Maurizio Cattelan @ Centre for Contemporary Art in Warsaw

Maurizio_Cattelan_Centre_for_Contemporary_Art_in_Warsaw

After one year of silence and retirement from the art-world, Maurizio Cattelan and his works are once again arousing questions regarding life and death in a museum exhibition; the first exhibition after his well-known and successful Guggenheim retrospective. On display at the Centre for Contemporary Art Ujazdowski Castle in Warsaw is a selection of the artist's most significant works. In them, he poses questions as to the contemporary understanding of death, sacrifice, forgiveness, the genesis of evil in humankind, national identity, and historical memory. Maurizio Cattelan, Amen, will be on view at the Centre for Contemporary Art Ujazdowski Castle in Warsaw until February 24, 2013.

[MUST LISTEN] Je Suis Le Petit Chevalier

Je Suis Le Petit Chevalier is a musical fantasy born in a trailer by the woods of upstate New York during summer 2010 by the French based in Belgium visual and sound artist Felicia Atkinson.  Je Suis Le Petit Chevalier’s new album Dark Morse, which is out February 1st by Shelter Press,is inspired by the short story The Angel Esmeralda written by Don Delillo.

Group Show No More Rock Stars @ Galerie ProtΓ©gΓ©

Nick Doyle, assistant to artist Tom Sachs, stands in front of his inclusion to No More Rock Stars, a multidisciplinary, group exhibition of work by artists Mia Berg, Nick Doyle, Laura Greig, Justine Hill, Henry G. Sanchez, and Bryan McGovern Wilson, studio assistants to some of New York City’s highly celebrated artists. Guest curator Robert Dimin has selected work by these stand-out emerging artists working with video, robotics, painting, photography, and sculpture. No More Rock Stars will be on view until January 31, 2013 at  Galerie ProtΓ©gΓ©, 197 Ninth Ave [Lower Level] New York, NY

Adriana Lara "NY - USA" @ Algus Greenspon Gallery

Adriana Lara Algus Greenspon Gallery

Algus Greenspon presents NY - USA, the first New York solo exhibition by Adriana Lara. Lara’s work considers form and content in relation to their condition as language and its syntax. By presenting theories, symbols and words as structures of content these appear as meaning containers, sometimes begging for meaning (IT), sometimes avoiding it (text) and sometimes just playing with it (symbols). Either way, by shuffling signifiers and their context interpretation becomes form. NY - USA will be on view unti January 19, 2013 at Algus Greenspon, 71 Morton Street, New York

[FIRST LISTEN] Devendra Banhart Upcoming Album Mala

Listen below to the track FΓΌr Hildegard von Bingen off Devendra Banhart's upcoming Nonesuch records debut, Mala, on March 12, 2013. Mala, Banhart’s eighth studio album, was recorded in his then-home in Los Angeles. (He now resides in New York City.) The album is inspired by Banhart's fiancΓ©e, Ana Kras, a Serbian artist. Preorder the album here to receive the below song and a limited edition signed print. photograph by Mads Teglers

Henry Darger Landscapes @ Ricco/Maresca Gallery

Ricco/Maresca Gallery presents Henry Darger: Landscapes. This exhibition brings together highly celebrated landscapes by the self-taught artist Henry Darger (1892-1973). Darger's sumptuous and detailed landscapes are extensively varied - from bucolic and peaceful to dark and foreboding. When Henry Darger’s work is viewed from this singular vantage, new aesthetic, conceptual, and technical discoveries surface from the vast depths of the artist's complex and mysterious oeuvre. A devout Roman Catholic, Henry Darger worked as a janitor in Catholic hospitals by day and gave expression to his private, imaginary world by night from his small rented room on Chicago’s north side. Over a 54 year period, he created his magnum opus, a more than 15,000-page illustrated saga, The Story of the Vivian Girls in What Is Known as the Realms of the Unreal or the Glandelinian War Storm or the Glandico-Abbienian Wars as Caused by the Child Slave Rebellion,(commonly referred to as In the Realms of the Unreal). The 13 volume manuscript is reenacted in nearly 300 watercolors and collages depicting the "adventures" of the seven innocent Vivian Girls as they lead the rebellion against the evil, child-enslaving, adult Glandelinians.Β Henry Darger: Landscapes will be on view until February 2, 2013 atΒ Ricco/Maresca Gallery, 529 West 20th Street,Β 3rd Floor NYC.Β 

Max Snow The Lady of Shalott @ Colette in Paris

Max_Snow_The_Lady_of_Shalott_Colette_in_Paris

β€œI am half-sick of shadows” said The Lady of Shalott - Alfred Lord Tennyson, 1842. Max Snow's newest work takes its title from Tennyson's poem: a lyric ballad adapting Arthurian Legend. Cursed to remain alone in her island fortress, The Lady of Shalott is unable to participate in the world except to view its distorted reflection in her mirror and weave those images on her loom. Both the poem and the show serve to raise questions about society and the artist's role, responding to the conflicting commands to create art inspired by the world and also to live in it. The Lady of Shalott will on view until February 2, 2013, at Colette, 213 rue Saint-HonorΓ© 75001 Paris

Urs Fischer @ Eden Rock Gallery in St. Barths

Gagosian Gallery presents an exhibition of tables by Urs Fischer in St. Barts entitled Tables, Chairs and Arms. Continuously searching for new sculptural solutions, Fischer has built houses out of bread; enlivened empty space with mechanistic jokes; deconstructed objects and then replicated them; and transferred others from three dimensions to two and back again via photographic processes. The works to which the title alludes are tables that combine large resin-coated photomontages with multicolored steel geometric bases. The jokey surrealist montages juxtapose images both found and manipulatedβ€”a pair of sausages, a cartoon snail, a graffiti-covered wall, an open mouth, a Hong Kong supermarket. Blurring the distinctions between photography, collage, sculpture, and furniture, the tables are objects both aesthetic and useful, filling the gallery with a presence that is at once visually arresting and socially convivial. Tables, Chairs and Arms will be on view until January 31, 2013 at Eden Rock Gallery, in St. Barths. 

Trisha Baga Plymouth Rock 2 at the Whitney Museum

Trisha_Baga_Plymouth_Rock_2_at_the_Whitney_Museum

Plymouth Rock 2, New York–based artist Trisha Baga’s first US solo show, is a two-channel projection compiled from a variety of found and original video and audio material. Baga projects this collaged narrative, based on the history of the Pilgrim landing site and its current state as a dilapidated tourist attraction, onto and past objects placed throughout the space that, along with the bodies of the viewers, further interrupt and disrupt the already distorted tale. Like much of her nascent practice, Plymouth Rock 2 is an adaptation and reinstallation of an earlier work, Plymouth Rock, first shown in London earlier this year.Plymouth Rock 2 will be on view until January 27, 2013 at the Whitney Museum of American Art, 945 Madison Avenue, New York