Vibrant palm and hybrid trees imbued with symbolic messaging and visual references culminate in Panicle Paintings, the new series by visual artist Navine Dossos. On view at Alkinois project space, Athens through Friday November 25. Read our interview with the artist.
Drowning In Black Gold: Read Our Interview Of Evita Manji →
interview by Caroline Whiteley
photography by Matias Alfonzo
art direction and styling by Camille Pailler
set design by Matt Bianchi
casting by Alter Casting
hair by Tina Pachta
makeup by Nikolas Paroutis
nails by Camilla Inge
Evita Manji is an Athens-based artist and vocalist who implements their carefully constructed practice of sound design into live shows and productions. In addition to founding the independent music label, myxoxym, they have collaborated with numerous artists across various media. Their most recent release is a compilation of international artists with all proceeds going to ANIMA, a non-profit association active in the field of ecology, with its main activity being the nursing and rehabilitation of wild animals in their natural environment. One of their recent singles, OIL/TOO MUCH addresses the toxic effects of crude oil extraction on the planet and its inhabitants as well as the exploitation of its laborers. A process akin to drowning and being burned alive simultaneously. Read more.
Her Data: Read Our Interview Of Maria Mavropoulou On Algorithmic Gender Bias →
“Have you ever wondered why Siri, Alexa and Cortana are given female voices and names? How do machines see women? Can machines perceive diversity?”
Women currently occupy a minority of positions in the tech field. As a result of this, there is growing evidence that the gender imbalance affecting the tech sector extends to data science and AI. Gender and racial biases found in AI training data sets, algorithms, and devices have the tendency to reinforce harmful stereotypes that stigmatize and marginalize women on a global scale. With the increasing ubiquity of AI in our societies, such biases put women at risk of being left behind in all realms of economic, political and social life. Her Data is a group exhibition currently on view at Romantso, Athens that explores the role of data and algorithms in the current age of artificial intelligence through the female perspective, and focuses on how technologies used daily might affect our identities and ways of thinking. Curated by Katerina Gkoutziouli & Foteini Vergidou, the show includes the work of 4 female artists, Eli Cortiñas, Maria Mavropoulou, Mimi Ọnụọha, and Paola Palavidi. Each artist highlights the need for inclusive technologies due to the various ways that dominant technological narratives influence our experienced identities through social media, search engines and AI applications. Together these works raise questions about the tech industry and its collection and distribution of our data. They invite us to look deeper at the design of current technological systems, exposing how they work and the world views that they propagate. We spoke with Greek artist Maria Mavropoulou to learn more about her involvement in the show and how she investigates the algorithmic classifications of women according to race, gender, and age through the use of personalized ads. Read more.
Cult Chinese Photographer Ren Hang Debuts His New Series, Athens Love, This Week In New York
“Athens Love” consists of snapshots Ren Hang took in Athens and other parts of Attica, Greece, during an artist residency in April, 2015. The images evoke faded memories of escapades with friends and lovers against the saturated backdrop of the Mediterranean. An incandescent face rises from a tumble of long black hair, bordered by a blue sky and sea; protruding genitals cheekily reflect the surrounding natural landscape. Linking these images is a narrative Ren Hang subtly pursues in all his work, in which man and nature each react to the other’s magic. Ren Hang will be signing copies of monograph, Athens Love, at New York’s Dashwood Books on March 25, 2016 with an exhibition at Klein Sun Gallery in New York from 24 March 2016 to April 30, 2016. Click here to read Autre's short interview with the photographer.