The group of Sepuya's work shown at Modern Art is comprised of photographs made between 2016 and 2019. Seen together, the chosen works convey the scope of formal strategies employed by Sepuya. Ranging from close up portraits of interlocking body parts, to studio portraits in which subjects are carefully poised behind and with objects, to photographs of his collages of test prints and archival material of the studio, Sepuya's strategies each speak to the self-reflexivity inherent in his practice and reveal his sensitivity and skill in capturing bodies on camera. Whether at its centre or its edges, the camera and tripod are almost always evident and always implied somewhere in each image, bringing the work firmly back into dialogue with its own technical construction and object-hood, and to Sepuya himself. The exhibition is on view through February 15 at Modern Art 50–58 Vyner Street , London. photographs courtesy of the gallery and the artist
Spain & 42 St @ Foxy Production
SPAIN & 42 ST. is the title of a William S. Burroughs cut-up poem that transforms found fragments of text into a new whole. The works in the exhibition challenge the narratives of photography and fashion and parallels between them, just as Burroughs constantly challenged the structure of prose. They move beyond expectations of fashion or fine art: they are neither exclusively one nor the other. Each is a cut-up in itself and within the context of the exhibition, which features artists Darja Bajagić, Jimmy DeSana, Peter Hujar, Robert Mapplethorpe, Paul Mpagi, Sepuya Heji Shin, Laurie Simmons, and Deborah Turbeville. SPAIN & 42 ST. will be on view until January 31, 2015 @ Foxy Productions, 623 W. 23rd St. New York.