Sarah Ellison Studio Releases The Float Sofa At The Iconic Stahl House In Partnership With Design Within Reach

Inspired by the conversation pits of the 1970s, Australian designer Sarah Ellison’s FLOAT sofa—available in a rich Pantone brown called Piccolo or a bouclé fabric—was fêted high above Sunset Strip at the iconic Stahl House. Speaking to Ellison at the famous Case Study House #22, she remarked on how wonderful the clash was between her obsession with 70s aesthetics and mid-century mod. A low-slung multi-seater that is modularly configurable, the sofa is an instant classic. photographs by Adrian Gaut

Takuroh Toyama "Float" Photography Exhibition At Kata Gallery's Ebisu Liquid Room in Tokyo

Takuroh Toyama is a photographer based in Tokyo and my good friend. He actually has a lot to do with how I started taking photographs and continue doing it now. I had never encountered photography that moved me before, but the first time I saw his photos it felt like they were somehow different from anything I'd seen up to that point, and I still can clearly remember how excited they made me. It doesn't matter if the subject is fashion or a band, his pictures have a consistency and are full of his own thoughts and viewpoint. That isn't a negative thing, it's in every way positive, and there is a chaotic blend of a longing gaze that isn't offensive, and a warmth overflowing with humanity. He introduced me to the work of amazing photographers like Ryan McGinley and Peter Sutherland. He always walks around with his camera and is always taking pictures. He never does anything stupid like going to hip parties and only taking pictures of cool people. He knows those kinds of pictures aren't any good (they just get consumed), and he is well aware the "cool" generally talked about is a persona. I really feel like I learned a lot from that attitude of his and his work which is full of it. His exhibition ended just the other day. I helped out and just because I was free I went there many days, and there were always only good people there. The mood was always good, and even though it's too bad that it ended, you can see his photos online too, so definitely take a look. text and photographs by Yuki Kikuchi. Translation by Bowen Cassey