Paul Morrissey & Andy Warhol's Trash

warhol_trash

...... Trash [Andy Warhol's Trash] is the second film in a trilogy, written and directed in 1970 by filmmaker Paul Morrissey. Probably the most original film and the freest of this trilogy, Trash is an icon, a cult object that reflects the climate of American culture immortalized by the famous New York underground cinema scene. Trash has destroyed classic Hollywood conventions while adopting a new style itself full of clichés......STILLS FROM TRASH is on view January 14 to February 25 at the Galerie Françoise Paviot.

Catherine Deneuve Honored

Catherine Deneuve will receive the Film Society of Lincoln Center's 39th Chaplin Award on Monday, April 2, 2012 in New York City. The annual gala is the Film Society's largest annual fundraiser, benefiting the ongoing programs of the Film Society of Lincoln Center. At an Alice Tully Hall ceremony, an array of notable guests and celebrities will salute Catherine Deneuve. The evening will include films clips and a party to celebrate Deneuve's career in cinema.

Tomas Tranströmer's Deleted World

Tomas Tranströmer's new collection of poetry, entitled The Deleted World, is a short selection of haunting, meditative poems from the winner of the 2011 Nobel Prize in Literature. Tomas Tranströmer can be clearly recognized not just as Sweden’s most important poet, but as a writer of international stature whose work speaks to us now with undiminished clarity and resonance. Long celebrated as a master of the arresting, suggestive image, Tranströmer is a poet of the liminal: drawn again and again to thresholds of light and of water, the boundaries between man and nature, wakefulness and dream. A deeply spiritual but secular writer, his skepticism about humanity is continually challenged by the implacable renewing power of the natural world. His poems are epiphanies rooted in experience: spare, luminous meditations that his extraordinary images split open—exposing something sudden, mysterious, and unforgettable. [purchase]

Ai Weiwei: Interlacing

Ai Weiwei – Interlacing is the first major exhibition of photographs and videos by Ai Weiwei. It foregrounds Ai Weiwei the communicator – the documenting, analyzing, interweaving artist who communicates via many channels. Ai Weiwei already used photography in his New York years, but especially since his return to Beijing, he has incessantly documented the everyday urban and social realities in China, discussing it over blogs and Twitter. Photographs of radical urban transformation, of the search for earthquake victims, and the destruction of his Shanghai studio are presented together with his art photography projects, the Documenta project Fairytale, the countless blog and cell phone photographs. A comprehensive book accompanies this exhibition. Ai Weiwei – Interlacing is on view at the Jeu de Paume in Paris from February 21, 2012 to April 29, 2012.

Coming of Age in America

Coming of Age in America: The Photography of Joseph Szabo is the first museum retrospective of this Long Island photographer whose work presents a dual portrait of adolescence on Long Island and summers on the Island’s iconic Jones Beach. Szabo poignantly portrays teens on the cusp of adulthood, documenting his subjects in moments of uncertainty, reflection, longing, bravado, and exuberance. The restless teens and unselfconscious bathers seen in Szabo’s black and white photographs evoke timeless memories of our own, similar teenage years and summers at the beach. This exhibition opens tomorrow January 14 at the Heckscher Museum of Art in Huntington, New York and runs until March 25 (Heckscher Museum of Art 2 Prime Avenue Huntington, NY 11743).

Josef Koudelka's Gypsies

Aperture's new edition of Koudelka: Gypsies rekindles the energy and astonishment of this foundational body of work by master photographer Josef Koudelka. Lavishly printed in a unique quadratone mix by artisanal printer Gerhard Steidl, it offers an expanded look at Cikáni (Czech for "gypsies" )--109 photographs of Roma society taken between 1962 and 1971 in then-Czechoslovakia (Bohemia, Moravia and Slovakia), Romania, Hungary, France and Spain. The design and edit for this volume revisits the artist's original intention for the work, and is based on a maquette originally prepared in 1968 by Koudelka and graphic designer Milan Kopriva. Koudelka intended to publish the work in Prague, but was forced to flee Czechoslovakia, landing eventually in Paris. In 1975, Robert Delpire, Aperture and Koudelka collaborated to publish Gitans, la fin du voyage (Gypsies, in the English-language edition), a selection of 60 photographs taken in various Roma settlements around East Slovakia. Gypsies includes more than 30 never-before-published images and a new text by Roma scholar and sociologist Will Guy, who also wrote the essay for the 1975 edition. Guy contributes a new, in-depth analysis of the condition of the Roma today, including the most recent upheavals in France and Europe. Find a copy here.

