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Her Data: Read Our Interview Of Maria Mavropoulou On Algorithmic Gender Bias →

October 13, 2021
Maria Mavropoulou installation image courtesy of the artist.

Maria Mavropoulou installation image courtesy of the artist.

“Have you ever wondered why Siri, Alexa and Cortana are given female voices and names? How do machines see women? Can machines perceive diversity?” 

Women currently occupy a minority of positions in the tech field. As a result of this, there is growing evidence that the gender imbalance affecting the tech sector extends to data science and AI. Gender and racial biases found in AI training data sets, algorithms, and devices have the tendency to reinforce harmful stereotypes that stigmatize and marginalize women on a global scale. With the increasing ubiquity of AI in our societies, such biases put women at risk of being left behind in all realms of economic, political and social life. Her Data is a group exhibition currently on view at Romantso, Athens that explores the role of data and algorithms in the current age of artificial intelligence through the female perspective, and focuses on how technologies used daily might affect our identities and ways of thinking. Curated by Katerina Gkoutziouli & Foteini Vergidou, the show includes the work of 4 female artists, Eli Cortiñas, Maria Mavropoulou, Mimi Ọnụọha, and Paola Palavidi. Each artist highlights the need for inclusive technologies due to the various ways that dominant technological narratives influence our experienced identities through social media, search engines and AI applications. Together these works raise questions about the tech industry and its collection and distribution of our data. They invite us to look deeper at the design of current technological systems, exposing how they work and the world views that they propagate. We spoke with Greek artist Maria Mavropoulou to learn more about her involvement in the show and how she investigates the algorithmic classifications of women according to race, gender, and age through the use of personalized ads. Read more.

In Art Tags her data, athens, romantso, romantso anthens, eli cortinas, mimi onuoha, paola palavidi, ai, algorithmic bias, gender bias, big tech, search engines, metadata, data collection
← Read Our Interview Of Will Sheldon On The Occasion Of His New Exhibition "My Small Super Star" After Touch: Portraits Of Caring Connection In The Face Of Global Fracture @ Ochi Projects In Los Angeles →

ART / FASHION/ CULTURE / MUSIC / FILM 

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Gus Van Sant for @celine Hiver 2026 by Michael Rider #celine #fashionweek #michaelrider #gusvansant
Richard Prince @fondazioneprada press photo. Prince’s duo exhibition, Helter Skelter, with Arthur Jafa, opens May 9 in Venice, Italy. Curated by @nespector 

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Richard Prince @fondazioneprada press photo. Prince’s duo exhibition, Helter Skelter, with Arthur Jafa, opens May 9 in Venice, Italy. Curated by @nespector #richardprince #arthurjafa #venicebiennale #fondazioneprada
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Last night, Autre Magazine and Jeffrey Deitch Gallery continued their annual tradition of launching Frieze Week in Los Angeles with an intimate dinner at the @wehoedition , supported by Vince. A cross-disciplinary mix of guests—including Sharon
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#mauriziocattelan #yearofthehorse #chinesenewyear
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Gus Van Sant for @celine Hiver 2026 by Michael Rider

#celine #fashionweek #michaelrider #gusvansant Richard Prince @fondazioneprada press photo. Prince’s duo exhibition, Helter Skelter, with Arthur Jafa, opens May 9 in Venice, Italy. Curated by @nespector 

#richardprince #arthurjafa #venicebiennale #fondazioneprada @betsyjohnson_ for Autre’s FW Work In Progress issue. Johnson is one of the most exciting creative directors working today. In a wide ranging conversation with @mrt4000 they discuss the challenges and pit falls of leading a creative environment Spooky action at a distance. @arianapapademetropoulos explores quantum mechanics and self help in her new exhibition Glass Slipper at @thaddaeusropac in Paris. The center piece, a sculpture entitled Water Based Treatment,  is an interactive aquarium Mexico’s last living surrealist Pedro Friedeberg who was known for his fantastical geometric paintings and sculptures has died at the age of 90. For our Spring/Summer 2019 issue, artist @arianapapademetropoulos visit Friedeberg’s studio i CALLING ALL ANGELENOS: “What a Wonderful World: An Audiovisual Poem,” presented by the Berlin-based Julia Stoschek Foundation (@juliastoschekfoundation) and edited (not curated) by Udo Kittelmann, is in its final weeks—spanning earl It’s hard to ignore the crushing weight of the world’s violent instability—and the soft powers we are endlessly entangled in—while wading through the feverishly panting crowd of an art fair. Mega art-world events like Frieze, LESS THAN THREE WEEKS LEFT: Don’t miss the Julia Stoschek Foundation’s (@juliastoschekfoundation) first U.S. presentation, “What a Wonderful World: An Audiovisual Poem,” edited by Udo Kittelmann, through March 20, 2026, at the Today, Gus Van Sant’s FIRST monograph Paintings launches today at @arcanabooks an achronological exploration of the filmmaker’s painting practice

#gusvansant #paintings #cinema #booklaunch Autre Magazine and Jeffrey Deitch Gallery continued their annual tradition of launching Frieze Week in Los Angeles with an intimate dinner at the @wehoedition , supported by @vince . A cross-disciplinary mix of guests—including Sharon Stone, Gu Last night, Autre Magazine and Jeffrey Deitch Gallery continued their annual tradition of launching Frieze Week in Los Angeles with an intimate dinner at the @wehoedition , supported by @vince . A cross-disciplinary mix of guests—including Shar Last night, Autre Magazine and Jeffrey Deitch Gallery continued their annual tradition of launching Frieze Week in Los Angeles with an intimate dinner at the @wehoedition , supported by Vince. A cross-disciplinary mix of guests—including Sharon The birth of one of the greatest ad campaigns of all time—a testament to the legacy and longevity of one of the most exciting eyewear brands. On the occasion of @laeyeworks Frieze week exhibition of unpublished photographs of legendary Southern Happy Year Of The Horse 🏇 Maurizio Cattelan “The Ballad Of Trotsky” (1996)

#mauriziocattelan #yearofthehorse #chinesenewyear
Bruce Connor RECORDING ANGEL opens Feb 21 at @marcianoartfoundation 

This is maybe one of the first music videos, Breakaway (1966), Toni Basil before Hey Mickey. Dennis Hopper on lights. 

#bruceconner #recordingangel

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