety of semi-crazies comes off like a Cassavetes all-nighter filmed by David Lynch at his most unsettling: faces loom out of darkness, shot in infrared, displaying pale glowing skin and deep black eyes." On view at theΒ The Louisiana State MuseumΒ at the Old U.S. Mint, 400 Esplanade Ave.Β 

[Outlaw Cinema] Black Biscuit

"Bewildering, vague, self-indulgent, plot-less, risky, egotistical, limpid, raw, ugly, and imperfect are perfect," declares an edict in the manifesto of Pink 8, a burgeoning "gutter filmmaking" cineast movement founded by Nottingham based Fabrizio Federico.  "We're trying to give British film an adrenaline shot, and to make a film equivalent movement of punk and lo-fi music but with a mass inspiration appeal like Cool Britannia. We dont want no budgets, or actors. This is whats happened since UK Film Funding has been cut," says Federico. A new cult film, entitled Black Biscuits, which will premier on December 12 in London, is pure outlaw cinema made by a rebellious auteur: "I had to life model to come up with money to make my film Black Biscuit. The non-plot is about a guy who wants to be an artist but gets sucked up in the sex industry. I guess it's about not waving goodbye to your dreams."