Shaniqwa Jarvis’ eponymous first book is now available at Arcana Books in Culver City. In this expansive monograph, Jarvis presents one hundred and sixty pages of editorial and personal work spanning two decades drawn from the photographer’s archive. This lovely hardbound volume published by Baque Creative features an introduction by photographer Ryan McGinley accompanied by a meticulous selection of pictures from her favorite personal series such as “Bathroom Portraits” - shot in the toilets of bars in the early 2000s - along with editorial work for clients like The Gap, The New York Times, Supreme, Billboard, and Riposte that includes portraits of SZA, Lee Scratch Perry, George Condo, Cardi B, and a few requisite selfies.
Ms. Jarvis’ work is known for blending the aesthetics of modern fashion photography with the sensitive, unfiltered emotion of art portraiture. In some of her best-loved imagery she captures vivid reality across a wide variety of subjects that always appear to be an extension of herself. The images speak to raw, disparate feelings imbued with a deep sparkling optimism. The photos in this collection are an invitation to join Jarvis on a journey to see the world from her vantage point - one that is female, black, tirelessly hardworking, and brimming with raucous, positive vibrations. These are images of celebrities who seem like best friends, vintage shots of downtown New York notables in their heyday, children, loved ones in all colors of the rainbow, and delicate landscapes and travel souvenirs. Here is sorrow and joy commingling in pictures, many of them highly autobiographical, all representing a progressive and optimistic world.
is a new book written by Aaron Rose and Mandy Kahn and designed by Brian Roettinger. Sure to spark debate, a pair of writers examines our century's identity crisis via two separate essays. In "The Death of Subculture," Aaron Rose (director of Beautiful Losers and co-curator of MoCA's record-smashing exhibit Art in the Streets) makes an impassioned call to arms, urging the next generation of artists to end the collage era by adopting a philosophy of creative innovation. And in her essay "Living in the Mess," Mandy Kahn (columnist, Foam magazine) considers whether the collage of references that surrounds us might negatively affect the way we feel. A companion recording of this incendiary work of non-fiction contains readings of the book's texts with an original score created by No Age. A box set edition of 100 is available which contains a cassette tape of a recording of a discuss between the two authors, books, postcards, an LP, and signed photographs by Autumne de Wilde. [Find a copy