Collage Culture

One of the coolest new publications of late–Collage Culture: Examining the 21st Century's Identity Crisis is a new book written by Aaron Rose and Mandy Kahn and designed by Brian Roettinger. Sure to spark debate, a pair of writers examines our century's identity crisis via two separate essays. In "The Death of Subculture," Aaron Rose (director of Beautiful Losers and co-curator of MoCA's record-smashing exhibit Art in the Streets) makes an impassioned call to arms, urging the next generation of artists to end the collage era by adopting a philosophy of creative innovation. And in her essay "Living in the Mess," Mandy Kahn (columnist, Foam magazine) considers whether the collage of references that surrounds us might negatively affect the way we feel. A companion recording of this incendiary work of non-fiction contains readings of the book's texts with an original score created by No Age. A box set edition of 100 is available which contains a cassette tape of a recording of a discuss between the two authors, books, postcards, an LP, and signed photographs by Autumne de Wilde. [Find a copy here]

Experimental Film in Los Angeles

Los Angeles Film Forum presents Alternative Projections: Experimental Film in Los Angeles 1945 - 1980, an exploration of the community of filmmakers, artists, curators and programmers who contributed to the creation and presentation of experimental film and video in Southern California in the postwar era. This website is the culmination of three years of research into the archives of film venues and organizations, the recording of 35 oral histories, and the creation of a database, the first of its kind, which catalogs the films, exhibitions, organization, and people active during this prolific era in experimental film and video making. Alternative Projections is part of Los Angeles' sweeping exhibition of art in Los Angeles called Pacific Standard Time. Upcoming screenings of note include Strange Notes and Nervous Breakdowns: Punk and Media Art, 1974-1981, a collection of rarely screened performances by punk bands of the era, performance art, and D.I.Y. works by the Screamers, X, Suburban Lawns, Black Flag, Los Plugz, Johanna Went, and more (MOCA Ahmanson Theater, MOCA, 250 South Grand Avenue Los Angeles, CA 90012) on view January 12 at 7 p.m.

Diane Arbus: A Chronology

Diane Arbus: A Chronology is the closest thing possible to a contemporaneous diary by one of the most daring, influential and controversial artists of the twentieth century. Drawn primarily from Arbus' extensive correspondence with friends, family and colleagues, personal notebooks and other unpublished writings, this beautifully produced volume reveals the private thoughts and motivations of an artist whose astonishing vision derived from the courage to see things as they are and the grace to permit them simply to be. Further rounding out Arbus' life and work are exhaustively researched footnotes that amplify the entire chronology. A section at the end of the book provides biographies for 55 family members, friends and colleagues, from Marvin Israel and Lisette Model to Weegee and August Sander. Describing the Chronology in Art in America, Leo Rubinfien noted that "Arbus... wrote as well as she photographed, and her letters, where she heard each nuance of her words, were gifts to the people who received them. Once one has been introduced to it, the beauty of her spirit permanently changes and deepens one's understanding of her pictures." The texts in Diane Arbus: A Chronology originally appeared in Diane Arbus: Revelations. This volume makes this invaluable material available in an accessible, unique paperback edition for the very first time.

Photo50 at London Art Fair

Found photograph by Julie Cockburn

London Art Fair presents Photo50, its  annual showcase of contemporary photography at the  Business Design Centre, Islington, from 18–22 January 2012. With the title The New Alchemists: contemporary  photographers transcending the print, curator Sue Steward  has selected 50 works by contemporary artists whose practice sees them adorn, transform, subvert or deface the  photographic print. They are: Veronica Bailey, David Birkin, Aliki Braine, Julie Cockburn, Melinda Gibson, Noemie Goudal, Joy Gregory, Walter Hugo, Lesley Parkinson, Jorma Puranen, Esther Teichmann and Michael Wolf.  This exhibition focuses on new techniques and approaches to re-presenting the photographic image and how artists are involving other media. Whether reclaiming traditional techniques, exploiting digital developments or employing other forms of craft and media, the work presented in Photo50 challenges our assumptions about what a photograph is, or can be. London Art Fair is on view at the Design Center in Islington, London, January 18 to January 22,